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If you have difficulties improvising over the chord changes in "Purple Haze", the techniques of Indian Raga would help you to improvise more effectively. If you want to know how to do it, keep on reading to find the answers.

Wes Shepard
1374 Luther Way
Lawrenceville, GA
Instruments
Electric Bass, Guitar
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$36
Years of Experience
14 Years

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Alicats Dance Studio
(770) 967-4945
5507 E Main St
Flowery Branch, GA
 
Guitar Lessons by Mark D SWNSN
(770) 972-7357
Snellville, GA
 
Tim H.
(877) 231-8505
Lindridge Drive
Atlanta, GA
Subjects
Music Recording, Bass Guitar, Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
Classical Blues Rock
Education
University Of georgia - Psychology - (Bachelor's degree received) Georgia State university - Guitar Performance - (Bachelor's degree received)
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TakeLessons Music Teacher

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Dylan C.
(877) 231-8505
Pine Valley ct.
Hiram, GA
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Songwriting, Bass Guitar, Guitar, Classical Guitar, Music Performance, Music Recording, Music Theory
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5 to 99
Specialties
Guitar- Sweep picking, Two hand tapping, Alternate picking, String skipping, etc Genre-Rock, Classical, Jazz, Metal, etc
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Atlanta Institute of Music - Guitar - 2007-2010 (Degree received)
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TakeLessons Music Teacher

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Guitar Lessons
(770) 985-4114
2954 Moore Avenue
Lawrenceville, GA
 
Mountaintop Guitar Instruction
(770) 377-1980
2116 Tanglewood Dr
Snellville, GA
 
Joseph A.
(877) 231-8505
Ralph McGill Blvd.
Atlanta, GA
Subjects
Guitar, Bass Guitar
Ages Taught
8 to 99
Specialties
I specialize in rock, blues, and country styles; I have some experience in jazz. I can teach simple chords and songs as well as scales, modes and improvisation.
Education
Univ. of North Carolina-Chapel Hill - Jounalism - 1995-1999 (degree received)
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TakeLessons Music Teacher

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Michael B.
(877) 231-8505
Collier Trace
Kennesaw, GA
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Guitar
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10 to 99
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Specialize in Jazz, Rock
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Georgia State University - Music Management - 2004-Present (not complete)
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TakeLessons Music Teacher

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Benjamin H.
(877) 231-8505
Mountain View Drive
Cumming, GA
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Music Theory, Guitar, Songwriting, Music Performance, Bass Guitar, Music Recording
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5 to 99
Specialties
Jack of all trades, master of none.
Education
Art Institute - Audio Production - 2008- (not complete) Excelsior College - English - 2002 (Bachelor's degree received)
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TakeLessons Music Teacher

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The Music of Jimi Hendrix Applied to Indian Raga

The Music of Jimi Hendrix Applied to Indian Raga By Matthew Montfort

I began to think about the intersection between raga the music of Jimi Hendrix after seeing a photograph of Jimi in the front row of an Indian music concert, his mouth agape in awe of what he was experiencing.

One day a student of mine was having difficulty improvising over the chord changes in "Purple Haze," and I had the idea that the techniques learned by studying Indian music would help my student to improvise more effectively.

An Indian raga is a melodic recipe for a mood: a “super scale” using a set of notes in ascending and descending order, a hierarchy of note importance, and a key phrase that shows the heart of the movement of the raga. I was inspired to create a modern raga based on the guitar solo in "Purple Haze." Before I explain how to use this raga to create your own music that is tonally related to Hendrix’s solo, some explanation of the Indian system of music is necessary.

North Indian raga uses a system of solfeggio (i.e “do, re, mi, fa, so, la, ti, do”) known as sargam with seven note names per octave, starting with Sa (the tonic and main drone note) followed by Re (2), Ga (3), ma (4), Pa (5), Dha (6) and Ni (7). Indian music does not utilize the concept of perfect pitch where absolute note values are recognized. Sa can be set to any note, and is normally set to the most convenient place for the instrumentalist or vocalist. Just as in Western music, there are 12 main tones per octave, but there are also microtonal ornaments similar to the use of quarter tones in the blues. Indian raga uses a non-tempered tuning system where Sa and Pa are tuned a perfect just fifth apart. The other notes are close to the Western just tuning system, but the tuning of individual notes can vary from raga to raga. The word komal refers to the minor or flat version of a note, shuddh refers the natural or major version, and tivra refers to sharp or augmented version. Sa (1) and Pa (5) cannot be modified. Re (2), Ga (3) Dha (6) and Ni (7) can be either shuddh Re (M2), Ga (M3) Dha (M6) or Ni (M7), which correspond to the Western major intervals, or komal re (m2), ga (m3) dha (m6) or ni (m7), which correspond to the Western minor intervals. The note ma (4) can be either shuddh ma (P4), the natural perfect 4th, or tivra Ma (#4), which corresponds to the Western augmented fourth. In a common North Indian notation system, capital letter abbreviations are used for the version of the note that is highest in pitch and lower case letters for the note version lowest in pitch. For example, using this notation system, this is how a Western chromatic scale would be written:
.
S r R g G m M P d D n N S

Purple Raga
To improvise within Purple Raga, one should first practice the ascending and descending scales. Notice that the patterns zig zag: they don’t simply go straight up and down a scale. This allows a raga to prescribe more than simply a mode and to include melodic instruct...

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