Sonny Landreth Master Class Oneonta NY

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Phillip D.
(877) 231-8505
64th street
Brooklyn, NY
Subjects
Music Theory, Speaking Voice, Guitar, Piano, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
I have been teaching guitar using the Mel Bay series, Aron Sheerer series and enriching it with personal items. Music theory I have used several different texts books and workbooks. For piano I have used the D'Auberg series as well as the Mel Bay series.
Education
Brooklyn College - Music Performance - 2005-2010 (Bachelor's degree received) Brooklyn College - Childhood Education 1-6 - 2005-2010 (Bachelor's degree received)
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TakeLessons Music Teacher

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Dimitry E.
(877) 231-8505
West 136th St.
New York, NY
Subjects
Bass Guitar, Piano, Music Theory, Music Performance, Guitar
Ages Taught
5 to 99
Specialties
I specialize in jazz as well as classical theory and jazz theory.
Education
New York University - Jazz Studies - 9/2005 - 5/2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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Isaac S.
(877) 231-8505
Riverside Dr. 5C
New York, NY
Subjects
Music Theory, Guitar, Classical Guitar
Ages Taught
12 to 50
Specialties
Most of my musical training is in classical guitar, but I have more experience teaching rock and acoustic to beginning students.
Education
Eastman School of Music - classical guitar - 9/04-5/09 (Bachelor's degree received) Manhattan School of Music - classical guitar - 9/2010-present
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TakeLessons Music Teacher

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Jon Tario
1 Barney Rd
Clifton Park, NY
Instruments
Audio Recording, Composition, Ear Training, Electric Bass, Guitar, Mandolin, Piano, Recording
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
6 Years

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Sarel R.
(877) 231-8505
Harris Ave.
Hewlett, NY
Subjects
Music Theory, Guitar, Music Performance
Ages Taught
1 to 99
Specialties
I am a jazz musician, I teach Jazz, improvisation skills (all instruments) and Music theory
Education
Boston Concervatory - Performance - Sep. 1998 (not complete) Berklee College of Music - Performance - Sep. 1989 (Bachelor's degree received)
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TakeLessons Music Teacher

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John O.
(877) 231-8505
Hillside Road
Carmel, NY
Subjects
Music Theory, Opera Voice, Bass Guitar, Guitar, Upright Bass, Classical Guitar, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
7 to 80
Specialties
I can read music in different clefs and have a very good knowledge of music theory. I specialize in pick style guitar but can play classical. I can also play different styles of genres including classical, jazz, rock, metal, funk, ska/punk, and blues.
Education
SUNY Albany - Music Performance (Jazz Guitar) - 2006-2010 (Bachelor's degree received)
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TakeLessons Music Teacher

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Stephen S.
(877) 231-8505
W. 92 st,
New York, NY
Subjects
Singing, Opera Voice, Piano, Guitar
Ages Taught
4 to 70
Specialties
music, voice, Opera, piano, guitar All levels, Really enjoy working with Beginners! classical, opera, broadway, pop, jazz, I'm a good voice builder! and motivator.
Education
Plainedge - liberal arts - 72-76 Cortland university - music - 76-80 Manhattan School of Music - voice,music history - 88-90
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TakeLessons Music Teacher

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Jessica D.
(877) 231-8505
Bowery
New York, NY
Subjects
Guitar, Ukulele, Singing, Music Performance, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I am interested in teaching unusual instruments such as ukulele, singing saw, electronic autoharp (and regular autoharp). I can also teach guitar (I have been playing myself for about 18 years), singing and songwriting. I have a very easy going style which consists of the two of us sitting one on one and starting with the basics, then moving on to learn others' songs (The Beatles or other stand by classics are a good place to start) and then trying to compose our own songs, as well, if there …
Education
Lincoln Academy - - 9/90 - 6/94 (High School diploma received) University of Maine, Augusta - Fine Art - 9/96 - 6/97 (not complete) Art Institute of Philadelphia - Animation - 9/98 - 6/00 (Associate degree received)
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TakeLessons Music Teacher

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Cesar A.
(877) 231-8505
Patchen Ave
Brooklyn, NY
Subjects
Saxophone, Guitar, Music Performance, Speaking Voice, Music Recording, Music Theory, Songwriting
Ages Taught
5 to 99
Specialties
The primary focus of my work is in songwriting. My conservatory training is in Saxophone and Electronic music. I can teach guitar and music theory. I can also help students with singing in folk, rock and pop styles.
Education
Oberlin Conservatory - Saxophone/Electronic/Interdisciplinary Performance - 1999-2003 (Bachelor's degree received) Bard College - MFA in Music/Sound - 2006-2008 (Master's degree received)
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TakeLessons Music Teacher

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Yvan S.
(877) 231-8505
Bay Blvd
Atlantic Beach, NY
Subjects
Music Performance, Bass Guitar, Guitar, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I mostly specialize in the rock genre, although I can teach some jazz and little bit of classical. I like to teach students songs that they choose in order to keep the interested as well as demonstrate techniques and different playing styles. For example when teaching bass guitar, I encourage my students to use both their fingers and pick and to be comfortable with both. I explain how each technique yields different tonal responses and how they might fit in to particular genre or studio situa…
Education
Baruch College - Music - 2001-2006, Current (not complete) Institute of Audio Research - Music Production and Recording - 2008-2009 (Degree received)
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TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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