Guitar Sessions South Hadley MA

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in South Hadley, MA.

Diane Sanabria
453 Bridge Rd. 453 Bridge Rd.
Florence, MA
Instruments
Autoharps, Banjo, Composition, Dulcimer, Ear Training, Ethnomusicology, Guitar, Mandolin, Musicology, Other, Theory, Ukelele, World Music
Styles
Classical, Folk - Country - Bluegrass, Jazz, Kids, Other, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
40 Years

Data Provided by:
Daniel W.
(877) 231-8505
Browne St.
Brookline, MA
Subjects
Songwriting, Guitar
Ages Taught
5 to 99
Specialties
acoustic guitar and electric. Chordal strumming, arpeggiating, soloing. My acoustic style is a mixture of folk and blues, and my electric is rock and blues.
Education
Bp. Connolly H.S. - - 1984-86 (High School diploma received) New York Univ. - Economics - 1987-91 (Bachelor's degree received) N.E. Institute of Art - Audio Production - 2004-05 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Lauren Bateman
533 Cross St
Malden, MA
Instruments
Audio Recording, Ear Training, Guitar, Voice
Styles
Folk - Country - Bluegrass, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$0
Years of Experience
2 Years

Data Provided by:
Tyler Oakleaf
6 Wigglesworth St, Apt 1
Boston, MA
Instruments
Composition, Conducting, Ear Training, Film Scoring, Guitar, Recording, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
7 Years

Data Provided by:
Christopher Chesna
64 Wilson Street
North Billerica, MA
Instruments
Composition, Drums, Ear Training, Electric Bass, Guitar, Music Business, Other, Percussion, Recorder, Recording, Saxophone, Theory
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
12 Years

Data Provided by:
Cameron S.
(877) 231-8505
Chiswick Rd
Brighton, MA
Subjects
Music Theory, Guitar, Bass Guitar, Songwriting, Music Recording
Ages Taught
12 to 99
Specialties
I concentrate on ear training, improvisation, and explore styles ranging from pop, alternative, rock, prog, and blues, to metal, funk, and folk etc. I do not sight read. Rather, I work with the student with theory and arrangement conventions to really understand the music. This intern, greatly sharpens their musical ear and helps them to learn music much faster because they understand how it is put together; why and how it works, etc.
Education
State university of new york at purchase. - Music, with a concentration in studio production - august 2003 - July 2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Brian K.
(877) 231-8505
Calvin St.
Somerville, MA
Subjects
Music Theory, Music Performance, Guitar, Songwriting
Ages Taught
5 to 99
Specialties
My playing covers a broad spectrum of styles of including pop, rock, jazz, metal, hip hop/r&b, funk and acoustic/folk. I am equally proficient in all.
Education
Berklee College of Music - Professional Music: Guitar Performance - Fall 2006- Spring 2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Andrew A.
(877) 231-8505
Warren st
Brighton, MA
Subjects
Piano, Clarinet, Saxophone, Flute, Music Theory, Guitar, Music Performance
Ages Taught
1 to 99
Specialties
Sax: beg to adv Piano and Guitar: beg Improvisation Saxophone is my primary instrument and I can teach all levels of saxophone playing. I also play and can teach Beginner Clarinet, Flute, Guitar and Piano. I have years of experience both in the theoretical studies and performance of Jazz, Classical and Rock music, as well as other styles such as Latin Jazz, Funk and Experimental Composed and Improvised music.
Education
University of Vermont - Music - 2005-2009 (Bachelor's degree received) New England Conservatory - Music - 2010- (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
matt s.
(877) 231-8505
N. Beacon St.
Boston, MA
Subjects
Guitar, Bass Guitar
Ages Taught
10 to 60
Specialties
I try to personalize each lesson to each student. A solid understanding of the basics is essential! I have the student learn from their favorite players & then show them how to do it themselves. Theory,reading,improv & ear-training are all important to me. I teach most styles but my favorite are rock,blues,funk,jazz & country
Education
Musicians Institute - guitar - 1994-1995 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Drew P.
(877) 231-8505
Marlborough st.
Boston, MA
Subjects
Guitar, Music Theory, Singing, Songwriting, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in pop-rock style songwriting. I can teach any genre of song on the guitar. I specialize in pop-rock vocal coaching, as well as Broadway style.
Education
Mountain View High - Diploma - 2000 - 2003 (not complete) Berklee College of Music - Pro. Music - 2008 - Current (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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