Trem King Fergus Falls MN

The beauty of the Trem King is that it delivers the main advantage of a floating bridge—namely, the ability to encircle anote with vibrato that moves below and above the centerpitch—without the notorious mechanical headaches that accompany mostfloating bridges and other vibrato setups.

Fergus Music
(218) 736-5541
122 E Lincoln Ave
Fergus Falls, MN
Types of Instruments Sold
Acoustic Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Ackerman'S Piano Workshop, Inc.
(952) 890-2806
2511 Highway 13 W
Burnsville, MN
Types of Instruments Sold
Organs

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Music Shop
(763) 479-3600
Po Box 403
Maple Plain, MN

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Music Mart
(507) 752-7312
Po Box 326
Lamberton, MN
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Print Music

Data Provided by:
Schmitt Music Company
(612) 695-0671
14592 Alabama Ave S
Savage, MN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Nelson Music
(218) 842-5151
Pob 5
Erhard, MN
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

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Mahler Music Center
(651) 224-6943
907 Randolph Avenue
St. Paul, MN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Repairs for accordion and concertinas including bellow working, keyboard leveling, fixing switch mechanisms, replacing leathers, reed waxing and tuning and electronic repairs.
Hours
10-4 M-F, 10-2 Sat

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Risen Drums
(651) 603-0900
9131 34 1 2 Ave N
New Hope, MN
Types of Instruments Sold
Band & Orchestral

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Rosewood Music
(218) 720-6086
394 S Lake Ave Ste 304
Duluth, MN
Types of Instruments Sold
Guitars & Fretted Instruments

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Kezar Music Co
(218) 681-2148
Po Box 237
Thief River Falls, MN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Trem King TK-1 and TK-2

If you thought building a better mousetrap was hard, try reinventingthe whammy bar. It’s not a challenge many entrepreneurs have the guts,brains, and vision to take on, but Canada’s Sheldon Lavineway—whobrought you the split-block dual-trem bridge known as the DoubleWhammy—seems obsessed with evolving the wiggle stick. His passion haspaid off, because his latest creation, the Trem King TK-1 ($159retail/$129 street), is one of the more innovative re-imaginings of thevibrato system since the introduction of the Floyd Rose locking tremthree decades ago. The beauty of the Trem King is that it delivers themain advantage of a floating bridge—namely, the ability to encircle anote with vibrato that moves below and above the centerpitch—without the notorious mechanical headaches that accompany mostfloating bridges and other vibrato setups.

For example, as is not the case with fulcrum trems, you can lean or even pound your picking hand on the Trem King bridge, and, because its bridge plate is affixed to the body with screws, the saddles will never tilt, and the strings won’t go sharp. Nice. The genius of the Trem King is that its only moving part is the trem block. (The strings load through it, and wrap around its rounded upper edge as they head to the saddles.) Yank on the TK’s unique Grip Tip vibrato arm, and the block swivels below the plate via sealed bearings. As the tension changes, the strings slide with pedal- steel-like grace over custom low-friction Graph Tech saddle pins. Even dual-tension floating-bridge setups (trems with a Hipshot Tremsetter, Ibanez Zero Point System, or other supplemental spring device in place) can’t come close to this level of bridge stability.

Speaking of the dual-tension approach, it’s through the same physics that the Trem King’s block remains immobile until the bar is engaged. As a downward bar bend is released, two springs pull the block back to center. At all other times—with the exception of upward bar bends—one of those springs has an additional function: It pulls on a crossbar that rests against the block and holds it stationary when the string tension is increased during standard bends. This is great, because it means oblique bends stay in tune. (Yup—like on a Les Paul or a Telecaster, a fretting-hand bend on one string won’t pull a stationary note on another flat.) Similarly, the Trem King lets you tune the low string down a whole-step for dropped-D tuning without having to retune all the other strings. It’s pretty cool to be able do this stuff on a floating system!

Wang bar extremists should know that the Trem King is not particularly suited for huge dive bombs, soaring Vai-style squeals, or Jeff Beck-approved floating-bridge gurgles, as it simply doesn’t have the pitch range and specific mechanical quirks such antics require. In fact, I found that during absurdly violent torture tests, it was possible to actually cause a spring to shake loose on the Trem King (which, for the record, is something that ca...

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