Guitar Sessions Mastic NY

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Mastic, NY.

Michael Belajonas
146 Terrace Road
Bayport, NY
Instruments
Composition, Guitar, Theory
Styles
Blues, Classical, Jazz, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$55
Years of Experience
25 Years

Data Provided by:
Jose G. M.
(877) 231-8505
SUNY
Stony Brook, NY
Subjects
Classical Guitar, Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
Classical, pop, reggae, acoustic, electrical guitar. Musicianship ( Music theory & sight singing) Music history.
Education
SUNY Stony Brook - Classical Guitar Performance - 2009-2010 (not complete) Conservatory of Music PR - Classical Guitar - 2004-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Family Melody Centers
(631) 475-3210
77 S Ocean Ave
Patchogue, NY
 
Matt James
1363 Union Street
Brooklyn, NY
Instruments
Guitar, Piano
Styles
Kids
Experience Levels
Beginner
Rate
$25
Years of Experience
17 Years

Data Provided by:
Jon Tario
1 Barney Rd
Clifton Park, NY
Instruments
Audio Recording, Composition, Ear Training, Electric Bass, Guitar, Mandolin, Piano, Recording
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
6 Years

Data Provided by:
Matthew M.
(877) 231-8505
Samuels Path
Miller Place, NY
Subjects
Acting, Music Theory, Viola, Guitar, Singing, Piano, Clarinet, Upright Bass, Speaking Voice, Music Performance, Violin, Cello, Bass Guitar
Ages Taught
5 to 99
Specialties
I am well-versed in the Suzuki, Strictly String, Muller-Rusch, and Essential Elements methods. I find it helpful and insightful to include both classical and contemporary/pop music. In addition, I am constantly coming up with unique activities and lessons of my own that I think will benefit the student.
Education
Susquehanna University - Music Education - 08/2006-05/2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Guitar Studio
(631) 399-3998
Shirley, NY
 
Music & ARTS Center
(631) 585-2323
2960 Middle Country Rd
Lake Grove, NY
 
Michael L.
(877) 231-8505
Main St
Stone Ridge, NY
Subjects
Classical Guitar, Music Theory, Music Performance, Guitar, Mandolin, Singing, Songwriting, Music Recording
Ages Taught
10 to 16
Specialties
Acoustic christian rock classic rock, metal, folk, blues, you name it! If I dont know it I will
Education
Suny at Albany - Sociology - 1982-1985 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Mark V.
(877) 231-8505
Park Ave.
New York, NY
Subjects
Classical Guitar, Music Theory, Guitar
Ages Taught
5 to 99
Specialties
I have experience with many styles of guitar-playing, including jazz, classical, rock, and folk. Most of my performances have been in classical and jazz styles, though I have spent many summers playing acoustic guitar for camp fires. Professionally, I am a sound designer for theater, putting to use my training in music theory and composition. I have also composed original music for two full-length theatrical productions, as well as conducted an ensemble of eight musicians for one of those pro…
Education
Vassar College - Music - 9/06 - 5/10 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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