Sonny Landreth Master Class Belleville NJ

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

Wiley G.
(877) 231-8505
harriet st
West Orange, NJ
Subjects
Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
I have an in depth knowledge of jazz and classical harmony. And would love to work with any students who are pursuing a college degree in jazz studies. I also love classic rock, r&b, reggae, and funk. These are my specialties.
Education
Goddard College - music composition and education - 9/08- present (not complete)
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TakeLessons Music Teacher

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Amy R.
(877) 231-8505
Garden St.
Hoboken, NJ
Subjects
Music Theory, Guitar, Music Performance, Piano, Songwriting, Singing
Ages Taught
5 to 99
Specialties
I specialize in pop, folk, and rock, but also have extensive training in classical and jazz, and can incorporate any of these genres into your lessons.
Education
Skidmore College - Music - 9/2003-12/2006 (Bachelor's degree received)
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TakeLessons Music Teacher

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Ian S.
(877) 231-8505
Wayne Street,
Jersey City, NJ
Subjects
Songwriting, Bass Guitar, Piano, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in pop, rock, folk, and jazz, as well as beginner classical piano. I also teach improvisation and songwriting, and try to develop the student's ear for figuring out songs they like on their own.
Education
Rutgers University - Chinese / Economics - 1994-1998 (Bachelor's degree received)
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TakeLessons Music Teacher

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Melissa D.
(877) 231-8505
W 73rd St.
New York, NY
Subjects
Violin, Music Performance, Singing, Classical Guitar, Piano, Fiddle, Guitar, Songwriting, Mandolin, Music Theory
Ages Taught
4 to 40
Specialties
Violin- Suzuki Method and supplemental scale & theory books.. also supplemental pieces based on student's interest and goals Piano- Alfred's Basic Piano Method: Lesson book, Theory book, Ear Training.. as well as supplemental theory books, and supplemental pieces based on student's level of ability and goals Guitar- Mel Bay's Modern Guitar Method (for classical guitar and note reading on a guitar), chord sheets, pieces either charted out or written out by me. Again, also, supplemental music t…
Education
Liberty University - Music & Worship Arts - 2002-2005 (Bachelor's degree received)
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TakeLessons Music Teacher

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Douglas Gibson
190 Columbus Ave 3-D none
New York, NY
Instruments
Composition, Ear Training, Film Scoring, Guitar, Music Business
Styles
Classical, Folk - Country - Bluegrass, Jazz, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
11 Years

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Benjamin M.
(877) 231-8505
Hopkins Ave. 1R
Jersey City, NJ
Subjects
Music Recording, Music Performance, Guitar, Saxophone, Music Theory, Songwriting, Bass Guitar
Ages Taught
5 to 75
Specialties
I am fluent in Rock genres, Blues, Beginning Jazz, Beginning Classical technique, Prepared Guitar, Electronics/Sound Art.
Education
Boston School of Contemporary Music - Music Theory - 1973-74 (Degree received) Chicago Columbia College - Music Composition - grad. 2002 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Jeffrey A.
(877) 231-8505
3rd Street,
Jersey City, NJ
Subjects
Bass Guitar, Music Theory, Music Recording, Music Performance, Classical Guitar, Guitar
Ages Taught
5 to 99
Specialties
Blues, rock, pop, Latin (salsa, merengue, cumbia, etc.), gospel, funk, rhythm and blues (classic and contemporary), jazz, as well as classical guitar repertoire. I am knowledgeable about the Suzuki method and incorporate these concepts into my lessons.
Education
University of Pittsburgh - Music, concentration in Jazz Guitar Performance - 1994-1998 (Bachelor's degree received)
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Perry W.
(877) 231-8505
Bergen Turnpike
Ridgefield Park, NJ
Subjects
Guitar, Music Theory, Bass Guitar, Piano, Mandolin, Upright Bass
Ages Taught
5 to 99
Specialties
My main instrument is jazz bass (upright), but I also play bass guitar in various styles (rock, jazz, motown, etc.) I can also teach beginning/intermediate guitar (rock/jazz), piano (classical/jazz), and mandolin (bluegrass, celtic, etc).
Education
Mannes College The New School for Music - Jazz Performance - Double Bass - 1999-2000 (not complete) Manhattan School of Music - Jazz Performance - Double Bass - 2003-2007 (Bachelor's degree received)
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TakeLessons Music Teacher

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Jessica D.
(877) 231-8505
Bowery
New York, NY
Subjects
Guitar, Ukulele, Singing, Music Performance, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I am interested in teaching unusual instruments such as ukulele, singing saw, electronic autoharp (and regular autoharp). I can also teach guitar (I have been playing myself for about 18 years), singing and songwriting. I have a very easy going style which consists of the two of us sitting one on one and starting with the basics, then moving on to learn others' songs (The Beatles or other stand by classics are a good place to start) and then trying to compose our own songs, as well, if there …
Education
Lincoln Academy - - 9/90 - 6/94 (High School diploma received) University of Maine, Augusta - Fine Art - 9/96 - 6/97 (not complete) Art Institute of Philadelphia - Animation - 9/98 - 6/00 (Associate degree received)
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TakeLessons Music Teacher

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Suki Rae
2350 Broadway Suite 1218
New York, NY
Instruments
Flute, Guitar, Other, Piano, Recorder, Voice
Styles
Blues, Classical, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$55
Years of Experience
20 Years

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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