Trem King Westport CT

The beauty of the Trem King is that it delivers the main advantage of a floating bridge—namely, the ability to encircle anote with vibrato that moves below and above the centerpitch—without the notorious mechanical headaches that accompany mostfloating bridges and other vibrato setups.

Music Center Of Westport
(203) 259-7615
1460 Post Rd E
Westport, CT
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Repairs : Yes
Hours
Normal Business Hours:
Monday - Thursday 10am to 7pm
Friday 10am to 6pm
Saturday 10am to 5pm
CLOSED SUNDAYS
See below for info regarding holiday closures, etc.
Summer Hours:
(June 21 -- Labor Day)
Monday - Thursday 10am to 6pm
Friday 11am to 4pm,
but CLOSED FRIDAYS August 6-20.
(Open August 27)
Saturday 11am to 4pm
CLOSED for Independence Day (Fri, 7/3 and Sat, 7/4) & Labor Day (Mon, 9/7)

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Merit Music Store & Lesson
(203) 847-6100
143 Main St
Norwalk, CT
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
Zera Musicland
(203) 255-2881
1863 Post Rd
Fairfield, CT
Types of Instruments Sold
Acoustic Piano, Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided by:
Westport-Fairfield Piano&Organ
(203) 331-9000
322 Black Rock Tpke
Fairfield, CT
Types of Instruments Sold
Acoustic Piano, Digital Piano

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Liberty Banjo Co
(203) 374-7072
245 Nancy Dr
Bridgeport, CT
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Piano Matchmaker
(203) 644-9197
112 Harvest Commons
Westport, CT

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Norwalk Music Inc
(203) 847-3925
120 New Canaan Ave
Norwalk, CT
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Fry's Westport Fairfield Piano & Organ Inc.
(203) 331-9000, (203) 778-1234
322 Black Rock Turnpike
Fairfield, CT
 
Black Rock Music Center
(203) 384-2207
3004 Fairfield Ave
Bridgeport, CT
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Altel Sound Sys - Ct
(203) 374-0162
2392 Main St
Bridgeport, CT
Types of Instruments Sold
Sound Reinforcement, Recording Equipment, DJ Equipment

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Trem King TK-1 and TK-2

If you thought building a better mousetrap was hard, try reinventingthe whammy bar. It’s not a challenge many entrepreneurs have the guts,brains, and vision to take on, but Canada’s Sheldon Lavineway—whobrought you the split-block dual-trem bridge known as the DoubleWhammy—seems obsessed with evolving the wiggle stick. His passion haspaid off, because his latest creation, the Trem King TK-1 ($159retail/$129 street), is one of the more innovative re-imaginings of thevibrato system since the introduction of the Floyd Rose locking tremthree decades ago. The beauty of the Trem King is that it delivers themain advantage of a floating bridge—namely, the ability to encircle anote with vibrato that moves below and above the centerpitch—without the notorious mechanical headaches that accompany mostfloating bridges and other vibrato setups.

For example, as is not the case with fulcrum trems, you can lean or even pound your picking hand on the Trem King bridge, and, because its bridge plate is affixed to the body with screws, the saddles will never tilt, and the strings won’t go sharp. Nice. The genius of the Trem King is that its only moving part is the trem block. (The strings load through it, and wrap around its rounded upper edge as they head to the saddles.) Yank on the TK’s unique Grip Tip vibrato arm, and the block swivels below the plate via sealed bearings. As the tension changes, the strings slide with pedal- steel-like grace over custom low-friction Graph Tech saddle pins. Even dual-tension floating-bridge setups (trems with a Hipshot Tremsetter, Ibanez Zero Point System, or other supplemental spring device in place) can’t come close to this level of bridge stability.

Speaking of the dual-tension approach, it’s through the same physics that the Trem King’s block remains immobile until the bar is engaged. As a downward bar bend is released, two springs pull the block back to center. At all other times—with the exception of upward bar bends—one of those springs has an additional function: It pulls on a crossbar that rests against the block and holds it stationary when the string tension is increased during standard bends. This is great, because it means oblique bends stay in tune. (Yup—like on a Les Paul or a Telecaster, a fretting-hand bend on one string won’t pull a stationary note on another flat.) Similarly, the Trem King lets you tune the low string down a whole-step for dropped-D tuning without having to retune all the other strings. It’s pretty cool to be able do this stuff on a floating system!

Wang bar extremists should know that the Trem King is not particularly suited for huge dive bombs, soaring Vai-style squeals, or Jeff Beck-approved floating-bridge gurgles, as it simply doesn’t have the pitch range and specific mechanical quirks such antics require. In fact, I found that during absurdly violent torture tests, it was possible to actually cause a spring to shake loose on the Trem King (which, for the record, is something that ca...

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