Ska Music Lessons Loudon TN

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

William K.
(877) 231-8505
N. Royal Oaks Blvd
Franklin, TN
Subjects
Music Performance, Songwriting, Classical Guitar, Guitar, Music Theory, Flamenco Guitar
Ages Taught
5 to 85
Specialties
I specialize in classical guitar and flamenco guitar (as was my main focus in college). My methods of technique is a contemporary adaptation of Andres Segovia. I play a lot of jazz guitar, which I like to put into a lot of my lessons because it is a fun way to teach music theory instead of playing Mary Had a Little Lamb. It also is a great way to introduce and demonstrate how to play scales and improvise.
Education
Keene State College - Music Technology specializing in Music Theory and Composition - 8-2005 to 12-2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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Wesley G.
(877) 231-8505
Nabors Way
Memphis, TN
Subjects
Guitar, Trumpet, Music Theory
Ages Taught
6 to 40
Specialties
I have experience with jazz, rock, folk, and some classical in guitar. I am experienced with classical trumpet. I have experience with upper level theory, jazz theory, form and analysis, and music history. I have participated in an Orff workshop.
Education
Mid America Baptist Theological Seminary - Divinity - 2010-present (not complete) Tennessee Technological University - Music/Education - 2003-2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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BOB B.
(877) 231-8505
N. THOMPSON
Murfreesboro, TN
Subjects
Music Performance, Music Theory, Bass Guitar, Songwriting, Guitar, Flamenco Guitar, Music Recording
Ages Taught
6 to 99
Specialties
All areas including Special Ed.
Education
SEAHOLM - COLLEGE PREP - 1963-67 (High School diploma received) EASTERN MICH UNIVERSITY - MUSIC - 1967-71 (Bachelor's degree received) MTSU - SPECIAL ED - 2007-CURRENT
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TakeLessons Music Teacher

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Russell R.
(877) 231-8505
Poplar Ridge
Memphis, TN
Subjects
Music Theory, Guitar, Music Performance, Songwriting, Bass Guitar, Music Recording
Ages Taught
10 to 99
Specialties
Rock/Pop, Blues
Education
Harding Academy - Liberal Atrs - 1980-1985 (High School diploma received) University of Memphis - Performing Arts - 1986-1988 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Carlos Enrique Gonzalez
3720 Yelton Dr.
Nashville, TN
Instruments
Composition, Ear Training, Guitar, Other
Styles
Classical, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
30 Years

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William K.
(877) 231-8505
B Columbia Ave.
Franklin, TN
Subjects
Songwriting, Classical Guitar, Music Performance, Flamenco Guitar, Music Theory, Guitar
Ages Taught
5 to 85
Specialties
I specialize in classical guitar and flamenco guitar (as was my main focus in college). My methods of technique is a contemporary adaptation of Andres Segovia. I play a lot of jazz guitar, which I like to put into a lot of my lessons because it is a fun way to teach music theory instead of playing Mary Had a Little Lamb. It also is a great way to introduce and demonstrate how to play scales and improvise.
Education
Keene State College - Music Technology specializing in Music Theory and Composition - 8-2005 to 12-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Scott N.
(877) 231-8505
carolyn ave
Nashville, TN
Subjects
Guitar, Bass Guitar, Music Performance, Music Theory, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I specialize in technique, rhythm, improvisation and music theory
Education
niagara county comm. college - music - 85-86 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Chris D.
(877) 231-8505
Middle Tennesse State University
Murfreesboro, TN
Subjects
Music Recording, Songwriting, Music Performance, Guitar, Classical Guitar, Music Theory
Ages Taught
10 to 99
Specialties
The biggest part of my rep. is romantic era guitar (albeniz- Tango no.2, Mallorco 'Barcarola' [and others]) but I also have passion for baroque and renaissance guitar. However, I am capable of learning and performing with modern electric instruments and the musical styles and techniques they utilize. Apart from guitar I have exp. with Pro Tools, Reason, and DP. My song writing, arranging, and editing skills are, along with guitar, part of my double major and I am constantly working on and ref…
Education
MTSU - music theory/composition and guitar performance - '06-10 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Ian D.
(877) 231-8505
Steamboat Dr
Nashville, TN
Subjects
Music Theory, Guitar, Songwriting, Bass Guitar, Music Performance, Music Recording
Ages Taught
1 to 99
Specialties
Rock, Blues, Pop, Country, Lead, Rhythm, Acoustic, Electric
Education
Musicians Instutite - Guitar - 1986-1987 (Degree received) Grissom - General studies - 1981-1985 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

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John S.
(877) 231-8505
West Almadale Ct
Collierville, TN
Subjects
Guitar, Piano, Flute, Clarinet, Music Theory, Saxophone, Songwriting, Music Performance
Ages Taught
5 to 99
Specialties
I play keyboards professionally in jazz, RnB, rock, reggae, Latin rock and other styles. I can help the student who has only had traditional lessons branch out and learn how to read chord charts, which in turn teaches them theory. I am a certified Orff teacher as well.
Education
Univ of Memphis - Music Composttion - 1980 - 1983 (Master's degree received) East Texas State Univ - Music Composition - 1977 - 1980 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Ska Building Blocks By David Burk

Sessions From Guitar Player, February '99

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

Modern skameisters often play clip rhythms on the treble strings (G, B, and E). However, the '60s Jamaican originators -- ska's "rude boys" -- favored fuller voicings as shown in Ex. 2, a I-VIm-IIm-V progression in G. In bar 3, notice how the Am changes inversions.

For a truly rude flavor, add dominant-7th chords and sliding chromatic movement from either above or below the target harmony (Ex. 3). As illustrated here, occasionally it's effective to play on the downbeat.

Often called a "stuckey," a typical ska single-note riff features sixteenth-notes, played clean and very staccato (Ex. 4). Note the characteristic chromatic movement, as well as the arpeggiated chords.

These examples sound great with wah and work well at tempos from 150 to 190 bpm.

Listen to Example 4

 

 

DAVID BURK is a Minneapolis-based guitarist, producer, writer, and teacher. For info on Do You Know What Time It Is, an album by Burk's world-beat group, Labor Party, contact Nabi Musicworks, Box 8621, Minneapolis, MN 55408; (612) 823-6204.

 

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