Sonny Landreth Master Class Jensen Beach FL

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Jerrys Guitars N More
(772) 215-7070
731 NW Federal Hwy
Stuart, FL
 
Ernie Swanson Musical Services
(772) 781-6450
908 SE Westminster Pl
Stuart, FL
 
Jupiter Music
(561) 746-0545
275 Toney Penna Dr Ste 2
Jupiter, FL
 
Nicole C.
(877) 231-8505
drew st
Clearwater, FL
Subjects
Guitar, Drums, Songwriting, Bass Guitar, Piano, Singing, Music Performance, Percussion
Ages Taught
5 to 99
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I have taught mostly rock and classical genres for piano, guitar, drums. Vocally, I teach Rnb, broadway, pop,, top 100.
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SUNY Old Westbury - Elementary Education - 1/00-5/03 (Bachelor's degree received) Dowling University - Literacy Education - 9/04-1/06 (Master's degree received)
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Martin D.
(877) 231-8505
Norwood Place
Clearwater, FL
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Bass Guitar, Classical Guitar, Piano, Guitar, Banjo, Music Theory
Ages Taught
5 to 99
Specialties
Guitar and Bass: Beg. to Advanced banjo and piano: Beg. - intermediate All Styles (except Flamenco) to include Folk, Acoustic Fingerstyle, Rock, Punk, Blues, Country, Church, Bluegrass, Soul, Ragtime and Classical.
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Excelsior College - Psychology - 1984-1986 (Bachelor's degree received) University of Maryland - Liberal arts - 1981-1983 (Associate degree received)
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Robert Swinton Guitar Instruction
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333 SE Tressler Dr Ste H
Stuart, FL
 
Songmaster Studios Education LLC
(561) 587-6282
601 Heritage Drive
Jupiter, FL
 
Daniel S.
(877) 231-8505
SW 136th St
Miami, FL
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Classical Guitar, Guitar, Music Theory
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5 to 99
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I specialize in classical guitar music and technique. I also give instruction in Music Theory.
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Vanguard - - 1997-2001 (degree received) U. of Central Florida - Music Performance - 2001-2007 (degree received) Roosevelt U. - CCPA - Music performance - 2008-2010 (degree received)
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Rene R.
(877) 231-8505
sw 36th ave.
Miami, FL
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Guitar, Singing, Bass Guitar, Flamenco Guitar, Music Theory, Classical Guitar, Cello, Upright Bass, Piano, Songwriting, Music Performance, Drums, Music Recording
Ages Taught
5 to 99
Specialties
My classical training began in High School with Influences in Segovia, and Romero I studied classical for 4 yrs. and trained in Jazz and Improvisation with performances In Big Band and group ensemble. Also sang and played in the school gospel choir.
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Miami-Dade College - Music Education - 2004-2006 (Degree received)
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Lawrence Rein
4316 Forest Hill Blvd
Palm Springs, FL
Instruments
Audio Recording, Composition, Drums, Ear Training, Electric Bass, Guitar, Harmonica, Percussion, Piano, Recording, Saxophone, Stand Up Bass, Theory, Ukelele, Viola, Violin, Voice
Styles
Blues, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
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$25
Years of Experience
20 Years

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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