Sonny Landreth Master Class Lynn Haven FL

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Leitz Music CO INC
(850) 769-0006
508 Harrison Ave
Panama City, FL
 
Beach Music
(850) 234-1919
7127 W Highway 98
Panama City Beach, FL
 
Adam G.
(877) 231-8505
B Huron Ave.
Oldsmar, FL
Subjects
Guitar, Bass Guitar, Music Performance, Songwriting, Music Theory
Ages Taught
12 to 99
Specialties
all styles of rock, metal, blues, neo-classical, pop. have personally studied alot of medieval-rennaisance music as well as classical, but don't feel qualified to teach classical guitar, as I use an unorthodox fingerstyle approach when playing fingerstyle.
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Andrew B.
(877) 231-8505
N Woodland Blvd Deland, FL
Deland, FL
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Music Theory, Piano, Drums, Guitar
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13 to 70
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Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
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Mark Bennett
4516 NW 51st St
Coconut Creek, FL
Instruments
Guitar
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Blues, Jazz, Kids, Other, Rock - Alternative
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Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
11 Years

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Playground Music Center INC
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27 Harrison Ave
Panama City, FL
 
Nicholas M.
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Gearhart Rd.
Tallahassee, FL
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Bass Guitar, Guitar, Violin, Mandolin, Piano, Percussion, Music Theory, Music Performance, Upright Bass, Flamenco Guitar, Music Recording, Drums, Banjo, Songwriting, Classical Guitar
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1 to 99
Specialties
I love all music and have had at least some experience with almost all styles/genres. I have done classical, rap, metal, rock, jazz, Latin, Irish, Chinese, Balinese, Peruvian, Caribbean, bluegrass, country, video game music, you name it...
Education
Fort Walton Beach High School - Music- Guitar/ Percussion - 2000-2004 (High School diploma received) Okaloosa Walton College - Music- Classical guitar - 2004-2006 (Associate degree received) Florida State University - Music- Classical guitar - 2007-2009 (Bachelor's degree received)
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Eric F.
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SW 54th Way
Boca Raton, FL
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Trumpet, Music Theory, Music Theory, Guitar, Trumpet, Guitar, Bass Guitar, Bass Guitar, Music Performance, Songwriting, Songwriting, Music Performance, Piano, Piano, Music Recording, Music Recording
Ages Taught
12 to 99
Specialties
lydian chromatic theory, George Russell jazz, rock, pop, digital studio recording, record copying, recording techniques, mastering.
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Berklee College - Education - 1976-79 (Bachelor's degree received) New England Conservatory - Composition - 1991-93 (Master's degree received)
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Jill H.
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Lake Underhill Road
Orlando, FL
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Bass Guitar, Guitar, Accordion, Music Theory, Theatrical Broadway Singing, Banjo, Opera Voice, Trumpet, Percussion, Ukulele, Harmonica, Piano, Clarinet, Classical Guitar, Singing, Violin, Music Performance, Songwriting, Drums, Music Recording, Speaking Voice
Ages Taught
4 to 99
Specialties
My specialty in voice comes from years of lessons and experience. I used many methods and books to bring out various ideas on how to teach voice lessons. I take each individual at his/her level and try to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
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Charleston HIgh School - academic diploma - 1971-75 (High School diploma received) Evangel College - music education - 1975-79 (Bachelor's degree received)
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Damien S.
(877) 231-8505
Conroy Rd.
Orlando, FL
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Music Theory, Banjo, Guitar, Music Performance, Music Recording
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5 to 99
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I have been taught, on a college level, of classical, jazz, ethnic musics. I specialize in guitar, theory, composition.
Education
St Josephs Coll Inst - - 9/1986-6/1990 (High School diploma received) SUNY Purchase - Music Composition - 9/1990-5/1994 (Bachelor's degree received)
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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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