Sonny Landreth Master Class Lynn Haven FL

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Playground Music Center INC
(850) 785-1355
27 Harrison Ave
Panama City, FL
 
Beach Music
(850) 234-1919
7127 W Highway 98
Panama City Beach, FL
 
Nicole C.
(877) 231-8505
drew st
Clearwater, FL
Subjects
Guitar, Drums, Songwriting, Bass Guitar, Piano, Singing, Music Performance, Percussion
Ages Taught
5 to 99
Specialties
I have taught mostly rock and classical genres for piano, guitar, drums. Vocally, I teach Rnb, broadway, pop,, top 100.
Education
SUNY Old Westbury - Elementary Education - 1/00-5/03 (Bachelor's degree received) Dowling University - Literacy Education - 9/04-1/06 (Master's degree received)
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TakeLessons Music Teacher

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Jeffrey H.
(877) 231-8505
La Costa Court
Melbourne, FL
Subjects
Bass Guitar, Music Theory, Guitar
Ages Taught
1 to 99
Specialties
Jeff teaches a broad range of styles for acoustic guitar and bass guitar. From Acoustic rock, contemporary Christian, folk, blue grass, show tunes, rock, funk, slap bass, jazz, swing, and blues.
Education
University of Florida - Bachelor of Arts in Classical Studies - Fall 2003-Spring 2007 (Bachelor's degree received) University of Florida - Bachelor of Science in Family, Youth, and Community Science - Fall 2003-Spring 2007 (Bachelor's degree received) Reformed Theological Seminary in Orlando - Master of Divinity - Fall 2009-currently enrolled student and will grad in two years. (not complete)
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TakeLessons Music Teacher

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Rene R.
(877) 231-8505
sw 36th ave.
Miami, FL
Subjects
Guitar, Singing, Bass Guitar, Flamenco Guitar, Music Theory, Classical Guitar, Cello, Upright Bass, Piano, Songwriting, Music Performance, Drums, Music Recording
Ages Taught
5 to 99
Specialties
My classical training began in High School with Influences in Segovia, and Romero I studied classical for 4 yrs. and trained in Jazz and Improvisation with performances In Big Band and group ensemble. Also sang and played in the school gospel choir.
Education
Miami-Dade College - Music Education - 2004-2006 (Degree received)
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TakeLessons Music Teacher

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Leitz Music CO INC
(850) 769-0006
508 Harrison Ave
Panama City, FL
 
Andrew B.
(877) 231-8505
Cascades Park Trail Deland, FL
Deland, FL
Subjects
Music Theory, Guitar, Drums, Piano
Ages Taught
13 to 70
Specialties
Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
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TakeLessons Music Teacher

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Nicole O.
(877) 231-8505
Donna Lynn Lane
Orlando, FL
Subjects
Speaking Voice, Fiddle, Theatrical Broadway Singing, Piano, Singing, Guitar, Violin, Music Theory, Music Performance, Songwriting
Ages Taught
1 to 99
Specialties
Voice (contemporary and theatrical) Violin (classical, fiddle) Piano (classical, Latin, jazz) Guitar (classical, Latin)
Education
Rollins College - August 2005 - August 2009 (Complete)
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TakeLessons Music Teacher

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Joel M.
(877) 231-8505
SW 37th Ave
Miami, FL
Subjects
Guitar
Ages Taught
10 to 99
Specialties
Music, Guitar, Spanish, English, Math Classical, Rock, Classic Rock
Education
Colegio San Jose - - August 1990 - June 1994 University of Puerto Rico - Music Education - August 1994 - June 2003
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Adam G.
(877) 231-8505
B Huron Ave.
Oldsmar, FL
Subjects
Guitar, Bass Guitar, Music Performance, Songwriting, Music Theory
Ages Taught
12 to 99
Specialties
all styles of rock, metal, blues, neo-classical, pop. have personally studied alot of medieval-rennaisance music as well as classical, but don't feel qualified to teach classical guitar, as I use an unorthodox fingerstyle approach when playing fingerstyle.
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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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