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Sonny Landreth Master Class Selma CA

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Bentleys DRUM Shop
(559) 222-5011
4477 N Blackstone Ave
Fresno, CA
 
Frank V.
(877) 231-8505
W. Lugonia Ave
Redlands, CA
Subjects
Music Theory, Bass Guitar, Guitar, Music Performance, Songwriting
Ages Taught
5 to 99
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songwriting, performance and theory
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San Diego State University - Music - 1994-1999 (Bachelor's degree received)
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Iain R.
(877) 231-8505
Watson Dr. No.
Campbell, CA
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Music Performance, Speaking Voice, Classical Guitar, Guitar, Music Theory
Ages Taught
5 to 99
Specialties
I specialize in Classical Guitar and for this use mostly Aaron Shearer's method described in The Classic Guitar, however, for non-classical guitar I ask the students to burn me a cd (or make a play list) of songs they like and combine general knowledge of guitar with techniques and songs specifically catered to the student.
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Peabody Conservatory of Music/Johns Hopkins University - Guitar Performance - 2004-2008 (Bachelor's degree received) Peabody Conservatory of Music/Johns Hopkins University - Guitar Performance - 2008-2009 (Master's degree received)
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Emily S.
(877) 231-8505
Bocana Street
San Francisco, CA
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Music Theory, Music Performance, Songwriting, Guitar
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12 to 99
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I specialize in folk and pop music, as well as song writing. I can teach students both fingerpicking and strumming, as passed from artists such as Mississippi John Hurt, Bob Dylan, and Ani Difranco. Passed down from my teacher, I have a series of songs that go from beginner to advanced, with songs like Landslide (by Fleetwood Mack) in the fingerpicking path, and Fields of Gold (by Sting) in the strumming path. I use my knowledge of general music theory to enhance each lesson, using a set of w…
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Audubon Expedition Institute - Environmental Studies - 2006-2008 (Bachelor's degree received)
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Grant G.
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S. Elm Dr.
Beverly Hills, CA
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Music Recording, Songwriting, Music Theory, Guitar
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5 to 65
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Mel Bay's modern guitar method grade 1-2, beginner to intermediate jazz guitar, songwriting with guitar, rock and folk guitar, music theory and composition from beginner to professional. Music recording/composing with Pro Tools, Logic, and Finale.
Education
College of Charleston - Music Composition/Theory - 2001-2005 (Bachelor's degree received) New York University - Music Composition/Film Scoring - 2007-2009 (Master's degree received)
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Charles Mark Guitar Studio
(559) 229-2502
5832 E Pontiac Way
Fresno, CA
 
Noah W.
(877) 231-8505
n. serrano
Los Angeles, CA
Subjects
Music Performance, Classical Guitar, Piano, Guitar, Bass Guitar, Music Theory, Fiddle, Songwriting, Violin, Singing, Music Recording
Ages Taught
5 to 99
Specialties
I specialize in the classical and rock genres.
Education
UNC school of the arts - Violin, Composition - 1996-2000 (Bachelor's degree received)
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Aaron L.
(877) 231-8505
Cherokee Avenue
Apple Valley, CA
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Singing, Percussion, Guitar, Drums, Bass Guitar, Songwriting, Piano, Music Theory, Organ, Music Recording, Music Performance
Ages Taught
5 to 99
Specialties
Most popular styles such as: Reggae, Pop, Rock, Heavy Metal, Jazz, and classical. as well as foreign styles: Indian and middle eastern music theory and many latin styles like salsa, mambo, bossa nova, and samba. I teach the fundamentals of course but I tailor all my lessons to the individual student.
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Victor Valley College - Fine Arts/Music Liberal Arts/Music - 2005 - 2009 (Associate degree received)
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Louis V.
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West Douglas Ave
El Cajon, CA
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Guitar, Music Theory, Songwriting
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5 to 100
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I specialize in improvising and composition as those are the two areas of music that I find myself contributing most of my time to. I also specialize in the genres of jazz and blues music because most of my gigging comes from these two fields.
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San Diego State University - Bachelor's in Music: Jazz Studies (Performance) - 2006-2010 (Bachelor's degree received)
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Maximilian R.
(877) 231-8505
Parkside Ave
Daly City, CA
Subjects
Guitar, Bass Guitar, Classical Guitar, Flamenco Guitar, Music Theory
Ages Taught
7 to 99
Specialties
Whether its Rock, Blues, Jazz, Classical, or Acoustic Fingerstyle I am specialized in all the above. I also teach Latin, pop, funk, country and any other style you can think of. Come on and learn your favorite type of music on the guitar!
Education
Cal State University, Northridge - Music Performance - 2003-2007 (Bachelor's degree received) Koblenz Guitar Acadamy - Guitar Performance - 2007-2009 (Degree received)
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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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