Ska Music Lessons Palm Beach FL

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

Lawrence Rein
4316 Forest Hill Blvd
Palm Springs, FL
Instruments
Audio Recording, Composition, Drums, Ear Training, Electric Bass, Guitar, Harmonica, Percussion, Piano, Recording, Saxophone, Stand Up Bass, Theory, Ukelele, Viola, Violin, Voice
Styles
Blues, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$25
Years of Experience
20 Years

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Jupiter Music
(561) 746-0545
275 Toney Penna Dr Ste 2
Jupiter, FL
 
Erik A.
(877) 231-8505
Collins Ave
Miami Beach, FL
Subjects
Music Recording, Songwriting, Music Performance, Guitar
Ages Taught
5 to 99
Education
St. Olaf College - - 1997-2001 (Bachelor's degree received)
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TakeLessons Music Teacher

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Jeffrey H.
(877) 231-8505
La Costa Court
Melbourne, FL
Subjects
Bass Guitar, Music Theory, Guitar
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1 to 99
Specialties
Jeff teaches a broad range of styles for acoustic guitar and bass guitar. From Acoustic rock, contemporary Christian, folk, blue grass, show tunes, rock, funk, slap bass, jazz, swing, and blues.
Education
University of Florida - Bachelor of Arts in Classical Studies - Fall 2003-Spring 2007 (Bachelor's degree received) University of Florida - Bachelor of Science in Family, Youth, and Community Science - Fall 2003-Spring 2007 (Bachelor's degree received) Reformed Theological Seminary in Orlando - Master of Divinity - Fall 2009-currently enrolled student and will grad in two years. (not complete)
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Andrew B.
(877) 231-8505
Cascades Park Trail Deland, FL
Deland, FL
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Music Theory, Guitar, Drums, Piano
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13 to 70
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Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
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TakeLessons Music Teacher

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Songmaster Studios Education LLC
(561) 587-6282
601 Heritage Drive
Jupiter, FL
 
Damien S.
(877) 231-8505
Conroy Rd.
Orlando, FL
Subjects
Music Theory, Banjo, Guitar, Music Performance, Music Recording
Ages Taught
5 to 99
Specialties
I have been taught, on a college level, of classical, jazz, ethnic musics. I specialize in guitar, theory, composition.
Education
St Josephs Coll Inst - - 9/1986-6/1990 (High School diploma received) SUNY Purchase - Music Composition - 9/1990-5/1994 (Bachelor's degree received)
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TakeLessons Music Teacher

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Jill H.
(877) 231-8505
Lake Underhill Road
Orlando, FL
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Bass Guitar, Guitar, Accordion, Music Theory, Theatrical Broadway Singing, Banjo, Opera Voice, Trumpet, Percussion, Ukulele, Harmonica, Piano, Clarinet, Classical Guitar, Singing, Violin, Music Performance, Songwriting, Drums, Music Recording, Speaking Voice
Ages Taught
4 to 99
Specialties
My specialty in voice comes from years of lessons and experience. I used many methods and books to bring out various ideas on how to teach voice lessons. I take each individual at his/her level and try to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Education
Charleston HIgh School - academic diploma - 1971-75 (High School diploma received) Evangel College - music education - 1975-79 (Bachelor's degree received)
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TakeLessons Music Teacher

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Andre L.
(877) 231-8505
Gettysburg Circle
Orlando, FL
Subjects
Classical Guitar, Flamenco Guitar, Guitar, Music Theory
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7 to 99
Specialties
Usually I use any easy method for kids to initiation as a base material.
Education
Escola de Musica e Belas Artes do Parana - Perfomance - Classical Guitar - 1992/1997 (Bachelor's degree received) Conservatorio de Musica Villa Lobos - Classical Guitar/Music theory - 1985/1992 (Degree received)
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TakeLessons Music Teacher

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Eric B.
(877) 231-8505
Clock Tower Dr.
Port Orange, FL
Subjects
Music Performance, Guitar, Songwriting, Bass Guitar, Drums, Percussion, Music Recording, Music Theory
Ages Taught
5 to 99
Specialties
Drums- Funk, Jazz, Classic Rock, Metal, Punk, Blues, Hip-Hop Guitar/Bass- Funk, Blues, Metal, Rock, Hip-Hop Music Recording/Songwriting- Electronic Music/electroacoustic, Rock, Funk
Education
Stetson University - Digital arts, music, business - 08/08-current (not complete) Daytona State College - Arts - 08/06-05/08 (Associate degree received)
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TakeLessons Music Teacher

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Ska Building Blocks By David Burk

Sessions From Guitar Player, February '99

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

Modern skameisters often play clip rhythms on the treble strings (G, B, and E). However, the '60s Jamaican originators -- ska's "rude boys" -- favored fuller voicings as shown in Ex. 2, a I-VIm-IIm-V progression in G. In bar 3, notice how the Am changes inversions.

For a truly rude flavor, add dominant-7th chords and sliding chromatic movement from either above or below the target harmony (Ex. 3). As illustrated here, occasionally it's effective to play on the downbeat.

Often called a "stuckey," a typical ska single-note riff features sixteenth-notes, played clean and very staccato (Ex. 4). Note the characteristic chromatic movement, as well as the arpeggiated chords.

These examples sound great with wah and work well at tempos from 150 to 190 bpm.

Listen to Example 4

 

 

DAVID BURK is a Minneapolis-based guitarist, producer, writer, and teacher. For info on Do You Know What Time It Is, an album by Burk's world-beat group, Labor Party, contact Nabi Musicworks, Box 8621, Minneapolis, MN 55408; (612) 823-6204.

 

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