Sonny Landreth Master Class Franklin OH

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

That Music Place
277 W Central Ave
Springboro, OH
 
Mehas Music Stores INC
(513) 867-1811
245 High St
Hamilton, OH
 
Nicholas L.
(877) 231-8505
Indian Oaks Ln
Toledo, OH
Subjects
Guitar
Ages Taught
5 to 99
Specialties
The style that I specialize in is acoustic guitar and composing. My methods are a little different then most because I would have the student in my studio and we would work out songs together including: chord changes, tempo, measures, time signature, key, and strumming patterns. Then, through recording, I would show them how to layer multiple guitar, bass, drums, piano or vocal parts. Essentially they would be learning not just chords and scales but how instruments work together in a well com…
Education
Eastern Michigan University - Telecommunications/Marketing - 2000-2005 (Bachelor's degree received)
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TakeLessons Music Teacher

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Brenda O.
(877) 231-8505
Butterfield Pl
Cincinnati, OH
Subjects
Music Theory, Flute, Guitar
Ages Taught
5 to 99
Specialties
My favorite methods to teach are Orff and Suzuki, but I prefer to adjust to the student needs. Latin music, classic and pop are my favorite genres.
Education
Interamerican University of Puerto Rico - Music Education - 2004-2006 (Master's degree received) Interamerican University of Puerto Rico - Music Education - 1986-1990 (Bachelor's degree received)
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TakeLessons Music Teacher

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Mehas Music Stores INC
(513) 867-1811
245 High St
Hamilton, OH
 
Springboro Piano Services
(937) 416-5166
65 Elkins Ln
Springboro, OH
 
Molly Young
3387 Garylane Dr.
Dublin, OH
Instruments
Audio Recording, Composition, Ear Training, Electric Bass, Flute, Guitar, Music Business, Piano, Recording, Stand Up Bass, Suzuki Method, Theory
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$0
Years of Experience
8 Years

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Brian W.
(877) 231-8505
McKenzie Road
North Olmsted, OH
Subjects
Music Theory, Bass Guitar, Tuba, Guitar, Piano, Upright Bass, Music Performance, Music Recording, Speaking Voice
Ages Taught
1 to 99
Specialties
I am classically trained but also adept in improvisation. I play and teach all styles of American and Western European music, including but not limited to rock (classic, alt, metal), r&b/soul/funk, latin and Afro Cuban, popular/show, and contemporary Christian.
Education
Stonewall Jackson H.S. - College Prep - 8/73 to 5/77 (High School diploma received) Abilene Christian University - English Lit - 8/77 to 5/81 (Bachelor's degree received) Abilene Christian University - Marketing/Finance - 5/81 to 5/83 (Master's degree received)
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TakeLessons Music Teacher

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Josh W.
(877) 231-8505
Heatherdowns
Toledo, OH
Subjects
Guitar, Drums, Music Performance, Songwriting, Music Theory, Bass Guitar
Ages Taught
1 to 99
Specialties
Rock, Blues, Jazz
Education
Owens Community College - Associate of Arts Creative Writing Concentration - 2001-2007 (Associate degree received) University of Toledo - Music Education Jazz Emphasis - August 2008- present (not complete)
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TakeLessons Music Teacher

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John Bernard Guitar Studio
(419) 575-8591
Portage, OH
 
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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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