Sonny Landreth Master Class Milford MA

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

George Chapman
73 Stagecoach Road
Holliston, MA
Instruments
Banjo, Guitar, Stand Up Bass
Styles
Folk - Country - Bluegrass
Experience Levels
Beginner, Intermediate
Rate
$40
Years of Experience
30 Years

Data Provided by:
Karen DeBiasse
45 Franklin Street None
Somerville, MA
Instruments
Drums, Guitar, Piano, Voice
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$70
Years of Experience
28 Years

Data Provided by:
Diane Sanabria
453 Bridge Rd. 453 Bridge Rd.
Florence, MA
Instruments
Autoharps, Banjo, Composition, Dulcimer, Ear Training, Ethnomusicology, Guitar, Mandolin, Musicology, Other, Theory, Ukelele, World Music
Styles
Classical, Folk - Country - Bluegrass, Jazz, Kids, Other, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
40 Years

Data Provided by:
Brad G.
(877) 231-8505
Lake Shore Drive
Wayland, MA
Subjects
Music Theory, Bass Guitar, Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
In terms of teaching guitar, my main instrument, I specialize in teaching improvisation and developing solos or lines over chord progressions. I also am versatile in early any style of music and can help any student play what they want to play fast because I understand anything they throw at me. I also excel at teaching jazz and bluegrass because of my extensive knowledge in theory and mandolin, respectively.
Education
Wayland High School - GED - 2000-2004 (High School diploma received) University of Massachusetts Lowell - Music, Sound Recording Technology - 9/06-5/09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Stanislaw W.
(877) 231-8505
Mapleton St.
Brighton, MA
Subjects
Bass Guitar, Music Performance, Music Theory, Mandolin, Guitar
Ages Taught
5 to 99
Specialties
I have several different approaches to teaching. It all depends on the level of the student and comes down to practicality and effective ways of presenting material so it can be remembered, processed and developed further. I use tablature for beginners simply out of practicality. I prefer to move to more hands on approaches with ear-training and note-reading as soon as possible to allow a more universal way of learning instruments and music that allow the student to see beyond the scope of th…
Education
Berklee College of Music - Guitar Performance - 1/2007-5/2010 (Bachelor's degree received) Tufts University - Civil Engineering - 9/2006-5/2007 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Brad G.
(877) 231-8505
Lake Shore Drive
Wayland, MA
Subjects
Music Theory, Bass Guitar, Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
In terms of teaching guitar, my main instrument, I specialize in teaching improvisation and developing solos or lines over chord progressions. I also am versatile in early any style of music and can help any student play what they want to play fast because I understand anything they throw at me. I also excel at teaching jazz and bluegrass because of my extensive knowledge in theory and mandolin, respectively.
Education
Wayland High School - GED - 2000-2004 (High School diploma received) University of Massachusetts Lowell - Music, Sound Recording Technology - 9/06-5/09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Drew P.
(877) 231-8505
Marlborough st.
Boston, MA
Subjects
Guitar, Music Theory, Singing, Songwriting, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in pop-rock style songwriting. I can teach any genre of song on the guitar. I specialize in pop-rock vocal coaching, as well as Broadway style.
Education
Mountain View High - Diploma - 2000 - 2003 (not complete) Berklee College of Music - Pro. Music - 2008 - Current (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Raymond L.
(877) 231-8505
Alanita Drive
Taunton, MA
Subjects
Music Theory, Music Performance, Guitar, Songwriting
Ages Taught
5 to 99
Specialties
I am very strong in teaching Jazz/Blues and Rock guitar. I feel it is important to know beginning to intermediate music theory. I would recommend going as far as possible. I am very strong on basic reading ability along with tablature reading. This of course depends on the style the student is interested in. My methods depend on the students experience and age. Generally I always leave half of the lesson for whatever the student wants help with. The other half is going through my curriculum.
Education
Community College of RI - Jazz Studies - 2007-2010 (not complete) Community College of RI - General Studies - 2007-2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
matt s.
(877) 231-8505
N. Beacon St.
Boston, MA
Subjects
Guitar, Bass Guitar
Ages Taught
10 to 60
Specialties
I try to personalize each lesson to each student. A solid understanding of the basics is essential! I have the student learn from their favorite players & then show them how to do it themselves. Theory,reading,improv & ear-training are all important to me. I teach most styles but my favorite are rock,blues,funk,jazz & country
Education
Musicians Institute - guitar - 1994-1995 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Cameron S.
(877) 231-8505
Chiswick Rd
Brighton, MA
Subjects
Music Theory, Guitar, Bass Guitar, Songwriting, Music Recording
Ages Taught
12 to 99
Specialties
I concentrate on ear training, improvisation, and explore styles ranging from pop, alternative, rock, prog, and blues, to metal, funk, and folk etc. I do not sight read. Rather, I work with the student with theory and arrangement conventions to really understand the music. This intern, greatly sharpens their musical ear and helps them to learn music much faster because they understand how it is put together; why and how it works, etc.
Education
State university of new york at purchase. - Music, with a concentration in studio production - august 2003 - July 2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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