Guitar Sessions Southbury CT

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Southbury, CT.

Harry Neumann
24 Marie Street
Plainfield, CT
Instruments
Guitar, Piano
Styles
Blues, Classical, Electronic, Kids, Rock - Alternative
Experience Levels
Beginner
Rate
$20
Years of Experience
5 Years

Data Provided by:
Weston Music Center and School of Performing Arts Inc
(203) 227-1425
285 Lyons Plain Rd
Weston, CT
 
Cheshire School of Guitar
(203) 271-0010
114 S Main St
Cheshire, CT
 
Don's Music
(860) 582-7557
785 Terryville Ave Ste S2
Bristol, CT
 
Music Guild
(203) 792-6760
276 Main St
Danbury, CT
 
Stewart's Music Llc
(860) 739-4141
171 Main St
Niantic, CT
 
Grebosky Lois
(203) 263-3116
428 Sherman Hill Rd
Woodbury, CT
 
Edgewood Music Studio
(203) 735-4472
20 Edgewood Ave
Ansonia, CT
 
Suzuki Bethwood Music School
(203) 397-0863
6 Lunar Dr
Woodbridge, CT
 
Chuck's Music Studio
(203) 740-9630
116 Laurel Hill Rd
Brookfield, CT
 
Data Provided by:

Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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Dates: 11/19/2019 – 11/19/2019
Location:
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