Guitar Sessions Beacon NY

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Beacon, NY.

John O.
(877) 231-8505
Hillside Road
Carmel, NY
Subjects
Music Theory, Opera Voice, Bass Guitar, Guitar, Upright Bass, Classical Guitar, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
7 to 80
Specialties
I can read music in different clefs and have a very good knowledge of music theory. I specialize in pick style guitar but can play classical. I can also play different styles of genres including classical, jazz, rock, metal, funk, ska/punk, and blues.
Education
SUNY Albany - Music Performance (Jazz Guitar) - 2006-2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Mikes Guitar Studio
(845) 569-1271
32 faye ave
New Windsor, NY
 
Guitar Rock School
(845) 915-8679
Chester, NY
 
Keith S.
(877) 231-8505
Gentian Way
Fairport, NY
Subjects
Saxophone, Clarinet, Oboe, Flute, Music Theory, Trombone, Guitar, Trumpet, Piano, Classical Guitar
Ages Taught
8 to 99
Specialties
Guitar: beg to adv Piano and sax: beg to inter I am a guitarist who specializes in rock and blues. I have classical guitar training at the college level. I have taught band methods for the past 10 years.
Education
SUNY Potsdam - Music Education - 8/95-12/97 (Master's degree received) SUNY Geneseo - Music Theory and History - 8/90-5/94 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Sarel R.
(877) 231-8505
Harris Ave.
Hewlett, NY
Subjects
Music Theory, Guitar, Music Performance
Ages Taught
1 to 99
Specialties
I am a jazz musician, I teach Jazz, improvisation skills (all instruments) and Music theory
Education
Boston Concervatory - Performance - Sep. 1998 (not complete) Berklee College of Music - Performance - Sep. 1989 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Erica Q.
(877) 231-8505
Libertyville Rd.
New Paltz, NY
Subjects
Piano, Fiddle, Music Theory, Bass Guitar, Guitar, Cello, Viola, Singing, Violin, Music Performance, Songwriting, Music Recording
Ages Taught
4 to 99
Specialties
I specialize in combination lessons such as guitar and voice lessons with a focus on songwriting. I can also help violinists who wants to transfer their knowledge of theory to guitar or piano and vice versa. We can incorporate recording techniques into any lesson.
Education
Winter Park High School - music and art - 1987-1990 (High School diploma received) State University of New York at New Paltz - music and dance - 1992-1996 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Poughkeepsie Guitar Studio
(845) 877-3311
Poughkeepsie, NY
 
David Hartwell Guitar Lesson at Waterstreet Markets
(845) 255-1455
10 Main St
New Paltz, NY
 
Kay Barlow
369 West Main St.
Fredonia, NY
Instruments
Guitar, Piano, Voice
Experience Levels
Beginner
Rate
$0

Data Provided by:
James Lenger
1350 Avenue of the Americas 2nd Floor
New York, NY
Instruments
Composition, Ear Training, Electric Bass, Film Scoring, Guitar, Music Therapy, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$90
Years of Experience
10 Years

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Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

 

 

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

 

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Jenny's Penny Musical
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Location:
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