Guitar Sessions Bridgewater NJ

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Bridgewater, NJ.

Elizabeth Brinkofski
21 Tamarack Road
Somerset, NJ
Instruments
Early Music, Guitar, Music Business, Music Therapy, Musicology, Theory
Styles
Blues, Classical, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$25
Years of Experience
8 Years

Data Provided by:
Jeff S.
(877) 231-8505
Rector Street
Perth Amboy, NJ
Subjects
Guitar, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
1 to 99
Education
American University - communications - 1973-1977 (Bachelor's degree received) Long Branch High School - college prep - 1970-1973 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Alan E.
(877) 231-8505
Rt
Cherry Hill, NJ
Subjects
Speaking Voice, Music Theory, Guitar, Music Recording, Music Performance, Bass Guitar, Classical Guitar, Songwriting
Ages Taught
5 to 99
Specialties
I specialize in improv and composition. But I teach beginners or students with no interest in these things fine.
Education
University of the Arts - Music - 05-09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Ty A.
(877) 231-8505
N. Union St.
Lambertville, NJ
Subjects
Guitar
Ages Taught
1 to 99
Specialties
Blues, Rock, Metal
Education
Berklee College of Music - Performance, Teaching, Music Production and Engineering, and Teaching - 2007-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Gerald F.
(877) 231-8505
Olive Street
Neptune, NJ
Subjects
Guitar, Classical Guitar, Music Theory, Music Performance, Bass Guitar
Ages Taught
9 to 99
Specialties
All forms of rock, jazz fusion and intermediate classical. I structure methods based on the students needs and or the students initial goals.
Education
monmouth university - Music, Guitar Performance - 1992-1999 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Gregg R.
(877) 231-8505
Minneakoning Road,
Flemington, NJ
Subjects
Guitar, Bassoon, Songwriting, Music Recording, Classical Guitar, Music Performance, Bass Guitar, Saxophone, Clarinet, Music Theory
Ages Taught
10 to 127
Specialties
I'm fluent in music theory ranging from Renaissance counterpoint to modern atonality and microtonality, which I use to bolster my students' abilities. For guitar, I focus on jazz and classical, because each one complements the other very well. I also teach rock and metal guitar styles. I teach at my recording studio, so I can show the student modern recording techniques as well.
Education
Muhlenberg College - Music theory/'composition/performance/history - August 2001 - May 2005 (Bachelor's degree received) Montclair State University - Music composition / microtonality - September 2005 - May 2007 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Ian S.
(877) 231-8505
Wayne Street,
Jersey City, NJ
Subjects
Songwriting, Bass Guitar, Piano, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in pop, rock, folk, and jazz, as well as beginner classical piano. I also teach improvisation and songwriting, and try to develop the student's ear for figuring out songs they like on their own.
Education
Rutgers University - Chinese / Economics - 1994-1998 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Perry W.
(877) 231-8505
Bergen Turnpike
Ridgefield Park, NJ
Subjects
Guitar, Music Theory, Bass Guitar, Piano, Mandolin, Upright Bass
Ages Taught
5 to 99
Specialties
My main instrument is jazz bass (upright), but I also play bass guitar in various styles (rock, jazz, motown, etc.) I can also teach beginning/intermediate guitar (rock/jazz), piano (classical/jazz), and mandolin (bluegrass, celtic, etc).
Education
Mannes College The New School for Music - Jazz Performance - Double Bass - 1999-2000 (not complete) Manhattan School of Music - Jazz Performance - Double Bass - 2003-2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jeffrey A.
(877) 231-8505
3rd Street,
Jersey City, NJ
Subjects
Bass Guitar, Music Theory, Music Recording, Music Performance, Classical Guitar, Guitar
Ages Taught
5 to 99
Specialties
Blues, rock, pop, Latin (salsa, merengue, cumbia, etc.), gospel, funk, rhythm and blues (classic and contemporary), jazz, as well as classical guitar repertoire. I am knowledgeable about the Suzuki method and incorporate these concepts into my lessons.
Education
University of Pittsburgh - Music, concentration in Jazz Guitar Performance - 1994-1998 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Wiley G.
(877) 231-8505
harriet st
West Orange, NJ
Subjects
Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
I have an in depth knowledge of jazz and classical harmony. And would love to work with any students who are pursuing a college degree in jazz studies. I also love classic rock, r&b, reggae, and funk. These are my specialties.
Education
Goddard College - music composition and education - 9/08- present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
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