Guitar Sessions Lakeland FL

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Lakeland, FL.

Intune Studios-Music Education and Entertainment
(863) 683-5104
818 East Lemon Street
Lakeland, FL
 
Carlton Music Center
(863) 294-4216
308 Avenue D NW
Winter Haven, FL
 
Bryan D.
(877) 231-8505
NW 94th Terrace
Fort Lauderdale, FL
Subjects
Upright Bass, Bass Guitar, Guitar, Piano, Music Theory
Ages Taught
5 to 99
Specialties
Mostly contemporary music - I have incorporated some computer software into my teaching. I find it can provide a more broad range of information and interaction, especially in the teachers absence.
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joel M.
(877) 231-8505
SW 37th Ave
Miami, FL
Subjects
Guitar
Ages Taught
10 to 99
Specialties
Music, Guitar, Spanish, English, Math Classical, Rock, Classic Rock
Education
Colegio San Jose - - August 1990 - June 1994 University of Puerto Rico - Music Education - August 1994 - June 2003
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jacob S.
(877) 231-8505
NW 54th St
Fort Lauderdale, FL
Subjects
Music Performance, Bass Guitar, Music Theory, Guitar
Ages Taught
5 to 99
Specialties
I have taught all styles of guitar and played rock, blues, classical, and jazz genres at a high level. All lessons are customized to the learners needs and goals.
Education
Florida State University - Music, specializing in guitar - 2004-2006 (Bachelor's degree received) ITT Technical College - Business Administration - 2006-2008 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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All-Star Guitar Lessons by Dylan
(863) 660-6320
Lakeland, FL
 
BOB PRONG GUITAR INSTRUCTION
(813) 689-6711
Seffner, FL
 
Jill H.
(877) 231-8505
Country Club Dr.
Titusville, FL
Subjects
Guitar, Accordion, Music Theory, Theatrical Broadway Singing, Banjo, Opera Voice, Trumpet, Bass Guitar, Percussion, Ukulele, Harmonica, Piano, Clarinet, Classical Guitar, Singing, Music Performance, Songwriting, Drums, Music Recording, Speaking Voice, Violin
Ages Taught
4 to 99
Specialties
My specialty in voice comes from years of lessons and experience. I used many methods and books to bring out various ideas on how to teach voice lessons. I take each individual at his/her level and try to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Education
Charleston HIgh School - academic diploma - 1971-75 (High School diploma received) Evangel College - music education - 1975-79 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Matthew K.
(877) 231-8505
Main St.
Dunedin, FL
Subjects
Music Theory, Guitar, Drums, Percussion, Songwriting, Music Performance, Bass Guitar
Ages Taught
7 to 70
Specialties
Metal, punk rock, Afro-Cuban, jazz, rock;
Education
University of Central Florida - Psychology - 06/2000 - 08/2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Erik A.
(877) 231-8505
Collins Ave
Miami Beach, FL
Subjects
Music Recording, Songwriting, Music Performance, Guitar
Ages Taught
5 to 99
Education
St. Olaf College - - 1997-2001 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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