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Sonny Landreth Master Class Selma CA

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Bentleys DRUM Shop
(559) 222-5011
4477 N Blackstone Ave
Fresno, CA
 
Enrique P.
(877) 231-8505
Misty Circle
Encinitas, CA
Subjects
Drums, Percussion, Guitar
Ages Taught
10 to 99
Specialties
I specialize in teaching Latin percussion instruments including the drum set, cajon (DrumBox), bongos, dumbek and congas. Spanish Music for kids Spanish:Lessons for teens and adults, Spanish Music Program(Learn spanish with songs, music age 8-9) Also I teach how to make and how to play with sequences and loops. Latin rhythms, rock, world music beats, jazz, Latin Jazz, pop--the style is up to the student.
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Aaron L.
(877) 231-8505
Cherokee Avenue
Apple Valley, CA
Subjects
Singing, Percussion, Guitar, Drums, Bass Guitar, Songwriting, Piano, Music Theory, Organ, Music Recording, Music Performance
Ages Taught
5 to 99
Specialties
Most popular styles such as: Reggae, Pop, Rock, Heavy Metal, Jazz, and classical. as well as foreign styles: Indian and middle eastern music theory and many latin styles like salsa, mambo, bossa nova, and samba. I teach the fundamentals of course but I tailor all my lessons to the individual student.
Education
Victor Valley College - Fine Arts/Music Liberal Arts/Music - 2005 - 2009 (Associate degree received)
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Derek B.
(877) 231-8505
Woodman Ave.
Van Nuys, CA
Subjects
Songwriting, Guitar, Music Theory, Bass Guitar, Piano, Music Performance
Ages Taught
5 to 99
Specialties
My concentration in college was Jazz Guitar, but I'm definitely a Rocker at heart. I can teach all genres of music and guitar and every end of the theory spectrum.
Education
Columbia College - Music: Guitar Performance - 2004-2008 (Bachelor's degree received)
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robert v.
(877) 231-8505
Stansfield Lane
Santa Clarita, CA
Subjects
Music Theory, Music Performance, Songwriting, Guitar, Bass Guitar
Ages Taught
13 to 50
Specialties
specialize in kodally method,advanced knowledge in hybrid picking,finger picking,travis picking,chicken picking,cross picking,flat picking,slide guitar and open tunings.Knowledge in styles like blues,swing,rockabilly,western swing,country, Nassville sound,southern rock,honky-tonk and rock.
Education
university of Oviedo - Kodally method - graduated in 1993 (Associate degree received) musicians institute - guitar,music theory,harmony,ear training,songwriting - graduated in 1995 (Associate degree received)
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Charles Mark Guitar Studio
(559) 229-2502
5832 E Pontiac Way
Fresno, CA
 
Ron T.
(877) 231-8505
Harrison St
Santa Clara, CA
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Guitar, Music Performance, Music Recording, Songwriting, Classical Guitar, Music Theory
Ages Taught
5 to 99
Specialties
I try my hardest to find a path for each student. I can teach most styles, Classical, Blues, Folk. I prefer to teach in a traditional way with reading and theory being a part of the session. but I also mix in learning from recordings and teaching improvisation.
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College of San Mateo - Generaled & Music - 76 - 81 (not complete)
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Noah W.
(877) 231-8505
n. serrano
Los Angeles, CA
Subjects
Music Performance, Classical Guitar, Piano, Guitar, Bass Guitar, Music Theory, Fiddle, Songwriting, Violin, Singing, Music Recording
Ages Taught
5 to 99
Specialties
I specialize in the classical and rock genres.
Education
UNC school of the arts - Violin, Composition - 1996-2000 (Bachelor's degree received)
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Nick O Rogers
San Franscico, CA
Instruments
Composition, Drums, Guitar, Organ, Other, Piano, Trumpet, Voice, World Music
Styles
Classical, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$30
Years of Experience
3 Years

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Brian P.
(877) 231-8505
Canterbury Drive,
Culver City, CA
Subjects
Piano, Music Performance, Classical Guitar, Music Theory, Guitar, Bass Guitar
Ages Taught
5 to 99
Education
California State University, Los Angeles - Music (Piano, Classical Guitar Performance) - 1968-71, 1980-86 (Bachelor's degree received)
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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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