Music Shops Cantonment FL

If you have difficulties improvising over the chord changes in "Purple Haze", the techniques of Indian Raga would help you to improvise more effectively. If you want to know how to do it, keep on reading to find the answers.

Ye Ol Fiddle Shoppes
(850) 479-1989
109 Austin St
Pensacola, FL
 
Andrew B.
(877) 231-8505
Cascades Park Trail Deland, FL
Deland, FL
Subjects
Music Theory, Guitar, Drums, Piano
Ages Taught
13 to 70
Specialties
Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
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Eric F.
(877) 231-8505
SW 54th Way
Boca Raton, FL
Subjects
Trumpet, Music Theory, Music Theory, Guitar, Trumpet, Guitar, Bass Guitar, Bass Guitar, Music Performance, Songwriting, Songwriting, Music Performance, Piano, Piano, Music Recording, Music Recording
Ages Taught
12 to 99
Specialties
lydian chromatic theory, George Russell jazz, rock, pop, digital studio recording, record copying, recording techniques, mastering.
Education
Berklee College - Education - 1976-79 (Bachelor's degree received) New England Conservatory - Composition - 1991-93 (Master's degree received)
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TakeLessons Music Teacher

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Daniel S.
(877) 231-8505
SW 136th St
Miami, FL
Subjects
Classical Guitar, Guitar, Music Theory
Ages Taught
5 to 99
Specialties
I specialize in classical guitar music and technique. I also give instruction in Music Theory.
Education
Vanguard - - 1997-2001 (degree received) U. of Central Florida - Music Performance - 2001-2007 (degree received) Roosevelt U. - CCPA - Music performance - 2008-2010 (degree received)
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Brent B.
(877) 231-8505
Enterprise Road East
Clearwater, FL
Subjects
Bass Guitar, Guitar
Ages Taught
1 to 99
Specialties
rock, blues, pop, folk, and contemporary.
Education
University of Miami - business - 1990-1993 (not complete)
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Ron Kayes Music Instruction
(850) 453-9966
4696 Kimberly Dr
Pensacola, FL
 
Martin D.
(877) 231-8505
Norwood Place
Clearwater, FL
Subjects
Bass Guitar, Classical Guitar, Piano, Guitar, Banjo, Music Theory
Ages Taught
5 to 99
Specialties
Guitar and Bass: Beg. to Advanced banjo and piano: Beg. - intermediate All Styles (except Flamenco) to include Folk, Acoustic Fingerstyle, Rock, Punk, Blues, Country, Church, Bluegrass, Soul, Ragtime and Classical.
Education
Excelsior College - Psychology - 1984-1986 (Bachelor's degree received) University of Maryland - Liberal arts - 1981-1983 (Associate degree received)
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Jeffrey H.
(877) 231-8505
La Costa Court
Melbourne, FL
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Bass Guitar, Music Theory, Guitar
Ages Taught
1 to 99
Specialties
Jeff teaches a broad range of styles for acoustic guitar and bass guitar. From Acoustic rock, contemporary Christian, folk, blue grass, show tunes, rock, funk, slap bass, jazz, swing, and blues.
Education
University of Florida - Bachelor of Arts in Classical Studies - Fall 2003-Spring 2007 (Bachelor's degree received) University of Florida - Bachelor of Science in Family, Youth, and Community Science - Fall 2003-Spring 2007 (Bachelor's degree received) Reformed Theological Seminary in Orlando - Master of Divinity - Fall 2009-currently enrolled student and will grad in two years. (not complete)
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Miguel R.
(877) 231-8505
SW 15th Ln.
Miami, FL
Subjects
Singing, Guitar
Ages Taught
5 to 18
Specialties
Blues, Rock, Pop
Education
Valencia College - General Studies - Jan 2006-Dec 2008 (Associate degree received) Florida International University - Music - Aug 2010-Present (not complete)
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Stephen G.
(877) 231-8505
North Bolusia Ave.
Orange City, FL
Subjects
Songwriting, Music Recording, Bass Guitar, Classical Guitar, Piano, Guitar, Ukulele, Music Theory
Ages Taught
10 to 99
Specialties
Guitar and bass: beginner to advanced Piano: beginner to intermediate I teach primarily rock and classical guitar, but my degree is in music technology and recording arts.
Education
Stetson University - Music Technology - Fall 2006 - Spring 2010 (Bachelor's degree received)
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The Music of Jimi Hendrix Applied to Indian Raga

The Music of Jimi Hendrix Applied to Indian Raga By Matthew Montfort

I began to think about the intersection between raga the music of Jimi Hendrix after seeing a photograph of Jimi in the front row of an Indian music concert, his mouth agape in awe of what he was experiencing.

One day a student of mine was having difficulty improvising over the chord changes in "Purple Haze," and I had the idea that the techniques learned by studying Indian music would help my student to improvise more effectively.

An Indian raga is a melodic recipe for a mood: a “super scale” using a set of notes in ascending and descending order, a hierarchy of note importance, and a key phrase that shows the heart of the movement of the raga. I was inspired to create a modern raga based on the guitar solo in "Purple Haze." Before I explain how to use this raga to create your own music that is tonally related to Hendrix’s solo, some explanation of the Indian system of music is necessary.

North Indian raga uses a system of solfeggio (i.e “do, re, mi, fa, so, la, ti, do”) known as sargam with seven note names per octave, starting with Sa (the tonic and main drone note) followed by Re (2), Ga (3), ma (4), Pa (5), Dha (6) and Ni (7). Indian music does not utilize the concept of perfect pitch where absolute note values are recognized. Sa can be set to any note, and is normally set to the most convenient place for the instrumentalist or vocalist. Just as in Western music, there are 12 main tones per octave, but there are also microtonal ornaments similar to the use of quarter tones in the blues. Indian raga uses a non-tempered tuning system where Sa and Pa are tuned a perfect just fifth apart. The other notes are close to the Western just tuning system, but the tuning of individual notes can vary from raga to raga. The word komal refers to the minor or flat version of a note, shuddh refers the natural or major version, and tivra refers to sharp or augmented version. Sa (1) and Pa (5) cannot be modified. Re (2), Ga (3) Dha (6) and Ni (7) can be either shuddh Re (M2), Ga (M3) Dha (M6) or Ni (M7), which correspond to the Western major intervals, or komal re (m2), ga (m3) dha (m6) or ni (m7), which correspond to the Western minor intervals. The note ma (4) can be either shuddh ma (P4), the natural perfect 4th, or tivra Ma (#4), which corresponds to the Western augmented fourth. In a common North Indian notation system, capital letter abbreviations are used for the version of the note that is highest in pitch and lower case letters for the note version lowest in pitch. For example, using this notation system, this is how a Western chromatic scale would be written:
.
S r R g G m M P d D n N S

Purple Raga
To improvise within Purple Raga, one should first practice the ascending and descending scales. Notice that the patterns zig zag: they don’t simply go straight up and down a scale. This allows a raga to prescribe more than simply a mode and to include melodic instruct...

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