Sonny Landreth Master Class Oneonta NY

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Mark V.
(877) 231-8505
Park Ave.
New York, NY
Subjects
Classical Guitar, Music Theory, Guitar
Ages Taught
5 to 99
Specialties
I have experience with many styles of guitar-playing, including jazz, classical, rock, and folk. Most of my performances have been in classical and jazz styles, though I have spent many summers playing acoustic guitar for camp fires. Professionally, I am a sound designer for theater, putting to use my training in music theory and composition. I have also composed original music for two full-length theatrical productions, as well as conducted an ensemble of eight musicians for one of those pro…
Education
Vassar College - Music - 9/06 - 5/10 (Bachelor's degree received)
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Jessica D.
(877) 231-8505
Division Street
New York, NY
Subjects
Ukulele, Songwriting, Singing, Music Performance, Guitar, Music Recording
Ages Taught
5 to 99
Specialties
I am interested in teaching unusual instruments such as ukulele, singing saw, electronic autoharp (and regular autoharp). I can also teach guitar (I have been playing myself for about 18 years), singing and songwriting. I have a very easy going style which consists of the two of us sitting one on one and starting with the basics, then moving on to learn others' songs (The Beatles or other stand by classics are a good place to start) and then trying to compose our own songs, as well, if there …
Education
Lincoln Academy - - 9/90 - 6/94 (High School diploma received) University of Maine, Augusta - Fine Art - 9/96 - 6/97 (not complete) Art Institute of Philadelphia - Animation - 9/98 - 6/00 (Associate degree received)
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Isaac S.
(877) 231-8505
Riverside Dr. 5C
New York, NY
Subjects
Music Theory, Guitar, Classical Guitar
Ages Taught
12 to 50
Specialties
Most of my musical training is in classical guitar, but I have more experience teaching rock and acoustic to beginning students.
Education
Eastman School of Music - classical guitar - 9/04-5/09 (Bachelor's degree received) Manhattan School of Music - classical guitar - 9/2010-present
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Kenny P.
(877) 231-8505
23rd st
Brooklyn, NY
Subjects
Music Recording, Music Performance, Guitar, Songwriting, Music Theory
Ages Taught
9 to 30
Specialties
I have been teaching rock music mostly when it comes to playing. I try to involve music theory in everything I teach as well. My songwriting lessons are very involved in theory.
Education
Berklee College of Music - - 2005-2009 (Bachelor's degree received)
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Mike L.
(877) 231-8505
Odell Place
New Rochelle, NY
Subjects
Music Theory, Cello, Music Recording, Music Performance, Guitar, Piano
Ages Taught
8 to 99
Specialties
Cello - Classical, Improvisational Rock/Metal & Jazz Training/Experience. Piano - Classical, Improvisation. Guitar - Rock/Metal, Improvisation.
Education
Manhattanville College - Music/Psychology - 2005-2009 (Bachelor's degree received)
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Douglas Gibson
190 Columbus Ave 3-D none
New York, NY
Instruments
Composition, Ear Training, Film Scoring, Guitar, Music Business
Styles
Classical, Folk - Country - Bluegrass, Jazz, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
11 Years

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Matthew M.
(877) 231-8505
Samuels Path
Miller Place, NY
Subjects
Acting, Music Theory, Viola, Guitar, Singing, Piano, Clarinet, Upright Bass, Speaking Voice, Music Performance, Violin, Cello, Bass Guitar
Ages Taught
5 to 99
Specialties
I am well-versed in the Suzuki, Strictly String, Muller-Rusch, and Essential Elements methods. I find it helpful and insightful to include both classical and contemporary/pop music. In addition, I am constantly coming up with unique activities and lessons of my own that I think will benefit the student.
Education
Susquehanna University - Music Education - 08/2006-05/2010 (Bachelor's degree received)
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Peter H.
(877) 231-8505
Landmark Sq.
Port Chester, NY
Subjects
Music Theory, Guitar
Ages Taught
10 to 60
Specialties
I teach a wide range of popular music styles, with both electric and acoustic guitars, specializing in jazz, but also rock, blues, Latin, Brazilian, and contemporary styles. I use a variety of written materials such as the Berklee Guitar Series, songbook collections (from the Beatles, Eric Clapton and Jon Mayer to Pat Metheny, Wes Montgomery and Broadway composers) and theory methods. I also use play-along recordings for students to work on soloing and timing. Topics include basic technique, …
Education
Berklee College of Music - Guitar, composition - 1973-1977 (Bachelor's degree received)
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Alexander S.
(877) 231-8505
35th Street
Astoria, NY
Subjects
Music Theory, Bass Guitar, Music Recording, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
On guitar/bass, I specialize in pop, rock, country, blues, and jazz. If you need help with music theory and composition, I teach songwriting, composition, orchestration, traditional theory and counterpoint, as well as Contemporary/Jazz Music Theory, and Ear-training. For those interested in music production and engineering, I can show you how to use some of the tools available for computer (Pro-tools, Logic, Reason, Sonar, Peak, Final Cut Pro). And, I can teach you how to produce a song, reco…
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Berklee College of Music - Guitar, Music Production - 1998 - 2002 (Bachelor's degree received) New York University - Music Composition - 2004 - 2008 (Master's degree received)
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Joseph V.
(877) 231-8505
Crescent Road
Astoria, NY
Subjects
Bass Guitar, Music Theory, Upright Bass, Songwriting, Music Recording, Drums, Guitar, Percussion, Music Performance
Ages Taught
12 to 99
Specialties
Jazz, Rock, Funk, Pop, Rhythm and Blues, Slide Guitar
Education
Seton Hall University - History and Latin - Completed 2000 (Bachelor's degree received) NYU - Music - Completed 2003 (Master's degree received)
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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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