Peavey Software Oxford MS

Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table.

Rons Music Center
(662) 234-0051
717 N Lamar Blvd
Oxford, MS

Data Provided by:
Millennium Music Ctr
(601) 545-2565
2000 W Pine St
Hattiesburg, MS

Data Provided by:
Spiers Music Center Llc
(601) 250-0201
1602 Veterans Blvd
Mccomb, MS
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

Data Provided by:
Music City Instrumentsinc
(601) 849-9887
Po Box 548
Magee, MS
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Gibsons Drum Co
(601) 849-2142
119 Main A
Magee, MS
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Rebel Sound & Lighting
(662) 236-5340
1412 Jackson Ave W
Oxford, MS

Data Provided by:
S&S Audio
(601) 736-2839
311 Second St
Columbia, MS
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Clarke Trading Company
(601) 944-1188
210 E Capitol St Ste 100
Jackson, MS
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

Data Provided by:
Lucedale Music Co
(601) 947-9470
5169 Main St
Lucedale, MS
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Music Box
(601) 956-0792
707 Esplanade Dr
Ridgeland, MS
Types of Instruments Sold
Print Music

Data Provided by:
Data Provided by:

Peavey ReValver MKIII

Until now, consumer amp-modeling software has been developed bycompanies whose specialty was, well, software. Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table. Guitar legends from EddieVan Halen to Joe Satriani have turned to them for signature sounds, andask any pro about the company’s underrated Classic series. ReValverMKIII is Peavey’s launch into the world of virtual amplifiers, and itoffers fresh perspectives on an increasingly popular guitarist’s tool.

ReValver installed easily into a Macintosh Power PC G5 and a Macbook Pro laptop. I ran the program both standalone, and as a plug-in in Ableton Live 7. For the G5, I interfaced with an M-Audio 1814 Firewire unit, entering the laptop through a Native Instruments USB Audio Konnect.

ReValver appears on your screen as a virtual drag-and-drop rack like Guitar Rig (Fig. 1) . Amps include Peavey’s, 6505, 6505+, ValveKing, Classic 30, JSX and Triple XXX models. Other amps are not directly named, but alluded to either by name or visuals, such as “Flathill” with its Mesa Rectifier appearance, the Fender-ish “Bass 100,” the Vox replica “Fox,” the “Matchbox” miming the Matchless, and the Marshall duo of the “Bluesmaker,” and the “ACM 900.” Boutique models such as the “Homebrew 1 and 2,” and the “Le Petite” were developed exclusively for ReValver. Also available are separate preamp and power amp modules so you can mix a Fox preamp section with a JSX power amp, etc.

Calling up a preset amp model launches an appropriate speaker/mic combination in the Convolution Speaker Simulation module. Each of these speaker/mic configurations is modeled from recordings of the actual speaker cabinets, using a specific mic and mic position. You can choose the same cabinet with a different mic choice and placement if you wish. Convolution is CPU hungry so the software provides a button labeled Resample to reduce the module’s appetite while retaining most of the detail. In addition, ReValver offers a less CPU intensive, more tweakable, Speaker Construction Set module (Fig. 2). Here, you can individually adjust the width, height, and depth of the cabinet; the type and number of speakers; the mic model, and its distance and angle from the source. In both speaker modules you can adjust the highs, lows, and speaker distortion and crunch levels. You may have heard of speaker breakup, but still not be clear as to what these last two parameters mean. Peavey says they affect a complex combination of speaker parameters, and will likely be renamed in the final version. The Convolution module would be easier to use if all the 1x12, 2x12, etc. cabinets were listed together, instead of grouped in an esoteric system understood by the developers alone, but all the basic configurations are available and then some (8x12 anyone?)

Effects include distortions/overdrives, compressors/limiters...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved