Sonny Landreth Master Class Evanston IL

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Mick A.
(877) 231-8505
Chicago Ave.
Evanston, IL
Subjects
Guitar, Piano, Singing, Songwriting, Drums, Music Recording, Bass Guitar, Music Performance, Percussion, Speaking Voice, Music Theory, Acting
Ages Taught
5 to 99
Specialties
Formerly certified Zuzuki instructor, good with very young children Excellent with professional and serious adult students
Education
American Conservatory Of Music - piano - 1964-72 (not complete) City Colleges of Chicago - education - 1984-86 (not complete) U.of I. Chicago - music/English - 1972-76 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Joseph M.
(877) 231-8505
N Main St.
Skokie, IL
Subjects
Bass Guitar, Flamenco Guitar, Guitar, Classical Guitar
Ages Taught
5 to 65
Specialties
I use Mel Bay and Berkley guitar methods for begining students for pick guitar. The Sagreras or Parkening methods for classical guitar. -I give students a well rounded education in all the major styles-techniques, teaching them finger picking as well as pick technique, chords and improvisation. -I specialize in building a strong foundation both musically and technically for people that have not played guitar or even music before and helping them to reach the musical goals they desire.
Education
Roosevelt University - Music, Business, - 1977-1982 (not complete)
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TakeLessons Music Teacher

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Bryan A.
(877) 231-8505
W Argyle
Chicago, IL
Subjects
Music Theory, Music Performance, Guitar, Classical Guitar, Songwriting
Ages Taught
4 to 99
Specialties
music, all styles of guitar, music theory Classical guitar, rock, folk, blues, jazz, pop, punk, metal
Education
Northwestern University - Music Performance - 2005-2007 Northeastern Illinois University - Music Performance - 2002-2005 Libertyville - - 1994-1998
Membership Organizations
TakeLessons Music Teacher

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Jason W.
(877) 231-8505
Park Ln
Glenview, IL
Subjects
Music Theory, Guitar, Classical Guitar
Ages Taught
5 to 99
Specialties
My degrees are in classical guitar but I have experience teaching rock, jazz, blues, and folk as well. I can also teaching beginning electric bass.
Education
Southeast Missouri State - guitar - 9-01-01 to 5-15-06 (Bachelor's degree received) Northwestern University - guitar - 12-27-07 to 12-20/08 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Dylan Schwartz
5029 W. Cornelia
Chicago, IL
Instruments
Composition, Ear Training, Electric Bass, Guitar, Other, Theory
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$35
Years of Experience
9 Years

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Kyle M.
(877) 231-8505
Greenleaf Ave
Wilmette, IL
Subjects
Music Theory, Bass Guitar, Trombone, Guitar
Ages Taught
5 to 99
Specialties
I have a broad understanding of jazz and have been playing and teaching it for years. I also specialize in slap bass style, which I studied extensively at Berklee. I play in a rock band so I know about that style as well.
Education
Berklee College of Music - Professional Music - Electric Bass - 2004-2008 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Eric Klotz
6347 N. Lakewood Ave
Chicago, IL
Instruments
Audio Recording, Composition, Guitar, Recording, Theory
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
10 Years

Data Provided by:
Brett R.
(877) 231-8505
N. Dover St.
Chicago, IL
Subjects
Guitar, Music Recording, Music Performance, Songwriting
Ages Taught
10 to 55
Specialties
Rock, Blues, Pop, Singer-Songwriter
Education
University of Iowa - Journalism/English/Music - 1989-1993 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Daniel K.
(877) 231-8505
N Janssen Ave
Chicago, IL
Subjects
Bass Guitar, Piano, Guitar, Saxophone, Flute, Dance, Music Theory, Singing, Songwriting, Music Recording, Trumpet, Music Performance
Ages Taught
8 to 60
Specialties
Customized approach to the individual based on needs and goals.
Education
Argo Community H.S. - Academic - 1974-1977 (High School diploma received) Columbia College - Music Composition - 1987-1990 (Bachelor's degree received) DePaul University - Music Education - 2001-2001 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Mark W.
(877) 231-8505
N. Kildare
Chicago, IL
Subjects
Guitar, Music Performance, Bass Guitar
Ages Taught
1 to 99
Specialties
I specialize in rock and souther rock.
Education
Osage High School - general - 9/1979
Membership Organizations
TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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