Sonny Landreth Master Class Hartwell GA

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Camden O.
(877) 231-8505
Meissen Court
Alpharetta, GA
Subjects
Songwriting, Guitar, Music Theory, Music Recording
Ages Taught
1 to 99
Specialties
Jazz, Rock, Blues, Bluegrass, Funk, R&B, Country, etc.
Education
The College Of Charleston - Music Theory / History - 08/03 - 05/09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Michael B.
(877) 231-8505
Collier Trace
Kennesaw, GA
Subjects
Guitar
Ages Taught
10 to 99
Specialties
Specialize in Jazz, Rock
Education
Georgia State University - Music Management - 2004-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joseph A.
(877) 231-8505
Ralph McGill Blvd.
Atlanta, GA
Subjects
Guitar, Bass Guitar
Ages Taught
8 to 99
Specialties
I specialize in rock, blues, and country styles; I have some experience in jazz. I can teach simple chords and songs as well as scales, modes and improvisation.
Education
Univ. of North Carolina-Chapel Hill - Jounalism - 1995-1999 (degree received)
Membership Organizations
TakeLessons Music Teacher

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Russell Eldridge
1105 Parkside Lane
Acworth, GA
Instruments
Guitar
Styles
Blues, Classical, Jazz, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$22.50
Years of Experience
8 Years

Data Provided by:
Norman T.
(877) 231-8505
McGinnis Ferry Road,
Suwanee, GA
Subjects
Banjo, Bass Guitar, Piano, Saxophone, Flute, Music Theory, Guitar, Classical Guitar, Clarinet
Ages Taught
5 to 99
Specialties
I have used many of the published methods for all of the instruments over the years. I am always open to any approach that will work for any given student.
Education
Columbus State University - Music Education - 9/1973-6/1977 (Bachelor's degree received) Southwestern Seminary - Pastoral Ministry - 8/1991-12/1994 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Benjamin H.
(877) 231-8505
Mountain View Drive
Cumming, GA
Subjects
Music Theory, Guitar, Songwriting, Music Performance, Bass Guitar, Music Recording
Ages Taught
5 to 99
Specialties
Jack of all trades, master of none.
Education
Art Institute - Audio Production - 2008- (not complete) Excelsior College - English - 2002 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Mitch N.
(877) 231-8505
Appalachee Dr NE
Atlanta, GA
Subjects
Music Performance, Classical Guitar, Music Theory, Guitar
Ages Taught
8 to 99
Specialties
Guitar: beg to adv I have a jazz and classical performance degree. but spent a majority of my life as a musician as blues and rock player ... I've successfully taught and performed most styles. I do have a structured method that I generally customize to each individual students needs .. I have plenty of successful students who have gone on to study at a collegiate level, and others who have taken lessons with me to brush up before auditions. I also teach plenty of beginner/intermediate studen…
Education
MTSU - Classical Guitar Performance - 09/2001-12/2005 (Bachelor's degree received) McNally Smith College of Music/Musictech - Jazz Guitar Performance - 08/2000-08/2001 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Tim H.
(877) 231-8505
Lindridge Drive
Atlanta, GA
Subjects
Music Recording, Bass Guitar, Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
Classical Blues Rock
Education
University Of georgia - Psychology - (Bachelor's degree received) Georgia State university - Guitar Performance - (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Lesley D.
(877) 231-8505
Cherry Valley Drive
Covington, GA
Subjects
Singing, Guitar, Piano
Ages Taught
4 to 99
Specialties
music, Beginning Guitar, Piano and Voice I teach using basic music theory...all my students learn to read music!
Education
Cardinal Gibbons - Basic - 80-83
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Calista W
113 Lotus Point Dr
Macon, GA
Instruments
Ear Training, Guitar, Harp, Music Therapy, Piano, Suzuki Method, Theory
Styles
Classical, Folk - Country - Bluegrass
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
15 Years

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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