Solo 6 Guitars Quincy MA

This is a straight-ahead, single-cut, twohumbucker guitar, and what you see is what you get: typical killer workmanship and quality hardware. What you don’t see is the Ultra Access neck joint (a very welcome change from the days of yore), a meaty neck profile to support your hand, a push-pull Tone pot for splitting the pickups’ coils, and an amazing amount of acoustic ring and sustain.

Louis A Gentile Piano
(617) 471-2494
96 Federal Ave
Quincy, MA
Types of Instruments Sold
Acoustic Piano

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South Shore Music Co
(781) 331-3333
13 Washington St
Weymouth, MA
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Norfolk Country Music
(617) 361-3030
58 Sprague St
Hyde Park, MA
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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Artist Pianos
(518) 783-1695
P.O. Box 1772
Latham, NY
Types of Instruments Sold
Acoustic Piano, Digital Piano

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Parkway Music Studios
(617) 325-2411
120 1/2 Park St
West Roxbury, MA
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Kathy On The Keys
(781) 849-9219
15 Gilbert L Bean Dr
Braintree, MA
Types of Instruments Sold
Acoustic Piano

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Dick Dicensos Drum Shop
(617) 479-1280
13 Washington St
Weymouth, MA
Types of Instruments Sold
Digital Piano

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Reuning & Sons Violins
(617) 262-1300
321 Columbus Ave
Boston, MA
Types of Instruments Sold
Guitars & Fretted Instruments

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Carriage House Music Inc
(617) 262-0051
321 Columbus Ave
Boston, MA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Guitars & Fretted Instruments, Print Music

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Collector,The
(617) 787-5952
36 Neponset Ave 3
Roslindale, MA
Types of Instruments Sold
Guitars & Fretted Instruments

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Solo 6 Standard

gp0710_gearsche_0702This is a straight-ahead, single-cut, twohumbucker guitar, and what you see is what you get: typical killer workmanship and quality hardware. What you don’t see is the Ultra Access neck joint (a very welcome change from the days of yore), a meaty neck profile to support your hand, a push-pull Tone pot for splitting the pickups’ coils, and an amazing amount of acoustic ring and sustain. The upper register of the high-E string was a little plinky and threatened to fret out on bends, but I was able to mitigate this by raising the action a bit at the bridge.

The amplified tones (through the Randall) could cover everything from gutsy protorock and blues to smoky jazz and modern shred. Even though I normally don’t mess with Volume and Tone knobs much, I found myself constantly adjusting these because of their awesome rubber grip rings. The range of the Volume knobs was very usable but the Tone knob didn’t seem to do much from 10 down to around 2, after which it acted almost like an on/off switch. I grew to really dig that, though, because it gave rise to some sweet Danny Gatton/Roy Buchanan wah tricks. This is my favorite neck of all the guitars reviewed here and was just plain fun to play. When you add it all up—the looks, feel, construction, and tone—it’s no surprise that you’re seeing more and more Schecters on stages these days. Nicely done.

CONTACT Schecter Guitars, schecterguitars.com

PRICE $799 retail/$549 street

NUTWIDTH 1 11/16"

NECK 24 3/4" 3-piece se...

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