Sonny Landreth Master Class Bergenfield NJ

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Perry W.
(877) 231-8505
Bergen Turnpike
Ridgefield Park, NJ
Subjects
Guitar, Music Theory, Bass Guitar, Piano, Mandolin, Upright Bass
Ages Taught
5 to 99
Specialties
My main instrument is jazz bass (upright), but I also play bass guitar in various styles (rock, jazz, motown, etc.) I can also teach beginning/intermediate guitar (rock/jazz), piano (classical/jazz), and mandolin (bluegrass, celtic, etc).
Education
Mannes College The New School for Music - Jazz Performance - Double Bass - 1999-2000 (not complete) Manhattan School of Music - Jazz Performance - Double Bass - 2003-2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Jordan D.
(877) 231-8505
W 170 St
New York, NY
Subjects
Music Performance, Music Theory, Guitar, Classical Guitar
Ages Taught
5 to 99
Specialties
For the beginning student, lessons are focused on technique and fundamentals such as reading music, rhythm, etc. I use a variety of method books to work out of depending on what may best suit the individual student. For intermediate-advanced students, lessons can be geared towards more specific styles such as classical, jazz, ...
Education
University of Cincinnati - Classical Guitar - 2005-2009 (Bachelor's degree received) Manhattan School of Music - Classical Guitar - 2009-2011(expected) (not complete)
Membership Organizations
TakeLessons Music Teacher

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Matt B.
(877) 231-8505
W. 171 Street,
New York, NY
Subjects
Music Performance, Music Theory, Bass Guitar, Guitar, Classical Guitar
Ages Taught
1 to 99
Specialties
Stylistically, I am generally more focused in jazz styles. However, as a teacher and guitar player, I am well versed in several styles commonly associated with the instrument, including; rock & roll, classical, folk, jazz, bluegrass, country, etc. Within each style that I teach, depending on the desired goal of the student, I couple the lessons with at very least a foundational approach to music theory as it relates to the style being taught.
Education
William Paterson University - Music Performance: Jazz Studies - 8/07-6/09 (Master's degree received) The City College of New York - Music Performance: Jazz Studies - 8/04-6/07 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Tom H.
(877) 231-8505
West 142 Street
New York, NY
Subjects
Music Performance, Saxophone, Piano, Classical Guitar, Bass Guitar, Flute, Music Theory, Guitar, Drums
Ages Taught
5 to 99
Specialties
I have developed my own method for teaching guitar to large groups. I am a Jazz specialist and can teach improvisation and advanced harmony.
Education
CUNNY City College - Music - 1997-1999 (not complete) SUNNY Empire State - Music - 1999-2000 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Dimitry E.
(877) 231-8505
West 136th St.
New York, NY
Subjects
Bass Guitar, Piano, Music Theory, Music Performance, Guitar
Ages Taught
5 to 99
Specialties
I specialize in jazz as well as classical theory and jazz theory.
Education
New York University - Jazz Studies - 9/2005 - 5/2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Conor Meehan
66 Pinehurst Ave. Apt. A2
New York, NY
Instruments
Drums, Guitar
Styles
Blues, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
15 Years

Data Provided by:
Jose G. M.
(877) 231-8505
St. Nicholas Place
New York, NY
Subjects
Guitar, Music Performance, Classical Guitar, Music Theory
Ages Taught
5 to 99
Specialties
Classical, pop, reggae, acoustic, electrical guitar. Musicianship ( Music theory & sight singing) Music history.
Education
SUNY Stony Brook - Classical Guitar Performance - 2009-2010 (not complete) Conservatory of Music PR - Classical Guitar - 2004-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Isaac S.
(877) 231-8505
Riverside Dr. 5C
New York, NY
Subjects
Music Theory, Guitar, Classical Guitar
Ages Taught
12 to 50
Specialties
Most of my musical training is in classical guitar, but I have more experience teaching rock and acoustic to beginning students.
Education
Eastman School of Music - classical guitar - 9/04-5/09 (Bachelor's degree received) Manhattan School of Music - classical guitar - 9/2010-present
Membership Organizations
TakeLessons Music Teacher

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Zachary L.
(877) 231-8505
W. 140th St.,
New York, NY
Subjects
Guitar, Music Theory, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
I am a classical guitarist. I have a BM and MM in classical guitar performance. However, I teach most popular styles as well. I was awarded a scholarship to study jazz at the University of Southern California, and I played with famous blues guitarist Hubert Sumlin as a teenager.
Education
Vanderbilt University - Classical guitar performance - 2001-2005 (Bachelor's degree received) Manhattan School of Music - Classical guitar performance - 2007-2009 (Master's degree received) Manhattan School of Music - Classical guitar performance - 2009-2010 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Stephen S.
(877) 231-8505
W. 92 st,
New York, NY
Subjects
Singing, Opera Voice, Piano, Guitar
Ages Taught
4 to 70
Specialties
music, voice, Opera, piano, guitar All levels, Really enjoy working with Beginners! classical, opera, broadway, pop, jazz, I'm a good voice builder! and motivator.
Education
Plainedge - liberal arts - 72-76 Cortland university - music - 76-80 Manhattan School of Music - voice,music history - 88-90
Membership Organizations
TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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