Sonny Landreth Master Class Hacienda Heights CA

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Pablo S.
(877) 231-8505
Fairford Ave
Downey, CA
Subjects
Music Performance, Music Theory, Singing, Guitar
Ages Taught
5 to 60
Specialties
Jazz Rock Tango Bossa Nova and South american styles Orff Schulwerk-Kodaly-Dalcroze- Berklee Guitar Method Alfred's Method-Mel Bay-Hal Leonard etc
Education
Universtiy of El Salvador - Music Therapy - March 2000 (Bachelor's degree received) University of California - Music Therapy - In Progress (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Ruben Ramos
69 E. Laurel Ave
Sierra Madre, CA
Instruments
Audio Recording, Chorus, Composition, Ear Training, Electric Bass, Electronic, Guitar, Recording, Stand Up Bass, Theory, Voice, World Music
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
24 Years

Data Provided by:
Andy S.
(877) 231-8505
E 7th St
Los Angeles, CA
Subjects
Music Performance, Percussion, Drums, Guitar, Music Theory, Piano
Ages Taught
5 to 99
Specialties
My percussion knowledge is vast and I can teach any genre My guitar knowledge is considerably less, but I can teach from beginners to intermediate levels. My piano knowledge is beginner to novice level
Education
Berklee College of Music - Professional Music - 9/1991-5/1995 (Bachelor's degree received) New York University - Music/Composition - 9/1995-5/1997 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joe S.
(877) 231-8505
S. Los Robles
Pasadena, CA
Subjects
Guitar
Ages Taught
8 to 80
Specialties
Guitar, Music, Electric guitar diverse music background, can teach most genres, classical, rock
Education
Campbell Hall - - '88-'91 Cal State Northridge - Jazz - '93-'98
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Erich D.
(877) 231-8505
N. Oakland Ave.
Pasadena, CA
Subjects
Trombone, Guitar, Bass Guitar, Tuba, Songwriting, Music Theory
Ages Taught
10 to 50
Specialties
For trombone- classical literature, some jazz and blues, solid focus on fundamentals of tone, technique, and breathing For guitar- beginning techniques, theory, rhythm playing For bass- beginning and intermediate techniques, blues and jazz are specialties
Education
Victor J. Andrew High School - Gen. Ed - 8/91-6/95 (High School diploma received) Illinois State University - Music - 8/95-6/2000 (Bachelor's degree received) Garrett-Evangelical Theological Seminary - Music Ministry - 3/02-5/06 (Master's degree received) Fuller Theological Seminary - Theology - 9/09-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Andrew K.
(877) 231-8505
w 3rd st
Pomona, CA
Subjects
Guitar, Music Theory, Music Performance, Classical Guitar, Songwriting
Ages Taught
5 to 20
Specialties
I specialize in the pop-rock genres
Education
Cal Poly Pomona - Music Performance - 2005-2009 (Degree received) Cal Poly Pomona - Civil Engineering - 2005-2009 (Bachelor's degree received) College of the Desert - Liberal Arts - 2002-2005 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Matthew M.
(877) 231-8505
Centralia St.
Lakewood, CA
Subjects
Piano, Singing, Trumpet, Ukulele, Music Theory, French Horn, Percussion, Songwriting, Guitar, Trombone, Bass Guitar, Music Performance
Ages Taught
5 to 99
Specialties
Trumpet methods include (not limited to) Arban's, Clarke, Sachs, Rubank, Getchell, Adam, Schlossberg, Colin, Bai Lin. For instruments outside the trumpet, methods will more closely follow school curriculum, unless student has advanced beyond provided materials. I strongly encourage students of voice, guitar, and piano to pick material of their choosing. Classical and rock are the genres to which I am most attracted
Education
Peabody Conservatory of Johns Hopkins University - Music Education w/Secondary Applied Vocal Instruction - Fall 2003- Spring 2007 (Bachelor's degree received) Peabody Conservatory of Johns Hopkins University - Trumpet Performance - Fall 2003- Spring 2007 (Bachelor's degree received) Bob Cole Conservatory of California State Long Beach - Trumpet Performance - Spring 2008- Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Andrew K.
(877) 231-8505
3rd Street
La Verne, CA
Subjects
Songwriting, Music Performance, Guitar, Classical Guitar, Music Theory
Ages Taught
5 to 20
Specialties
I specialize in the pop-rock genres
Education
Cal Poly Pomona - Music Performance - 2005-2009 (Degree received) Cal Poly Pomona - Civil Engineering - 2005-2009 (Bachelor's degree received) College of the Desert - Liberal Arts - 2002-2005 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Brian R.
(877) 231-8505
Greendale Ln
Pomona, CA
Subjects
Bass Guitar, Guitar
Ages Taught
5 to 99
Specialties
As I've taught students from 5 years old to retirees (who refused to give their age!), I've found that every student is different and thus so is the approach in teaching them. My goal is to first find out the students goals and build a curriculum around achieving that goal asap.
Education
Pasadena City College - General - 86-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Micah Mata
5400 Clark Ave
Lakewood, CA
Instruments
Composition, Ear Training, Early Music, Guitar, Music Business, Musicology, Other, Piano, Theory, Voice
Styles
Blues, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
10 Years

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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