Sonny Landreth Master Class Mission TX

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Rick P.
(877) 231-8505
West Ave.
San Antonio, TX
Subjects
Music Recording, Music Theory, Bass Guitar, Songwriting, Guitar, Flamenco Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
I specialize in teaching: 7 string guitar, neoclassical, metal, blues, jazz , gypsy jazz, acoustic, flamenco and classical. Music Theory and recording.
Education
Long Beach City College - Commercial Music-Record Producer - 1990-1994 (Bachelor's degree received) Long Beach City College - Commercial Music-Recording Engineer - 1990-1994 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Jeff M.
(877) 231-8505
White Oak Lane
Splendora, TX
Subjects
Bass Guitar, Piano, Drums, Guitar
Ages Taught
8 to 99
Specialties
drums, guitar (acoustic & electric), bass (4, 5, & 6 string), Keyboard I have my own methods for each instrument that incorporates mechanics, theory, and reading
Education
Nanuet High School - general - graduated 1983 Crown College - Theology - 1987-1991
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TakeLessons Music Teacher

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Andrew D.
(877) 231-8505
fincastle dr.
Katy, TX
Subjects
Bass Guitar, Songwriting, Guitar
Ages Taught
5 to 30
Specialties
I am versed in blues, rock, metal, folk, acoustic-finger-style, and various other acoustic styles. Acoustic finger-style and blues/rock I am perhaps the most highly proficient in, it being the first style I ever learned as a kid. But it is definitely not a limitation.
Education
HCC - no set major - 8/07 - 12/07 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Liliana G.
(877) 231-8505
University Drive
San Marcos, TX
Subjects
Clarinet, Guitar
Ages Taught
11 to 60
Specialties
Clarinet -for beginner, learning the basics of music, proper care for the instrument, learning the body of the instrument, and learn music vocabulary, -I specialize in classical for clarinet. Guitar -proper care of the instrument -learning names of strings/frets -learning the body of the instrument -basic chords -power chords -different strumming techniques
Education
Texas State - Spanish Education with a Music Minor - 2007-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Kristopher B.
(877) 231-8505
Austin, TX
Subjects
Classical Guitar, Music Recording, Music Theory, Music Performance, Guitar, Songwriting, Bass Guitar
Ages Taught
11 to 99
Specialties
On the guitar, I specialize in teaching mostly in rock and blues, but also bossa nova, jazz and classical. I feel like rock and blues are my strongest because I personally love them the most.
Education
Berklee College of Music - Guitar Principal/Film Scoring - 2000-2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Brent N.
(877) 231-8505
Prairie Grove
Houston, TX
Subjects
Guitar
Ages Taught
5 to 99
Specialties
Rock, Alternative, Blues, Metal, Country
Education
University of Houston - Corporate Communication - 2000 - 2007 (Bachelor's degree received) University of Houston - Masters of Business Administration - January 2008 - Present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Joseph B.
(877) 231-8505
East 13th St.
Austin, TX
Subjects
Drums, Music Recording, Guitar
Ages Taught
5 to 19
Specialties
Drums: I have been playing rock music my whole life, I have also studied jazz, swing, latin, symphonic percussion and marching percussion. Playing drums is one of my first loves and I am always willing to learn something new to help teach it better. Recording: I have a Bachelors degree in Music Production & Engineering from Berklee College of Music and am currently working at a recording arts school while freelancing as a recording engineer and live sound engineer. I've worked with lots of di…
Education
Berklee College of Music - Music Production & Engineering - Sept. 2005-Dec 2008 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Matthew B.
(877) 231-8505
East Side Drive
Austin, TX
Subjects
Singing, Music Performance, Speaking Voice, Songwriting, Percussion, Music Recording, Guitar, Bass Guitar, Music Theory
Ages Taught
5 to 99
Specialties
My method varies a great deal, as I often need to emulate styles for film. My natural style is very geared towards a British pop sensibility, although classically I am more influenced by German and Russian composers. My original (family) music education was in sixties pop and blues/folk guitar technique. My penchant for electronic music, ambient, dub, techno, and the like, should also be mentioned, for it has, over the years, effected my personal style.
Education
Austin Community College - Music Theory, Literature - 2009-2010 (not complete) Berklee Boston - Music Production - 2005-2005 (not complete) St. Petersburg College - Electronic Music, Music Composition - 2001-2002 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Raegan F.
(877) 231-8505
BLUFF CREEK LN
Arlington, TX
Subjects
Music Theory, Guitar, Bass Guitar
Ages Taught
1 to 50
Specialties
Acoustic and Electric Guitar: beginning to advanced - Bass: beginning - I can play and teach most styles of music but specialize in acoustic pop rock, rock and country. I enjoy playing and teaching various styles of music. I can teach note reading, chart reading, TAB, rhythm and lead, scales and finger style.
Education
Oklahoma Baptist University - Music - 1984-1988 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Eric Jay B.
(877) 231-8505
Cherbourg Dr.
Fort Worth, TX
Subjects
Guitar, Music Theory, Music Recording
Ages Taught
6 to 25
Specialties
I can teach basic guitar methods from lesson books. However, I really enjoy teaching blues guitar in the styles of Stevie Ray Vaughn, Kenny Wayne Wayne Shepherd, etc. I enjoy teaching lessons that are geared toward music that the student enjoys. I find it rewarding to the student when they realize they can play styles and genres of music they love to listen to.
Education
The University of Arizona - - 2003-2007 (Bachelor's degree received) San Juan College - - 1998-2001 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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