Sonny Landreth Master Class Castle Rock CO

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Brandon N.
(877) 231-8505
Quartz Street
Castle Rock, CO
Subjects
Music Theory, Acting, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
I generally can play any style of music that I hear. I enjoy rock/pop music and enjoy learning various finger-picking style of music. Most of my practice takes place on the acoustic guitar for finger strength and then I will apply that to electric guitar. I love blues music as well as R&B and have written several pieces in every genre.
Education
University of Colorado - Bachelors of Science in Music - 2002-2003 (degree received) Polk Community College - General Associate of Arts - 1999-2001 (degree received) Lake Region High School - Tri-Music Honor Society - 1997-2001 (degree received)
Membership Organizations
TakeLessons Music Teacher

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Kevin Z.
(877) 231-8505
E Belleview Pl
Aurora, CO
Subjects
Guitar, Music Recording
Ages Taught
1 to 99
Specialties
music, electric guitar, guitar, digital recording Shred metal, rock, acoustic.
Education
Westminster High - General - 1991-1995
Membership Organizations
TakeLessons Music Teacher

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Ron Jones Fiddle & Guitar Lessons
(303) 840-9594
Parker, CO
 
Music & ARTS Center
(303) 973-0977
7421 W Bowles Ave Ste 16
Littleton, CO
 
Rockstar Guitar Piano Voice DRUM Lesson
(303) 586-4962
4363 S Grant St
Englewood, CO
 
Brandon N.
(877) 231-8505
E Summit Road
Parker, CO
Subjects
Music Theory, Acting, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
I generally can play any style of music that I hear. I enjoy rock/pop music and enjoy learning various finger-picking style of music. Most of my practice takes place on the acoustic guitar for finger strength and then I will apply that to electric guitar. I love blues music as well as R&B and have written several pieces in every genre.
Education
University of Colorado - Bachelors of Science in Music - 2002-2003 (degree received) Polk Community College - General Associate of Arts - 1999-2001 (degree received) Lake Region High School - Tri-Music Honor Society - 1997-2001 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joey I.
(877) 231-8505
S. Parker Rd.,
Aurora, CO
Subjects
Guitar
Ages Taught
1 to 99
Specialties
Guitar, Drums Speed, Metal, Psychedelic Rock (Pink Floyd, The Beatles, etc.), Dexterity, Coordination, Synchronization, Writing Music, Interpreting music.
Education
Grandview Highschool - Music - 2004-2008 (degree received) Metro State College - Music - Spring 2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Tamminga Music Studio
(720) 842-0842
Parker, CO
 
Denver Guitar School
(303) 806-9806
7950 S Lincoln St, Ste 111C
Littleton, CO
 
Keven K.
(877) 231-8505
S glencoe st
Denver, CO
Subjects
Percussion, Guitar, Music Theory, Bass Guitar, Classical Guitar, Songwriting, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in Rock and Metal, but I can also teach classical, jazz, blues, punk, reggae, funk, and experimental.
Education
University of Colorado at Boulder - BA in Musicology with a World music emphasis and BA in Studio Art - 04-09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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