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If you have difficulties improvising over the chord changes in "Purple Haze", the techniques of Indian Raga would help you to improvise more effectively. If you want to know how to do it, keep on reading to find the answers.

Intune Studios-Music Education and Entertainment
(863) 683-5104
818 East Lemon Street
Lakeland, FL
 
Carlton Music Center
(863) 294-4216
308 Avenue D NW
Winter Haven, FL
 
Craig S.
(877) 231-8505
Brushcreek Drive
Sanford, FL
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Guitar, Classical Guitar, Music Performance, Music Theory
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9 to 99
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Stetson University - Classical Guitar Performance - 2005-2007 (not complete) Stow-Munroe Falls high - Music Theory - 1985-1989 (High School diploma received)
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Joel M.
(877) 231-8505
SW 37th Ave
Miami, FL
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Guitar
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10 to 99
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Music, Guitar, Spanish, English, Math Classical, Rock, Classic Rock
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Colegio San Jose - - August 1990 - June 1994 University of Puerto Rico - Music Education - August 1994 - June 2003
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Nicholas M.
(877) 231-8505
Gearhart Rd.
Tallahassee, FL
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Bass Guitar, Guitar, Violin, Mandolin, Piano, Percussion, Music Theory, Music Performance, Upright Bass, Flamenco Guitar, Music Recording, Drums, Banjo, Songwriting, Classical Guitar
Ages Taught
1 to 99
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I love all music and have had at least some experience with almost all styles/genres. I have done classical, rap, metal, rock, jazz, Latin, Irish, Chinese, Balinese, Peruvian, Caribbean, bluegrass, country, video game music, you name it...
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Fort Walton Beach High School - Music- Guitar/ Percussion - 2000-2004 (High School diploma received) Okaloosa Walton College - Music- Classical guitar - 2004-2006 (Associate degree received) Florida State University - Music- Classical guitar - 2007-2009 (Bachelor's degree received)
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All-Star Guitar Lessons by Dylan
(863) 660-6320
Lakeland, FL
 
BOB PRONG GUITAR INSTRUCTION
(813) 689-6711
Seffner, FL
 
Nicole C.
(877) 231-8505
drew st
Clearwater, FL
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Guitar, Drums, Songwriting, Bass Guitar, Piano, Singing, Music Performance, Percussion
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5 to 99
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I have taught mostly rock and classical genres for piano, guitar, drums. Vocally, I teach Rnb, broadway, pop,, top 100.
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SUNY Old Westbury - Elementary Education - 1/00-5/03 (Bachelor's degree received) Dowling University - Literacy Education - 9/04-1/06 (Master's degree received)
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Jacob S.
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NW 54th St
Fort Lauderdale, FL
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Music Performance, Bass Guitar, Music Theory, Guitar
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5 to 99
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I have taught all styles of guitar and played rock, blues, classical, and jazz genres at a high level. All lessons are customized to the learners needs and goals.
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Florida State University - Music, specializing in guitar - 2004-2006 (Bachelor's degree received) ITT Technical College - Business Administration - 2006-2008 (Master's degree received)
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Adam G.
(877) 231-8505
B Huron Ave.
Oldsmar, FL
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Guitar, Bass Guitar, Music Performance, Songwriting, Music Theory
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12 to 99
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all styles of rock, metal, blues, neo-classical, pop. have personally studied alot of medieval-rennaisance music as well as classical, but don't feel qualified to teach classical guitar, as I use an unorthodox fingerstyle approach when playing fingerstyle.
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The Music of Jimi Hendrix Applied to Indian Raga

The Music of Jimi Hendrix Applied to Indian Raga By Matthew Montfort

I began to think about the intersection between raga the music of Jimi Hendrix after seeing a photograph of Jimi in the front row of an Indian music concert, his mouth agape in awe of what he was experiencing.

One day a student of mine was having difficulty improvising over the chord changes in "Purple Haze," and I had the idea that the techniques learned by studying Indian music would help my student to improvise more effectively.

An Indian raga is a melodic recipe for a mood: a “super scale” using a set of notes in ascending and descending order, a hierarchy of note importance, and a key phrase that shows the heart of the movement of the raga. I was inspired to create a modern raga based on the guitar solo in "Purple Haze." Before I explain how to use this raga to create your own music that is tonally related to Hendrix’s solo, some explanation of the Indian system of music is necessary.

North Indian raga uses a system of solfeggio (i.e “do, re, mi, fa, so, la, ti, do”) known as sargam with seven note names per octave, starting with Sa (the tonic and main drone note) followed by Re (2), Ga (3), ma (4), Pa (5), Dha (6) and Ni (7). Indian music does not utilize the concept of perfect pitch where absolute note values are recognized. Sa can be set to any note, and is normally set to the most convenient place for the instrumentalist or vocalist. Just as in Western music, there are 12 main tones per octave, but there are also microtonal ornaments similar to the use of quarter tones in the blues. Indian raga uses a non-tempered tuning system where Sa and Pa are tuned a perfect just fifth apart. The other notes are close to the Western just tuning system, but the tuning of individual notes can vary from raga to raga. The word komal refers to the minor or flat version of a note, shuddh refers the natural or major version, and tivra refers to sharp or augmented version. Sa (1) and Pa (5) cannot be modified. Re (2), Ga (3) Dha (6) and Ni (7) can be either shuddh Re (M2), Ga (M3) Dha (M6) or Ni (M7), which correspond to the Western major intervals, or komal re (m2), ga (m3) dha (m6) or ni (m7), which correspond to the Western minor intervals. The note ma (4) can be either shuddh ma (P4), the natural perfect 4th, or tivra Ma (#4), which corresponds to the Western augmented fourth. In a common North Indian notation system, capital letter abbreviations are used for the version of the note that is highest in pitch and lower case letters for the note version lowest in pitch. For example, using this notation system, this is how a Western chromatic scale would be written:
.
S r R g G m M P d D n N S

Purple Raga
To improvise within Purple Raga, one should first practice the ascending and descending scales. Notice that the patterns zig zag: they don’t simply go straight up and down a scale. This allows a raga to prescribe more than simply a mode and to include melodic instruct...

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