Peavey Software Winter Springs FL

Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table.

Allegro Music Centre
(407) 830-5856
1042 State Road 436
Casselberry, FL
Types of Instruments Sold
Acoustic Piano, Band & Orchestral, Print Music

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Georges Music Of Florida I
(407) 830-4600
6585 S Us Highway 17/92
Fern Park, FL

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Gerry Lopez Music
(407) 657-8904
2789 Wrights Rd Ste 1029
Oviedo, FL
Types of Instruments Sold
Drums & Percussion

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Steinway Piano Galleries
(407) 339-3771
303 E Altamonte Dr
Altamonte Springs, FL
Types of Instruments Sold
Acoustic Piano, Digital Piano

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Lyrical Lumber
(407) 628-2007
120 Lake Ave
Maitland, FL
Types of Instruments Sold
Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments

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Music Shack
(407) 678-1765
1455 State Road 436
Casselberry, FL
Types of Instruments Sold
Band & Orchestral, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Clinics: Yes
Instrument Repair Information
We offer complete guitar woodwind and brass instrument repair.
Music Shack also offers repairs on amplifiers and orchestra instruments.

Hours
Monday-Thursday 10:00 am to 9:00pm
Friday and Saturday 10:00 am to 6:00 pm
Sunday 12:00 pm to 5:00 pm

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Yrs MIDI Systems
(407) 331-5303
178 Oxford Rd
Fern Park, FL
Types of Instruments Sold
Electronic Keyboard, Recording Equipment
Store Information
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Computer, MIDI, Digital Audio systems, devices, software/hardware, installation, service, configuration, set-up, etc.
Hours
Store Hours:
Monday thru Saturday
10am - 7pm
Studio Hours:
7/24 - By appointment


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American Music Inc
(407) 332-1477
667 Florida Central Pkwy
Longwood, FL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Bandwagon Music Center
(407) 644-4885
40 Oakleigh Dr
Maitland, FL
Types of Instruments Sold
Band & Orchestral, Print Music

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Guitar Center
(407) 975-9119
520 N. Orlando Ave. Suite 130
Winter Park, FL
 
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Peavey ReValver MKIII

Until now, consumer amp-modeling software has been developed bycompanies whose specialty was, well, software. Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table. Guitar legends from EddieVan Halen to Joe Satriani have turned to them for signature sounds, andask any pro about the company’s underrated Classic series. ReValverMKIII is Peavey’s launch into the world of virtual amplifiers, and itoffers fresh perspectives on an increasingly popular guitarist’s tool.

ReValver installed easily into a Macintosh Power PC G5 and a Macbook Pro laptop. I ran the program both standalone, and as a plug-in in Ableton Live 7. For the G5, I interfaced with an M-Audio 1814 Firewire unit, entering the laptop through a Native Instruments USB Audio Konnect.

ReValver appears on your screen as a virtual drag-and-drop rack like Guitar Rig (Fig. 1) . Amps include Peavey’s, 6505, 6505+, ValveKing, Classic 30, JSX and Triple XXX models. Other amps are not directly named, but alluded to either by name or visuals, such as “Flathill” with its Mesa Rectifier appearance, the Fender-ish “Bass 100,” the Vox replica “Fox,” the “Matchbox” miming the Matchless, and the Marshall duo of the “Bluesmaker,” and the “ACM 900.” Boutique models such as the “Homebrew 1 and 2,” and the “Le Petite” were developed exclusively for ReValver. Also available are separate preamp and power amp modules so you can mix a Fox preamp section with a JSX power amp, etc.

Calling up a preset amp model launches an appropriate speaker/mic combination in the Convolution Speaker Simulation module. Each of these speaker/mic configurations is modeled from recordings of the actual speaker cabinets, using a specific mic and mic position. You can choose the same cabinet with a different mic choice and placement if you wish. Convolution is CPU hungry so the software provides a button labeled Resample to reduce the module’s appetite while retaining most of the detail. In addition, ReValver offers a less CPU intensive, more tweakable, Speaker Construction Set module (Fig. 2). Here, you can individually adjust the width, height, and depth of the cabinet; the type and number of speakers; the mic model, and its distance and angle from the source. In both speaker modules you can adjust the highs, lows, and speaker distortion and crunch levels. You may have heard of speaker breakup, but still not be clear as to what these last two parameters mean. Peavey says they affect a complex combination of speaker parameters, and will likely be renamed in the final version. The Convolution module would be easier to use if all the 1x12, 2x12, etc. cabinets were listed together, instead of grouped in an esoteric system understood by the developers alone, but all the basic configurations are available and then some (8x12 anyone?)

Effects include distortions/overdrives, compressors/limiters...

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