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Ska Music Lessons Dunn NC

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

Bob C.
(877) 231-8505
Covered Bridge Road
Clayton, NC
Subjects
Music Theory, Flamenco Guitar, Banjo, Bass Guitar, Guitar, Ukulele, Classical Guitar, Music Performance
Ages Taught
9 to 99
Specialties
I use method books tailored to the students interests and needs whether it be Classical, Folk, or Rock Guitar. When helpful and desired, I also include other avenues of music such as theory, ear training, literature, and history.
Education
Duquesne University - Master of Music Theory - 1980-1983 (Master's degree received) Carnegie-Mellon University - Bachelor of Fine Arts in Music-Guitar Performance - 1975-1979 (Bachelor's degree received) Baldwin-Wallace College Conservatory of Music - Music-Performance in Classical Guitar - 1972-1975 (not complete) Lakewood High School - General Studies-Emphasis on Music - 1968-1972 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Lindsey Tims
PO Box 97204
Raleigh, NC
Instruments
Audio Recording, Drums, Electric Bass, Guitar, Mandolin, Recording, Violin
Styles
Blues, Folk - Country - Bluegrass, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$47.50
Years of Experience
8 Years

Data Provided by:
Guitar Training Station
(704) 701-6397
59 Winecoff Ave NW
Concord, NC
 
Charlotte Academy of Music
(704) 545-7400
15040 Idlewild Rd Ste A - E
Matthews, NC
 
Falls River Music
(919) 637-0526
1141 Falls River Ave, 110
Raleigh, NC
 
Stuart A.
(877) 231-8505
Exacta Lane,
Raleigh, NC
Subjects
Guitar, Music Performance, Speaking Voice
Ages Taught
5 to 99
Specialties
Heavy background in blues, rock, contemporary Christian. I have developed a specialty in providing lead and rhythm simultaneously (for environments with one guitarist). I've developed the ability to jump start new guitarists' (especially those who prefer electric) chording skills, and teaching them how to leverage this in developing their lead playing.
Education
USAF Academy - Basic Sciences - 1973 - 1977 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Thy Music Group
(919) 324-6764
Raleigh, NC
 
Music Beyond Measure Studios
(919) 423-3985
1738 Hillandale Rd Ste 204B
Durham, NC
 
Acoustic Guitar & Bass
(919) 851-8272
203 Lochmere Forest Dr
Cary, NC
 
Bluemoon Guitars & Music
(336) 246-3275
210 S Jefferson Ave
West Jefferson, NC
 
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Ska Building Blocks By David Burk

Sessions From Guitar Player, February '99

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

Modern skameisters often play clip rhythms on the treble strings (G, B, and E). However, the '60s Jamaican originators -- ska's "rude boys" -- favored fuller voicings as shown in Ex. 2, a I-VIm-IIm-V progression in G. In bar 3, notice how the Am changes inversions.

For a truly rude flavor, add dominant-7th chords and sliding chromatic movement from either above or below the target harmony (Ex. 3). As illustrated here, occasionally it's effective to play on the downbeat.

Often called a "stuckey," a typical ska single-note riff features sixteenth-notes, played clean and very staccato (Ex. 4). Note the characteristic chromatic movement, as well as the arpeggiated chords.

These examples sound great with wah and work well at tempos from 150 to 190 bpm.

Listen to Example 4

 

 

DAVID BURK is a Minneapolis-based guitarist, producer, writer, and teacher. For info on Do You Know What Time It Is, an album by Burk's world-beat group, Labor Party, contact Nabi Musicworks, Box 8621, Minneapolis, MN 55408; (612) 823-6204.

 

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