Guitar Sessions Winder GA

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Winder, GA.

Wes Shepard
1374 Luther Way
Lawrenceville, GA
Instruments
Electric Bass, Guitar
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$36
Years of Experience
14 Years

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Alicats Dance Studio
(770) 967-4945
5507 E Main St
Flowery Branch, GA
 
Mountaintop Guitar Instruction
(770) 377-1980
2116 Tanglewood Dr
Snellville, GA
 
Parker N.
(877) 231-8505
Riverwood Cir
Decatur, GA
Subjects
Guitar, Bass Guitar, Songwriting, Classical Guitar, Music Performance, Music Theory
Ages Taught
1 to 99
Specialties
When teaching music, I consider a hands on approach to be most effective. This allows the student to become excited about music, learning music, and improves overall brain cognition. A hands on approach is a really great way to teach. The student learns to feel, and to play with feeling.
Education
University of Georgia - Music Business/ Psychology - 2005-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Mitch N.
(877) 231-8505
Appalachee Dr NE
Atlanta, GA
Subjects
Music Performance, Classical Guitar, Music Theory, Guitar
Ages Taught
8 to 99
Specialties
Guitar: beg to adv I have a jazz and classical performance degree. but spent a majority of my life as a musician as blues and rock player ... I've successfully taught and performed most styles. I do have a structured method that I generally customize to each individual students needs .. I have plenty of successful students who have gone on to study at a collegiate level, and others who have taken lessons with me to brush up before auditions. I also teach plenty of beginner/intermediate studen…
Education
MTSU - Classical Guitar Performance - 09/2001-12/2005 (Bachelor's degree received) McNally Smith College of Music/Musictech - Jazz Guitar Performance - 08/2000-08/2001 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Guitar Lessons
(770) 985-4114
2954 Moore Avenue
Lawrenceville, GA
 
Guitar Lessons by Mark D SWNSN
(770) 972-7357
Snellville, GA
 
Camden O.
(877) 231-8505
Meissen Court
Alpharetta, GA
Subjects
Songwriting, Guitar, Music Theory, Music Recording
Ages Taught
1 to 99
Specialties
Jazz, Rock, Blues, Bluegrass, Funk, R&B, Country, etc.
Education
The College Of Charleston - Music Theory / History - 08/03 - 05/09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Russell Eldridge
1105 Parkside Lane
Acworth, GA
Instruments
Guitar
Styles
Blues, Classical, Jazz, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$22.50
Years of Experience
8 Years

Data Provided by:
Tim H.
(877) 231-8505
Lindridge Drive
Atlanta, GA
Subjects
Music Recording, Bass Guitar, Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
Classical Blues Rock
Education
University Of georgia - Psychology - (Bachelor's degree received) Georgia State university - Guitar Performance - (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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