Guitar Sessions Mcdonough GA

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Mcdonough, GA.

Lesley D.
(877) 231-8505
Cherry Valley Drive
Covington, GA
Subjects
Singing, Guitar, Piano
Ages Taught
4 to 99
Specialties
music, Beginning Guitar, Piano and Voice I teach using basic music theory...all my students learn to read music!
Education
Cardinal Gibbons - Basic - 80-83
Membership Organizations
TakeLessons Music Teacher

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Atlanta Premier Guitars
(770) 860-8551
875 Flat Shoals Rd SE Ste 150
Conyers, GA
 
Harmonies Music INC
(770) 471-7581
186 North Ave Ste 101
Jonesboro, GA
 
Adam C.
(877) 231-8505
Winchester Trail
Atlanta, GA
Subjects
Music Theory, Guitar
Ages Taught
5 to 99
Specialties
My genre specialties are blues/rock/jazz in nature and conceptual knowledge focuses on fretboard recognition, technique, and Music Theory.
Education
The University of Mississippi - Business - 2002-2005 (Bachelor's degree received) Atlanta Institute of Music - Guitar - 2009-present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Jaron P.
(877) 231-8505
Admiral Drive
Atlanta, GA
Subjects
Music Theory, Guitar, Drums, Music Recording, Songwriting, Bass Guitar
Ages Taught
5 to 99
Specialties
I am very versatile and enjoy making lesson plans based on the learner. This can be genre specific, or all encompassing.
Education
The Art Institute Of Atlanta - Audio Production - Graduate 2011 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Parker N.
(877) 231-8505
Riverwood Cir
Decatur, GA
Subjects
Guitar, Bass Guitar, Songwriting, Classical Guitar, Music Performance, Music Theory
Ages Taught
1 to 99
Specialties
When teaching music, I consider a hands on approach to be most effective. This allows the student to become excited about music, learning music, and improves overall brain cognition. A hands on approach is a really great way to teach. The student learns to feel, and to play with feeling.
Education
University of Georgia - Music Business/ Psychology - 2005-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Olivers Music
(678) 412-5782
7257 Mount Zion Blvd
Jonesboro, GA
 
Chasteen Guitar Instructions
(770) 412-9059
218 S Hill St
Griffin, GA
 
Dylan C.
(877) 231-8505
Pine Valley ct.
Hiram, GA
Subjects
Songwriting, Bass Guitar, Guitar, Classical Guitar, Music Performance, Music Recording, Music Theory
Ages Taught
5 to 99
Specialties
Guitar- Sweep picking, Two hand tapping, Alternate picking, String skipping, etc Genre-Rock, Classical, Jazz, Metal, etc
Education
Atlanta Institute of Music - Guitar - 2007-2010 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Nathan S.
(877) 231-8505
Ormewood Ave SE
Atlanta, GA
Subjects
Music Theory, Piano, Bass Guitar, Guitar
Ages Taught
5 to 99
Specialties
Can teach classical piano, rock or r&b bass and guitar. I tend to include non-performance aspects in my lessons such as theory and songwriting.
Education
Florida State University - Piano Performance and Pedagogy - Fall 2000 - Fall 2004 (Bachelor's degree received) North Carolina School of the Arts - Music Composition - Fall 1997 - Fall 1999 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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