Sonny Landreth Master Class Oneonta NY

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Yvan S.
(877) 231-8505
Bay Blvd
Atlantic Beach, NY
Subjects
Music Performance, Bass Guitar, Guitar, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I mostly specialize in the rock genre, although I can teach some jazz and little bit of classical. I like to teach students songs that they choose in order to keep the interested as well as demonstrate techniques and different playing styles. For example when teaching bass guitar, I encourage my students to use both their fingers and pick and to be comfortable with both. I explain how each technique yields different tonal responses and how they might fit in to particular genre or studio situa…
Education
Baruch College - Music - 2001-2006, Current (not complete) Institute of Audio Research - Music Production and Recording - 2008-2009 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Matthew M.
(877) 231-8505
Samuels Path
Miller Place, NY
Subjects
Acting, Music Theory, Viola, Guitar, Singing, Piano, Clarinet, Upright Bass, Speaking Voice, Music Performance, Violin, Cello, Bass Guitar
Ages Taught
5 to 99
Specialties
I am well-versed in the Suzuki, Strictly String, Muller-Rusch, and Essential Elements methods. I find it helpful and insightful to include both classical and contemporary/pop music. In addition, I am constantly coming up with unique activities and lessons of my own that I think will benefit the student.
Education
Susquehanna University - Music Education - 08/2006-05/2010 (Bachelor's degree received)
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TakeLessons Music Teacher

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John L.
(877) 231-8505
E 28th St.
New York, NY
Subjects
Bass Guitar, Piano, Upright Bass, Ukulele, Guitar, Music Recording
Ages Taught
6 to 99
Specialties
I have been lucky to play tons of different types of music. I believe I can give musicians and aspiring musicians a deep understanding of what is most important in many different styles of music. Music I have been lucky enough to study and play professionally: Jazz, Rock, Funk, Afro-Cuban, Brazilian, Blues, Classical, Pop. I'm also a very good transcriber, so if there is a song you heard on the radio we can definitely play it! Ear training could be an area in which I could be of service to yo…
Education
Grove School Of Music - Bass - 1990-1991 (Degree received) San Diego State - Jazz Performance - 1992-1995 (Bachelor's degree received)
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TakeLessons Music Teacher

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Dimitry E.
(877) 231-8505
West 136th St.
New York, NY
Subjects
Bass Guitar, Piano, Music Theory, Music Performance, Guitar
Ages Taught
5 to 99
Specialties
I specialize in jazz as well as classical theory and jazz theory.
Education
New York University - Jazz Studies - 9/2005 - 5/2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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Sebastian C.
(877) 231-8505
East 104th Street
New York, NY
Subjects
Music Theory, Guitar, Music Performance, Songwriting
Ages Taught
5 to 99
Specialties
I start by setting specific goals (within a defined time-frame) and develop a program accordingly. I am comfortable with jazz, rock and all popular forms of American music (r&b, funk, folk, etc) I have worked extensively with Latin American rhythms from Son, Bossa Nova, Samba, Bolero, to more uncommon like traditional Colombian (cumbia, vallenato) and Peruvian (landó, festejo) rhythms
Education
City College of New York - Jazz Guitar - 1999-2004 (Bachelor's degree received) Manhattan School of Music - Jazz Guitar - 2007-2009 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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Michael S.
(877) 231-8505
E 3 St
New York, NY
Subjects
Music Theory, Banjo, Bass Guitar, Guitar, Ukulele, Harmonica, Piano, Mandolin, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
5 to 99
Specialties
I have extensive experience in a wide variety of styles. These include classical, jazz, country, various ethnic, rock, and pop styles.
Education
St John's Prep - General - 1967-1971 (not complete) Queensborough Community College - Music - 1974-1976 (not complete) Empire State College - Music & Education - 1994-1996 (not complete)
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TakeLessons Music Teacher

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andrew h.
(877) 231-8505
greenbriar lane
Port Washington, NY
Subjects
Guitar
Ages Taught
5 to 99
Specialties
I have a background in rock and metal. I have also studied jazz heavily along with composition. I can also sight read quite well.
Education
New England Conservatory of Music - Contemporary Improvisation - 9/08-3/10 (not complete) Berklee College Of Music - Guitar Performance - 9/06-6/08 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Matt James
1363 Union Street
Brooklyn, NY
Instruments
Guitar, Piano
Styles
Kids
Experience Levels
Beginner
Rate
$25
Years of Experience
17 Years

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Colin C.
(877) 231-8505
Woodpoint Rd
Brooklyn, NY
Subjects
Music Theory, Guitar, Classical Guitar, Songwriting
Ages Taught
5 to 99
Specialties
I myself am a Jazz guitarist, but teach and have much experience in many styles (pop, blues, jazz, rock, finger style etc.)
Education
Brighton Highschool - Math and Music - 1999-2003 (High School diploma received) Berklee College of Music - Performance/Guitar - 2003-2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Tim Lannen
(646) 400-1014
55 Linden blvd 6E
Brooklyn, NY
Instruments
Guitar
Styles
Blues, Folk - Country - Bluegrass, Kids, Rock - Alternative
Experience Levels
Beginner, Intermediate
Rate
$35
Years of Experience
6 Years

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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