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Ska Music Lessons Donna TX

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

Joseph B.
(877) 231-8505
East 13th St.
Austin, TX
Subjects
Drums, Music Recording, Guitar
Ages Taught
5 to 19
Specialties
Drums: I have been playing rock music my whole life, I have also studied jazz, swing, latin, symphonic percussion and marching percussion. Playing drums is one of my first loves and I am always willing to learn something new to help teach it better. Recording: I have a Bachelors degree in Music Production & Engineering from Berklee College of Music and am currently working at a recording arts school while freelancing as a recording engineer and live sound engineer. I've worked with lots of di…
Education
Berklee College of Music - Music Production & Engineering - Sept. 2005-Dec 2008 (Bachelor's degree received)
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TakeLessons Music Teacher

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Kevin C.
(877) 231-8505
Rufus Dr.
Austin, TX
Subjects
Music Performance, Bass Guitar, Classical Guitar, Mandolin, Songwriting, Music Recording, Guitar, Singing, Music Theory
Ages Taught
5 to 99
Specialties
I specialize in teaching music theory, country, rock, soul, blues and exploring creativity through songwriting. I have an elementary education certificate and am equally comfortable with young children, teens and adults.
Education
Huston-Tillotson - Education - 5/2009-12/2009 (not complete) Boise State - Communication - 9/1983-5/1988 (Bachelor's degree received)
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TakeLessons Music Teacher

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Raegan F.
(877) 231-8505
BLUFF CREEK LN
Arlington, TX
Subjects
Music Theory, Guitar, Bass Guitar
Ages Taught
1 to 50
Specialties
Acoustic and Electric Guitar: beginning to advanced - Bass: beginning - I can play and teach most styles of music but specialize in acoustic pop rock, rock and country. I enjoy playing and teaching various styles of music. I can teach note reading, chart reading, TAB, rhythm and lead, scales and finger style.
Education
Oklahoma Baptist University - Music - 1984-1988 (Bachelor's degree received)
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TakeLessons Music Teacher

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Jordan T.
(877) 231-8505
Ullrich Ave
Austin, TX
Subjects
Songwriting, Classical Guitar, Music Theory, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
Classical Acoustic Fretboard Knowledge Songwriting Blues Rock Open G Tuning Country
Education
Berklee College of Music - Guitar, Professional Music - Spring '07-Current
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TakeLessons Music Teacher

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Kristopher B.
(877) 231-8505
Austin, TX
Subjects
Classical Guitar, Music Recording, Music Theory, Music Performance, Guitar, Songwriting, Bass Guitar
Ages Taught
11 to 99
Specialties
On the guitar, I specialize in teaching mostly in rock and blues, but also bossa nova, jazz and classical. I feel like rock and blues are my strongest because I personally love them the most.
Education
Berklee College of Music - Guitar Principal/Film Scoring - 2000-2004 (Bachelor's degree received)
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TakeLessons Music Teacher

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Gordie S.
(877) 231-8505
Preston rd
Dallas, TX
Subjects
Guitar
Ages Taught
8 to 99
Specialties
Rock,Blues,Metal,Country,
Membership Organizations
TakeLessons Music Teacher

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Kelly B.
(877) 231-8505
Leo
El Paso, TX
Subjects
Trombone, Clarinet, Mandolin, Trumpet, Music Theory, Guitar, Flute, Percussion, Bass Guitar, Violin, Songwriting
Ages Taught
5 to 99
Specialties
Kelly has worked with various traditional band methods and enjoys teaching beginners. Because of his previous employment, he has the ability to teach students how to play in a band/church setting whether it is a contemporary band or choir w/ orchestra. He also specializes in teaching improve and music theory.
Education
Angelo State University - Spanish & Music - Aug. 1989 - Dec. 1994 (Bachelor's degree received) Trinity Theological Seminary - Ministry - Aug. 1997 - Dec. 2005 (Master's degree received)
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TakeLessons Music Teacher

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Robert C.
(877) 231-8505
Lawn Arbor Drive
Houston, TX
Subjects
Music Theory, Piano, Classical Guitar, Guitar, Bass Guitar
Ages Taught
5 to 99
Education
North Harris County College - Music-guitar - 1982-85 (not complete) Musicians Institute - Music-guitar - 1991-92 (not complete) University of North Texas - Music-guitar - 1985-87 (not complete) Klein High School - Music - 1974-78 (not complete)
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TakeLessons Music Teacher

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Tim (William) K.
(877) 231-8505
Silver Buckle
Schertz, TX
Subjects
Music Theory, Acting, Guitar, Theatrical Broadway Singing, Trombone, Classical Guitar, Dance, Music Performance, Piano, Speaking Voice, Singing
Ages Taught
5 to 99
Specialties
Folk music, Kodaly, Orff
Education
UTSA - Music Literature - 1978-1984 (Bachelor's degree received) UTSA - Music Education - 1987-1988 (Bachelor's degree received) Texas State University - Music Education - 2001-2006 (Master's degree received)
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TakeLessons Music Teacher

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Andrew D.
(877) 231-8505
fincastle dr.
Katy, TX
Subjects
Bass Guitar, Songwriting, Guitar
Ages Taught
5 to 30
Specialties
I am versed in blues, rock, metal, folk, acoustic-finger-style, and various other acoustic styles. Acoustic finger-style and blues/rock I am perhaps the most highly proficient in, it being the first style I ever learned as a kid. But it is definitely not a limitation.
Education
HCC - no set major - 8/07 - 12/07 (not complete)
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TakeLessons Music Teacher

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Ska Building Blocks By David Burk

Sessions From Guitar Player, February '99

If you want to be rude, play everything on the upbeat. The basic building block of past and present ska is the accented and of each beat (Ex. 1). The tendency is to strum this apparently simple rhythm (often called the "clip") with upstrokes. But you get a fuller sound if you downstroke the upbeats because, with downstrokes, you hit the bigger strings first.

Modern skameisters often play clip rhythms on the treble strings (G, B, and E). However, the '60s Jamaican originators -- ska's "rude boys" -- favored fuller voicings as shown in Ex. 2, a I-VIm-IIm-V progression in G. In bar 3, notice how the Am changes inversions.

For a truly rude flavor, add dominant-7th chords and sliding chromatic movement from either above or below the target harmony (Ex. 3). As illustrated here, occasionally it's effective to play on the downbeat.

Often called a "stuckey," a typical ska single-note riff features sixteenth-notes, played clean and very staccato (Ex. 4). Note the characteristic chromatic movement, as well as the arpeggiated chords.

These examples sound great with wah and work well at tempos from 150 to 190 bpm.

Listen to Example 4

 

 

DAVID BURK is a Minneapolis-based guitarist, producer, writer, and teacher. For info on Do You Know What Time It Is, an album by Burk's world-beat group, Labor Party, contact Nabi Musicworks, Box 8621, Minneapolis, MN 55408; (612) 823-6204.

 

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