Sonny Landreth Master Class Winnetka CA

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Garret S.
(877) 231-8505
Owensmouth Ave
Canoga Park, CA
Subjects
Piano, Mandolin, Music Performance, Theatrical Broadway Singing, Music Theory, Guitar, Songwriting, Singing, Bass Guitar
Ages Taught
15 to 60
Specialties
Guitar, Bass and Vocals: all the way to advanced Piano: beg I can sing and play virtually all styles of popular music--blues, rock, country, folk, jazz, latin, you name it. As a performing professional, the skill I call upon most is my ear. Once you learn to hear the chord changes and the rythmic subtleties in a piece of music, you can truly play along with anything. And because that skill directly impacts so many aspects of what we collectively call good musicianship, I tend to make ear deve…
Education
Laney College (Oakland, CA) - Music Theory & Composition - 1976-78 (Associate degree received)
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Taylor D.
(877) 231-8505
Raymond St
Chatsworth, CA
Subjects
Guitar, Drums, Songwriting, Percussion
Ages Taught
5 to 99
Specialties
I specialize in all genres of drum set playing including pop, rock, jazz, funk, latin, r&b, hip-hop, blues, reggae, punk, and heavy metal. I also teach orchestral and marching band snare drum techniques and methods, auxiliary and latin percussion, and guitar up to an intermediate level.
Education
Musicians Institute - Percussion Institute of Technology - fall 2008-summer 2010 (Associate degree received)
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Jay R.
(877) 231-8505
Nordhoff St
Northridge, CA
Subjects
Bass Guitar, Guitar, Upright Bass, Music Theory
Ages Taught
1 to 99
Specialties
My primary emphasis is in classical double bass, both orchestrally and in solo repertoire. I also have extensive experience as an electric bassist in the rock, funk, and pop genres, as well as many years as a guitarist in the same genres. I also have spent some time as a jazz bassist and guitarist, and I am very comfortable teaching jazz bass.
Education
Cal State Northridge - Music Performance - Double Bass - 2008-present (In progress) (not complete) UCLA - Music Performance - Double Bass - 2006-2008 (Bachelor's degree received)
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Jay R.
(877) 231-8505
Kester Ave
Van Nuys, CA
Subjects
Bass Guitar, Guitar, Upright Bass, Music Theory
Ages Taught
1 to 99
Specialties
My primary emphasis is in classical double bass, both orchestrally and in solo repertoire. I also have extensive experience as an electric bassist in the rock, funk, and pop genres, as well as many years as a guitarist in the same genres. I also have spent some time as a jazz bassist and guitarist, and I am very comfortable teaching jazz bass.
Education
Cal State Northridge - Music Performance - Double Bass - 2008-present (In progress) (not complete) UCLA - Music Performance - Double Bass - 2006-2008 (Bachelor's degree received)
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Derek B.
(877) 231-8505
Woodman Ave.
Van Nuys, CA
Subjects
Songwriting, Guitar, Music Theory, Bass Guitar, Piano, Music Performance
Ages Taught
5 to 99
Specialties
My concentration in college was Jazz Guitar, but I'm definitely a Rocker at heart. I can teach all genres of music and guitar and every end of the theory spectrum.
Education
Columbia College - Music: Guitar Performance - 2004-2008 (Bachelor's degree received)
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Julie M.
(877) 231-8505
Topeka Drive
Reseda, CA
Subjects
Piano, Singing, Songwriting, Speaking Voice, Organ, Guitar, Music Recording, Music Performance, Classical Guitar, Theatrical Broadway Singing, Opera Voice, Bass Guitar, Music Theory
Ages Taught
5 to 105
Specialties
I specialize in contemporary music styles, but I am very technique-oriented and I incorporate music theory in every style and instrument that I teach. My methods of teaching range from use of books from beginner to advanced styles, to my own personal lesson plans that I have accumulated over the years. I also specialize in one-on-one singer/songwriter clinics to help better writing styles, melody writing, chord structure, etc.
Education
Berklee College of Music - Voice/Composition - 1998-2001 (Bachelor's degree received) Saguaro High School - General - 1993-1997 (High School diploma received)
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Justin A.
(877) 231-8505
Porter Valley Drive
Porter Ranch, CA
Subjects
Classical Guitar, Piano, Music Recording, Music Theory, Percussion, Acting, Harmonica, Organ, Guitar, Music Performance, Speaking Voice, Songwriting, Trumpet, Singing, Drums, Bass Guitar, Mandolin, Theatrical Broadway Singing
Ages Taught
1 to 99
Specialties
Guitar and Bass: beg to adv Drums: beg to adv Vocals: beg to adv Piano: beg to interm Trumpet: beg Song writing, band arrangements, and orchestral compositions.
Education
Cal State Northridge (CSUN) - Music Composition - 2007-2008 (not complete) Pierce College - Music Composition - 2008-Present (not complete)
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Randy Torno
17013 Lisette St
Granada Hills, CA
Instruments
Autoharps, Banjo, Dulcimer, Electric Bass, Guitar, Mandolin, Stand Up Bass
Styles
Blues, Folk - Country - Bluegrass, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
30 Years

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Barry C.
(877) 231-8505
Ethel Ave.
Van Nuys, CA
Subjects
Bass Guitar, Guitar
Ages Taught
5 to 70
Specialties
music theory, jazz guitar, rock guitar, classical guitar
Education
San Rafael High - General Education - (High School diploma received) North Texas State - Music - (Bachelor's degree received)
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Peter O.
(877) 231-8505
Corteen Place
Valley Village, CA
Subjects
Clarinet, Music Performance, Flute, Music Theory, Music Recording, Songwriting, Guitar, Trumpet, Saxophone
Ages Taught
5 to 14
Specialties
I specialize in improvisation techniques. Latin Jazz Classical Saxophone
Education
Berklee College of Music - Music Ed. - 1996-2001 (Bachelor's degree received) CSU Fresno - Music Performance - 2006-2008 (Master's degree received) Impact internship program - single subject teaching credential - 2008-2010 (Degree received)
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TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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