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Sonny Landreth Master Class Donna TX

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Jordan T.
(877) 231-8505
Cinchring ln
Austin, TX
Subjects
Songwriting, Classical Guitar, Music Theory, Music Performance, Guitar
Ages Taught
5 to 99
Specialties
Classical Acoustic Fretboard Knowledge Songwriting Blues Rock Open G Tuning Country
Education
Berklee College of Music - Guitar, Professional Music - Spring '07-Current
Membership Organizations
TakeLessons Music Teacher

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Bryan B.
(877) 231-8505
Red Oak Lane
Flower Mound, TX
Subjects
Bass Guitar, Classical Guitar, Guitar, Music Theory
Ages Taught
8 to 18
Specialties
I enjoy teaching rhythm/strumming on steel string guitar and pima finger picking on nylon string. I can teach basic lead on electric guitar, though that is not my specialty.
Education
Gordon College (Wenham, MA) - Music Education - 2002-2006 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Joshua L.
(877) 231-8505
Goldmark Dr.
Arlington, TX
Subjects
Speaking Voice, Music Theory, Guitar, Singing, Music Recording, Songwriting, Music Performance
Ages Taught
5 to 60
Specialties
I specialize in Rock, Country, and personal Song Writing. Also am versatile in rhythm guitar playing. I also have a very firm grasp on the theory of music including, key signatures, tempo, chords, etc.
Education
Tarrant County Community College - Music Education - 08/2004-05/2005 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Liliana G.
(877) 231-8505
Leah Avenue
San Antonio, TX
Subjects
Guitar, Clarinet
Ages Taught
11 to 60
Specialties
Clarinet -for beginner, learning the basics of music, proper care for the instrument, learning the body of the instrument, and learn music vocabulary, -I specialize in classical for clarinet. Guitar -proper care of the instrument -learning names of strings/frets -learning the body of the instrument -basic chords -power chords -different strumming techniques
Education
Texas State - Spanish Education with a Music Minor - 2007-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Gordie S.
(877) 231-8505
Preston rd
Dallas, TX
Subjects
Guitar
Ages Taught
8 to 99
Specialties
Rock,Blues,Metal,Country,
Membership Organizations
TakeLessons Music Teacher

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Alan R.
(877) 231-8505
Crossing Pl,
Austin, TX
Subjects
Songwriting, Flamenco Guitar, Music Theory, Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
My first love was blues and rock guitar, and I now specialize in Jazz guitar and performance. I also have three years of formal classical guitar training and lots of experience playing many other styles including Latin Jazz, Salsa, Pop, Classical, Fusion, etc.
Education
Texas A&M International University - Guitar Performance - 2004-2007 (not complete) Berklee College of Music - Jazz Composition - 2007-2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Robert C.
(877) 231-8505
Lawn Arbor Drive
Houston, TX
Subjects
Music Theory, Piano, Classical Guitar, Guitar, Bass Guitar
Ages Taught
5 to 99
Education
North Harris County College - Music-guitar - 1982-85 (not complete) Musicians Institute - Music-guitar - 1991-92 (not complete) University of North Texas - Music-guitar - 1985-87 (not complete) Klein High School - Music - 1974-78 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Paul D'Adamo
1020 Murl Drive
Irving, TX
Instruments
Audio Recording, Cello, Chorus, Clarinet, Composition, Drums, Ear Training, Electric Bass, Electronic, Flute, Guitar, Mallet, Marimba, Oboe, Other, Percussion, Piano, Piccolo, Recording, Saxophone, Theory, Timpani, Trombone, Trumpet, Violin, Voice
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$65
Years of Experience
20+ Years

Data Provided by:
Harold C.
(877) 231-8505
De Lange
Houston, TX
Subjects
Guitar, Music Theory
Ages Taught
8 to 99
Specialties
music, Guitar, theory, arranging, composition, orchestration, film scoring Jazz, blues, classical, rock
Education
Alief Hastings - General/Music - 1972-1975
Membership Organizations
TakeLessons Music Teacher

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Carter N.
(877) 231-8505
Redhead St.
Katy, TX
Subjects
Speaking Voice, Music Performance, Music Recording, Songwriting, Guitar, Classical Guitar, Music Theory, Bass Guitar
Ages Taught
12 to 65
Specialties
I focus on teaching how to play the instrument, and use songs as study guides or references for the music theory part of my lessons. The genres that I cover are Classical, Folk, Country, Rock, Heavy Metal, Blues, and Jazz. I teach fingerpicking, and standard picking styles, as well as intermediate and advanced techniques. The foundation of my method revolves around inspiring creativity, and how to present emotion in the music.
Education
St. Thomas High School - Marching Band and Jazz Band - 9/1979 - 5/1981 (not complete) Hotel Business School Luzern, Switzerland - Hotel Management Aprenticeship - 5/1984 - 10/1987 (Degree received) Houston Community College - Music Theory / Business - 6/1988 - 8/1988 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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