Solo 6 Guitars Sedro Woolley WA

This is a straight-ahead, single-cut, twohumbucker guitar, and what you see is what you get: typical killer workmanship and quality hardware. What you don’t see is the Ultra Access neck joint (a very welcome change from the days of yore), a meaty neck profile to support your hand, a push-pull Tone pot for splitting the pickups’ coils, and an amazing amount of acoustic ring and sustain.

Hugo Helmer Music Co
(360) 757-0270
1025 Goldenrod Road
Burlington, WA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Skagit Valley Drum & Guitar Shop
(360) 424-0658
7422 Britt Rd
Mount Vernon, WA

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Hugo Helmer
(360) 757-0270
1025 Goldenrod Rd
Burlington, WA
 
Sound & Lighting
(425) 514-5595
6020 Evergreen Way
Everett, WA
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

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Music Machine
(509) 582-3568
212 W Kennewick Ave
Kennewick, WA
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments

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Karens Music
(360) 708-4451
Po Box 1364
Mount Vernon, WA
Types of Instruments Sold
Band & Orchestral, Print Music

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Rhythm & Blues New & Used
(360) 853-8306
Po Box 479
Concrete, WA

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Crossroads Music Inc
(360) 385-1471
2100 Lawrence St
Port Townsend, WA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Morgan Sound Inc
(425) 771-7257
2004 196Th St Sw Ste 2
Lynnwood, WA

Data Provided by:
Music Unltd
(509) 525-7150
1519 E Isaacs Ave
Walla Walla, WA
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Solo 6 Standard

gp0710_gearsche_0702This is a straight-ahead, single-cut, twohumbucker guitar, and what you see is what you get: typical killer workmanship and quality hardware. What you don’t see is the Ultra Access neck joint (a very welcome change from the days of yore), a meaty neck profile to support your hand, a push-pull Tone pot for splitting the pickups’ coils, and an amazing amount of acoustic ring and sustain. The upper register of the high-E string was a little plinky and threatened to fret out on bends, but I was able to mitigate this by raising the action a bit at the bridge.

The amplified tones (through the Randall) could cover everything from gutsy protorock and blues to smoky jazz and modern shred. Even though I normally don’t mess with Volume and Tone knobs much, I found myself constantly adjusting these because of their awesome rubber grip rings. The range of the Volume knobs was very usable but the Tone knob didn’t seem to do much from 10 down to around 2, after which it acted almost like an on/off switch. I grew to really dig that, though, because it gave rise to some sweet Danny Gatton/Roy Buchanan wah tricks. This is my favorite neck of all the guitars reviewed here and was just plain fun to play. When you add it all up—the looks, feel, construction, and tone—it’s no surprise that you’re seeing more and more Schecters on stages these days. Nicely done.

CONTACT Schecter Guitars, schecterguitars.com

PRICE $799 retail/$549 street

NUTWIDTH 1 11/16"

NECK 24 3/4" 3-piece se...

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