Sonny Landreth Master Class Beacon NY

The act of playing slide is a classic example of a physical task that takes a moment to learn but a lifetime to master. From Sonny Landreth Master Class, you can learn every aspect of slide playing quite easily. Read on to know how to do that.

John O.
(877) 231-8505
Hillside Road
Carmel, NY
Subjects
Music Theory, Opera Voice, Bass Guitar, Guitar, Upright Bass, Classical Guitar, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
7 to 80
Specialties
I can read music in different clefs and have a very good knowledge of music theory. I specialize in pick style guitar but can play classical. I can also play different styles of genres including classical, jazz, rock, metal, funk, ska/punk, and blues.
Education
SUNY Albany - Music Performance (Jazz Guitar) - 2006-2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Mikes Guitar Studio
(845) 569-1271
32 faye ave
New Windsor, NY
 
Guitar Rock School
(845) 915-8679
Chester, NY
 
Michael L.
(877) 231-8505
Main St
Stone Ridge, NY
Subjects
Classical Guitar, Music Theory, Music Performance, Guitar, Mandolin, Singing, Songwriting, Music Recording
Ages Taught
10 to 16
Specialties
Acoustic christian rock classic rock, metal, folk, blues, you name it! If I dont know it I will
Education
Suny at Albany - Sociology - 1982-1985 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Eric B.
(877) 231-8505
west 6th street
Brooklyn, NY
Subjects
Music Performance, Songwriting, Bass Guitar, Guitar, Music Theory, Music Recording
Ages Taught
5 to 99
Specialties
rock, blues, metal, funk, acoustic..... chords, rhythm, theory, scales, modes, soloing, etc.... slap, fingering technique....
Education
IPFW - general studies - 1995-1996
Membership Organizations
TakeLessons Music Teacher

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Erica Q.
(877) 231-8505
Libertyville Rd.
New Paltz, NY
Subjects
Piano, Fiddle, Music Theory, Bass Guitar, Guitar, Cello, Viola, Singing, Violin, Music Performance, Songwriting, Music Recording
Ages Taught
4 to 99
Specialties
I specialize in combination lessons such as guitar and voice lessons with a focus on songwriting. I can also help violinists who wants to transfer their knowledge of theory to guitar or piano and vice versa. We can incorporate recording techniques into any lesson.
Education
Winter Park High School - music and art - 1987-1990 (High School diploma received) State University of New York at New Paltz - music and dance - 1992-1996 (not complete)
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TakeLessons Music Teacher

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Poughkeepsie Guitar Studio
(845) 877-3311
Poughkeepsie, NY
 
David Hartwell Guitar Lesson at Waterstreet Markets
(845) 255-1455
10 Main St
New Paltz, NY
 
Jennifer K.
(877) 231-8505
Hancock St
Brooklyn, NY
Subjects
Guitar, Music Performance, Piano, Music Theory, Songwriting, Speaking Voice
Ages Taught
5 to 99
Specialties
When teaching piano, because I specialize in classical, I emphasize sight-reading, theory and performance from the very first lesson. As soon as possible, I have student memorize pieces appropriate to their level. I begin each lesson with memory work, move into sight-reading and analysis of the new work, or exercise. This way a student has a multi-faceted approach to music they are learning, and once they have learned it, they are continually adding to their repertoire. I work this way becaus…
Education
Williams College - Music Major - September 1999-June 2004 (Bachelor's degree received) Conservatory of Music/ SUNY Purchase - Master of Music Classical Piano - September 2007-December 2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Phillip D.
(877) 231-8505
64th street
Brooklyn, NY
Subjects
Music Theory, Speaking Voice, Guitar, Piano, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
I have been teaching guitar using the Mel Bay series, Aron Sheerer series and enriching it with personal items. Music theory I have used several different texts books and workbooks. For piano I have used the D'Auberg series as well as the Mel Bay series.
Education
Brooklyn College - Music Performance - 2005-2010 (Bachelor's degree received) Brooklyn College - Childhood Education 1-6 - 2005-2010 (Bachelor's degree received)
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TakeLessons Music Teacher

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Sonny Landreth Master Class

LIKE THOSE FAMOUS FICTIONAL KIDS who discover the gateway to Narnia in the back of a magical wardrobe, Sonny Landreth, too, has stumbled on a portal to another world—not one of lions and witches, but one of inspiring new riffs, approaches, and sounds. And for years this boundless world was hiding in plain sight in back of the slide—a vast timbral frontier that legions of electric slide players before him never thought to explore. You may have heard of some of the new techniques and textures the Louisiana guitarist has pioneered since then—such as ghost notes, ghost harmonics, reverse vibrato, fretted notes, hammer-ons, and pull-offs sounded behind the slide—but if you have never tried them, you’re probably guessing these radical approaches are complex and difficult.

They’re not.

In fact, they couldn’t be more simple— no theory, sight-reading, or Herculean guitar chops required. Like the act of playing slide itself, each of these approaches is a classic example of a physical task that takes a moment to learn but a lifetime to master. All you need to excel at these techniques is a love for cool sounds, and your ears will lead you the rest of the way. And if you also want to brush up on bottleneck basics, we’ve got you covered there too, because before this lesson hops over the glass to the “wild side” of the slide (as Landreth likes to call it), we’ll briefly flash back to Landreth’s insightful series of GP Slide Seminars, as well as his July 2003 Master Class, for a quick crash course on every other aspect of slide playing.

CHOOSING A SLIDE
“I always tell people, whichever slide you decide on, you’ve got to have the right balance between the weight of the slide and the gauge of the strings,” says Landreth. “Personally, I like heavier strings—.013-.056 D’Addarios—because they give you more tension to work with. The type of slide is important, too. I started out using metal, which has a harder and brighter sound that many people prefer, but the first time I tried glass, I was hooked. I instantly loved the smoothness of it and noticed a difference in the harmonics and the overall feel.

“Bottlenecks have a great vibe and a lot of character, and the blues cats really hit on something with that, because that flair on top gives you a much bigger, wider vibrato than other slides and really pushes some air. But it’s hard to play multiple parts at the same time with a bottleneck and maintain proper intonation. I use Dunlop Pyrex glass slides because they’re very exact and perfectly uniform, and their shape enables me to cover all six strings at the 12th fret and beyond, which is crucial for the stuff I play.

STRIKING THE STRINGS
“A thumbpick gives you a lot of power,” says Landreth. “I use a heavy Dunlop Herco combination thumbpick/flat pick a majority of the time. And while I used to use fingerpicks as well—which can give you a big, powerful, machine-gun fast sound—I actually prefer the sound of the fingertips. The combination of fingernail and flesh ope...

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