Guitar Sessions Rosenberg TX

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Rosenberg, TX.

Andrew D.
(877) 231-8505
fincastle dr.
Katy, TX
Subjects
Bass Guitar, Songwriting, Guitar
Ages Taught
5 to 30
Specialties
I am versed in blues, rock, metal, folk, acoustic-finger-style, and various other acoustic styles. Acoustic finger-style and blues/rock I am perhaps the most highly proficient in, it being the first style I ever learned as a kid. But it is definitely not a limitation.
Education
HCC - no set major - 8/07 - 12/07 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Brent N.
(877) 231-8505
Prairie Grove
Houston, TX
Subjects
Guitar
Ages Taught
5 to 99
Specialties
Rock, Alternative, Blues, Metal, Country
Education
University of Houston - Corporate Communication - 2000 - 2007 (Bachelor's degree received) University of Houston - Masters of Business Administration - January 2008 - Present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Music & ARTS Center
(281) 980-5777
2567 Town Center Blvd N
Sugar Land, TX
 
Music & ARTS Center
(281) 391-1933
23501 Cinco Ranch Blvd Ste H100
Katy, TX
 
Rockin Robin Music Lessons
(281) 778-2378
9029 Highway 6 Ste 160
Missouri City, TX
 
Carter N.
(877) 231-8505
Redhead St.
Katy, TX
Subjects
Speaking Voice, Music Performance, Music Recording, Songwriting, Guitar, Classical Guitar, Music Theory, Bass Guitar
Ages Taught
12 to 65
Specialties
I focus on teaching how to play the instrument, and use songs as study guides or references for the music theory part of my lessons. The genres that I cover are Classical, Folk, Country, Rock, Heavy Metal, Blues, and Jazz. I teach fingerpicking, and standard picking styles, as well as intermediate and advanced techniques. The foundation of my method revolves around inspiring creativity, and how to present emotion in the music.
Education
St. Thomas High School - Marching Band and Jazz Band - 9/1979 - 5/1981 (not complete) Hotel Business School Luzern, Switzerland - Hotel Management Aprenticeship - 5/1984 - 10/1987 (Degree received) Houston Community College - Music Theory / Business - 6/1988 - 8/1988 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Ronnie CORB Guitar & Piano
(281) 240-8794
12723 Old Manse Ct
Sugar Land, TX
 
K D Music & Arts Inc
(281) 828-1500
20225 Katy Fwy
Katy, TX
 
Fort Bend Music Center
(281) 494-5885
12919 Southwest Fwy Ste 160
Stafford, TX
 
Joseph B.
(877) 231-8505
East 13th St.
Austin, TX
Subjects
Drums, Music Recording, Guitar
Ages Taught
5 to 19
Specialties
Drums: I have been playing rock music my whole life, I have also studied jazz, swing, latin, symphonic percussion and marching percussion. Playing drums is one of my first loves and I am always willing to learn something new to help teach it better. Recording: I have a Bachelors degree in Music Production & Engineering from Berklee College of Music and am currently working at a recording arts school while freelancing as a recording engineer and live sound engineer. I've worked with lots of di…
Education
Berklee College of Music - Music Production & Engineering - Sept. 2005-Dec 2008 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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