Sonny Landreth Master Class Lamont CA

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Peddy Wayland Guitar Studio
(661) 393-7882
9903 Valerio Ct
Bakersfield, CA
 
Jeff S.
(877) 231-8505
W, Granite Dr.
Granite Bay, CA
Subjects
Music Performance, Music Recording, Mandolin, Bass Guitar, Harmonica, Guitar
Ages Taught
5 to 99
Specialties
Rock, blues, fusion,r&b, folk, country, bluegrass, prog. and most other contemporary styles. If a student brings in a DVD I am able to listen and assimilate the music. I am no competent in classical guitar.
Education
El Cerrito High School - College Prep - 1963-1967 (High School diploma received) San Francisco State College - Psych/ Lib. Arts - 1971-1975 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Ian S.
(877) 231-8505
San Felipe Way
Novato, CA
Subjects
Music Theory, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting
Ages Taught
1 to 99
Specialties
Rock, Pop, Funk, Blues, Jazz, Fusion, Solo Guitar (classical & fingerstyle)
Education
Musicians Institute - Guitar Performance - Graduated 2008 (Associate degree received) San Marin High School - -- - Graduated 2004 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
David H.
(877) 231-8505
Bonita Rd.
Bonita, CA
Subjects
Flute, Clarinet, Guitar, Saxophone
Ages Taught
7 to 99
Specialties
I enjoy teaching classical as well as jazz. I love working with musicians that are getting ready for a big audition or solo coming up, or if you just want to work on a special song for someone and beginning guitar Also, I teach in small and large combo groups/ensembles.
Education
Southwestern Col - Music, pre law - 76-78 (not complete) Castle Park HS - GE, music - 73-76 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Micah Mata
5400 Clark Ave
Lakewood, CA
Instruments
Composition, Ear Training, Early Music, Guitar, Music Business, Musicology, Other, Piano, Theory, Voice
Styles
Blues, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
10 Years

Data Provided by:
Bill ONeills Guitar Instruction
(661) 858-4397
2455 Pinon Springs Cir
Bakersfield, CA
 
Gabriel D.
(877) 231-8505
Clinton Street
Los Angeles, CA
Subjects
Flamenco Guitar, Guitar, Music Theory, Classical Guitar, Songwriting
Ages Taught
5 to 50
Specialties
Songwriting, Flamenco, Classical Guitar, and electric guitar
Education
Jefferson City Highschool - General - 1997-2001 (High School diploma received) Southeast Missouri State - Guitar Performance - 2001-2006 (Bachelor's degree received) California Institute Of The Arts - Guitar Performance - 2006-2008 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Erich D.
(877) 231-8505
Fostoria Court
San Diego, CA
Subjects
Trombone, Guitar, Tuba, Bass Guitar, Songwriting, Music Theory
Ages Taught
10 to 50
Specialties
For trombone- classical literature, some jazz and blues, solid focus on fundamentals of tone, technique, and breathing For guitar- beginning techniques, theory, rhythm playing For bass- beginning and intermediate techniques, blues and jazz are specialties
Education
Victor J. Andrew High School - Gen. Ed - 8/91-6/95 (High School diploma received) Illinois State University - Music - 8/95-6/2000 (Bachelor's degree received) Garrett-Evangelical Theological Seminary - Music Ministry - 3/02-5/06 (Master's degree received) Fuller Theological Seminary - Theology - 9/09-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jordan M.
(877) 231-8505
Balboa Terrace
San Diego, CA
Subjects
Tuba, Songwriting, Music Recording, Harmonica, Percussion, Clarinet, Guitar, Saxophone, Trumpet, Piano, Bass Guitar, Music Performance, Music Theory, Trombone
Ages Taught
5 to 999
Specialties
My major in college was music education/jazz emphasis. I have an extensive background in both classical wind ensembles, jazz bands, and improvisation. I also currently perform in original and cover bands on keyboard and guitar, in a range of styles including rock, reggae, Latin, and funk.
Education
University of Miami, Coral Gables - Music Education - 8/2003 - 5/2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Lenny S.
(877) 231-8505
Bridgeway Cir
El Sobrante, CA
Subjects
Music Theory, Bass Guitar, Guitar, Cello, Saxophone, Drums, Speaking Voice, Music Performance, Classical Guitar, Piano, Music Recording, Singing, Ukulele
Ages Taught
5 to 65
Specialties
Drums: beg to inter Guitar: beg to adv singing: beg Piano: beg Singing and Playing Motown R&B Oldies Beatles Pop Guitar and Ukulele (Top 40) Jazz/Blues Guitar Marching/Symphonic Band
Education
UC Berkeley - Music - Aug. '04-May '08 (Bachelor's degree received) CSU East Bay - Music Teacher Prep Program - Aug. '08-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Data Provided by:

Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved