Guitar Sessions Daytona Beach FL

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Daytona Beach, FL.

Eric B.
(877) 231-8505
Clock Tower Dr.
Port Orange, FL
Subjects
Music Performance, Guitar, Songwriting, Bass Guitar, Drums, Percussion, Music Recording, Music Theory
Ages Taught
5 to 99
Specialties
Drums- Funk, Jazz, Classic Rock, Metal, Punk, Blues, Hip-Hop Guitar/Bass- Funk, Blues, Metal, Rock, Hip-Hop Music Recording/Songwriting- Electronic Music/electroacoustic, Rock, Funk
Education
Stetson University - Digital arts, music, business - 08/08-current (not complete) Daytona State College - Arts - 08/06-05/08 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

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Matthew K.
(877) 231-8505
Main St.
Dunedin, FL
Subjects
Music Theory, Guitar, Drums, Percussion, Songwriting, Music Performance, Bass Guitar
Ages Taught
7 to 70
Specialties
Metal, punk rock, Afro-Cuban, jazz, rock;
Education
University of Central Florida - Psychology - 06/2000 - 08/2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Andrew B.
(877) 231-8505
N Woodland Blvd Deland, FL
Deland, FL
Subjects
Music Theory, Piano, Drums, Guitar
Ages Taught
13 to 70
Specialties
Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jeffrey H.
(877) 231-8505
La Costa Court
Melbourne, FL
Subjects
Bass Guitar, Music Theory, Guitar
Ages Taught
1 to 99
Specialties
Jeff teaches a broad range of styles for acoustic guitar and bass guitar. From Acoustic rock, contemporary Christian, folk, blue grass, show tunes, rock, funk, slap bass, jazz, swing, and blues.
Education
University of Florida - Bachelor of Arts in Classical Studies - Fall 2003-Spring 2007 (Bachelor's degree received) University of Florida - Bachelor of Science in Family, Youth, and Community Science - Fall 2003-Spring 2007 (Bachelor's degree received) Reformed Theological Seminary in Orlando - Master of Divinity - Fall 2009-currently enrolled student and will grad in two years. (not complete)
Membership Organizations
TakeLessons Music Teacher

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Joseph Nibbs
1535 Ne 128th Street,North Miami fl 33161
North Miami, FL
Instruments
Electric Bass, Guitar, Piano, Theory
Styles
Blues, Classical, Jazz, World
Experience Levels
Intermediate
Rate
$30
Years of Experience
15 Years

Data Provided by:
Tom Cipriani Guitar Instruction
(386) 228-3737
542 N Summit Ave
Lake Helen, FL
 
Andrew B.
(877) 231-8505
Cascades Park Trail Deland, FL
Deland, FL
Subjects
Music Theory, Guitar, Drums, Piano
Ages Taught
13 to 70
Specialties
Visualization method of practicing guitar: classical style, rock style, contemporary christian song style.
Education
Stetson University - Music Composition - 2008-2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Pablo C.
(877) 231-8505
NW 9th Drive
Hollywood, FL
Subjects
Bass Guitar, Guitar, Music Performance, Songwriting, Banjo
Ages Taught
4 to 99
Specialties
I specialize in teaching beginner to intermediate students proficiency in reading chord sheets and TAB for guitar, bass, and banjo while exploring power chord voicing, dynamics with distortion, barre chords, blues progression basics & diversity, pentatonic scale guitar improvisation, and drop-D melodic techniques.
Education
Charles W. Flanagan High School - Music/Art - 1997-2001 (High School diploma received) University of North Florida - English - 2002-2004 (Associate degree received) Florida International University - Education/Music - 2004-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Nicole C.
(877) 231-8505
drew st
Clearwater, FL
Subjects
Guitar, Drums, Songwriting, Bass Guitar, Piano, Singing, Music Performance, Percussion
Ages Taught
5 to 99
Specialties
I have taught mostly rock and classical genres for piano, guitar, drums. Vocally, I teach Rnb, broadway, pop,, top 100.
Education
SUNY Old Westbury - Elementary Education - 1/00-5/03 (Bachelor's degree received) Dowling University - Literacy Education - 9/04-1/06 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Ernesto O.
(877) 231-8505
W 21st Ave
Hialeah, FL
Subjects
Songwriting, Guitar, Music Theory, Music Recording
Ages Taught
5 to 100
Specialties
I specialize in fretboard theory, songwriting, improvisation, finger-picking, chord theory, and chart reading. I like to think of myself as a very well rounded player who shows interest in several genres of music including anything from Pop and RnB to Alternative Rock and Progressive Death-Metal. I'm open to all genres of music and hope to share similar musical interest's with my future students.
Education
Musicians Institute - G.I.T - 2008-2009 (not complete) Miami Dade College - A.S in Music Performance - Currently Enrolled (not complete)
Membership Organizations
TakeLessons Music Teacher

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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