Sonny Landreth Master Class Jamestown NY

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Kenny P.
(877) 231-8505
23rd st
Brooklyn, NY
Subjects
Music Recording, Music Performance, Guitar, Songwriting, Music Theory
Ages Taught
9 to 30
Specialties
I have been teaching rock music mostly when it comes to playing. I try to involve music theory in everything I teach as well. My songwriting lessons are very involved in theory.
Education
Berklee College of Music - - 2005-2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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Matthew O.
(877) 231-8505
11th st
Astoria, NY
Subjects
Piano, Guitar
Ages Taught
4 to 99
Specialties
music, Guitar and Piano I begin with meeting the student where they are in relation to their musical experience. After establishing trust, through encouragement I empower students to recognize their potential with out pre-determined expectations or limits. I am comfortable in various genres from classical to punk.
Education
Flushing - - 1979 -1981 Queensborough - music - 1993-1995
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TakeLessons Music Teacher

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Jason J.
(877) 231-8505
Windsor Terrace White Plains
White Plains, NY
Subjects
Songwriting, Classical Guitar, Music Theory, Guitar
Ages Taught
3 to 99
Specialties
I have experience as well as training in Suzuki method. I have experience teaching Classical/Rock/Metal/Pop/Folk
Education
Parkway North, St. Louis MO - 09/97-04/01 (High School diploma received) UMKC Music conservatory, University of Missouri Kansas City - Music performance - 08/01-07/05 (Bachelor's degree received) Rudi E. Scheidt School of Music, University of Memphis - Music Performance - 08/05-05/07 (Master's degree received)
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Tom H.
(877) 231-8505
West 142 Street
New York, NY
Subjects
Music Performance, Saxophone, Piano, Classical Guitar, Bass Guitar, Flute, Music Theory, Guitar, Drums
Ages Taught
5 to 99
Specialties
I have developed my own method for teaching guitar to large groups. I am a Jazz specialist and can teach improvisation and advanced harmony.
Education
CUNNY City College - Music - 1997-1999 (not complete) SUNNY Empire State - Music - 1999-2000 (Bachelor's degree received)
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Dimitry E.
(877) 231-8505
West 136th St.
New York, NY
Subjects
Bass Guitar, Piano, Music Theory, Music Performance, Guitar
Ages Taught
5 to 99
Specialties
I specialize in jazz as well as classical theory and jazz theory.
Education
New York University - Jazz Studies - 9/2005 - 5/2009 (Bachelor's degree received)
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Jessica D.
(877) 231-8505
Bowery
New York, NY
Subjects
Guitar, Ukulele, Singing, Music Performance, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I am interested in teaching unusual instruments such as ukulele, singing saw, electronic autoharp (and regular autoharp). I can also teach guitar (I have been playing myself for about 18 years), singing and songwriting. I have a very easy going style which consists of the two of us sitting one on one and starting with the basics, then moving on to learn others' songs (The Beatles or other stand by classics are a good place to start) and then trying to compose our own songs, as well, if there …
Education
Lincoln Academy - - 9/90 - 6/94 (High School diploma received) University of Maine, Augusta - Fine Art - 9/96 - 6/97 (not complete) Art Institute of Philadelphia - Animation - 9/98 - 6/00 (Associate degree received)
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Peter H.
(877) 231-8505
Landmark Sq.
Port Chester, NY
Subjects
Music Theory, Guitar
Ages Taught
10 to 60
Specialties
I teach a wide range of popular music styles, with both electric and acoustic guitars, specializing in jazz, but also rock, blues, Latin, Brazilian, and contemporary styles. I use a variety of written materials such as the Berklee Guitar Series, songbook collections (from the Beatles, Eric Clapton and Jon Mayer to Pat Metheny, Wes Montgomery and Broadway composers) and theory methods. I also use play-along recordings for students to work on soloing and timing. Topics include basic technique, …
Education
Berklee College of Music - Guitar, composition - 1973-1977 (Bachelor's degree received)
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William Coppola
25-12 32nd Street Apt. 2
Astoria, NY
Instruments
Composition, Conducting, Ear Training, Euphonium, Guitar, Horn, Music Business, Other, Theory, Trombone, Trumpet, Tuba
Styles
Blues, Classical, Jazz, Kids
Experience Levels
Beginner, Intermediate
Rate
$40
Years of Experience
2 Years

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Albert M.
(877) 231-8505
E 81st Street
New York, NY
Subjects
Bass Guitar, Guitar
Ages Taught
6 to 99
Specialties
All styles but jazz. Rock, blues, folk, finger style, classical, punk, blues and all in between, from funk to punk, rock to metal. I also teach bass and drums.
Education
Fredonia U - Classical Guitar - 1984-1986 Nassua CC - Music - 1982-1984
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TakeLessons Music Teacher

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Douglas Gibson
190 Columbus Ave 3-D none
New York, NY
Instruments
Composition, Ear Training, Film Scoring, Guitar, Music Business
Styles
Classical, Folk - Country - Bluegrass, Jazz, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
11 Years

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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