Sonny Landreth Master Class Manhasset NY

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

andrew h.
(877) 231-8505
greenbriar lane
Port Washington, NY
Subjects
Guitar
Ages Taught
5 to 99
Specialties
I have a background in rock and metal. I have also studied jazz heavily along with composition. I can also sight read quite well.
Education
New England Conservatory of Music - Contemporary Improvisation - 9/08-3/10 (not complete) Berklee College Of Music - Guitar Performance - 9/06-6/08 (not complete)
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TakeLessons Music Teacher

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Brian K.
(877) 231-8505
162nd Street
Fresh Meadows, NY
Subjects
Piano, Classical Guitar, Music Performance, Music Theory, Guitar
Ages Taught
1 to 99
Specialties
I like to use a developmental lesson, with a clear aim for each lesson. Instead of giving the information to a student, I use questions to lead the students to the answer.
Education
Paqe University - Business - 9/97-5/08 (not complete) Manhattanville College - Music Education - 9/98-5/02 (Bachelor's degree received) Lehman College - Music Education - 9/05-1/07 (Master's degree received)
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TakeLessons Music Teacher

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Mike L.
(877) 231-8505
Odell Place
New Rochelle, NY
Subjects
Music Theory, Cello, Music Recording, Music Performance, Guitar, Piano
Ages Taught
8 to 99
Specialties
Cello - Classical, Improvisational Rock/Metal & Jazz Training/Experience. Piano - Classical, Improvisation. Guitar - Rock/Metal, Improvisation.
Education
Manhattanville College - Music/Psychology - 2005-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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John Tibball
97-24 85th street
Ozone Park, NY
Instruments
Guitar, Other, Theory
Styles
Blues, Folk - Country - Bluegrass, Kids, Other, Rock - Alternative
Experience Levels
Beginner, Intermediate
Rate
$45
Years of Experience
5 Years

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Alexander S.
(877) 231-8505
35th Street
Astoria, NY
Subjects
Music Theory, Bass Guitar, Music Recording, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
On guitar/bass, I specialize in pop, rock, country, blues, and jazz. If you need help with music theory and composition, I teach songwriting, composition, orchestration, traditional theory and counterpoint, as well as Contemporary/Jazz Music Theory, and Ear-training. For those interested in music production and engineering, I can show you how to use some of the tools available for computer (Pro-tools, Logic, Reason, Sonar, Peak, Final Cut Pro). And, I can teach you how to produce a song, reco…
Education
Berklee College of Music - Guitar, Music Production - 1998 - 2002 (Bachelor's degree received) New York University - Music Composition - 2004 - 2008 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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James Ludwig
2A Bar Beach Road
Port Washington, NY
Instruments
Electric Bass, Guitar
Styles
Blues, Folk - Country - Bluegrass, Jazz, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
10 Years

Data Provided by:
Dana V.
(877) 231-8505
Balsam Lane
Levittown, NY
Subjects
Theatrical Broadway Singing, Music Theory, Guitar, Singing
Ages Taught
1 to 99
Specialties
Theatrical Broadway Singing (Belting), NYSSMA Prep for Voice Levels I-VI, Dalcroze Eurythmics
Education
Hewlett High School - Liberal Arts - 9/96-6/00 (High School diploma received) SUNY Old Westbury - Psychology - 1/06-12/07 (Bachelor's degree received) Hofstra University - Music Education - 1/09-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Sarel R.
(877) 231-8505
Harris Ave.
Hewlett, NY
Subjects
Music Theory, Guitar, Music Performance
Ages Taught
1 to 99
Specialties
I am a jazz musician, I teach Jazz, improvisation skills (all instruments) and Music theory
Education
Boston Concervatory - Performance - Sep. 1998 (not complete) Berklee College of Music - Performance - Sep. 1989 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joseph V.
(877) 231-8505
Crescent Road
Astoria, NY
Subjects
Bass Guitar, Music Theory, Upright Bass, Songwriting, Music Recording, Drums, Guitar, Percussion, Music Performance
Ages Taught
12 to 99
Specialties
Jazz, Rock, Funk, Pop, Rhythm and Blues, Slide Guitar
Education
Seton Hall University - History and Latin - Completed 2000 (Bachelor's degree received) NYU - Music - Completed 2003 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
William Coppola
25-12 32nd Street Apt. 2
Astoria, NY
Instruments
Composition, Conducting, Ear Training, Euphonium, Guitar, Horn, Music Business, Other, Theory, Trombone, Trumpet, Tuba
Styles
Blues, Classical, Jazz, Kids
Experience Levels
Beginner, Intermediate
Rate
$40
Years of Experience
2 Years

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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