Peavey Software Lynn Haven FL

Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table.

Awesome Music Factory
(850) 769-0900
910 Ohio Ave
Lynn Haven, FL

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Playground Music Ctr Inc
(850) 785-1355
27 Harrison Ave
Panama City, FL
Types of Instruments Sold
Acoustic Piano, Digital Piano, Band & Orchestral, Drums & Percussion

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Dynamic Prosound Lighting
(850) 872-1686
2904 E Highway 98
Panama City, FL

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Beach Music
(850) 234-1919
7151 W Highway 98
Panama City Beach, FL
Types of Instruments Sold
Print Music

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A Beat Better Inc.
(850) 769-2486
19 Harrison Ave
Panama City, FL
 
Leitz Music Co Inc
(850) 769-0111
508 Harrison Ave
Panama City, FL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Store Information
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
2 Guitar Techs
1 Luthier
Hours
9:00AM - 6:00PM M-F
9:00AM - 5:00PM Sat

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Tadlock Piano & Organ Co
(850) 763-0765
1328 W 15Th St
Panama City, FL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral

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B&H Music
(850) 769-2486
19 Harrison Ave
Panama City, FL
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, DJ Equipment

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Leitz Music Inc
(850) 769-0111
508 Harrison Ave
Panama City, FL
 
Guitar Center
(813) 801-9290
3914 West Hillsborough
Tampa, FL
 
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Peavey ReValver MKIII

Until now, consumer amp-modeling software has been developed bycompanies whose specialty was, well, software. Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table. Guitar legends from EddieVan Halen to Joe Satriani have turned to them for signature sounds, andask any pro about the company’s underrated Classic series. ReValverMKIII is Peavey’s launch into the world of virtual amplifiers, and itoffers fresh perspectives on an increasingly popular guitarist’s tool.

ReValver installed easily into a Macintosh Power PC G5 and a Macbook Pro laptop. I ran the program both standalone, and as a plug-in in Ableton Live 7. For the G5, I interfaced with an M-Audio 1814 Firewire unit, entering the laptop through a Native Instruments USB Audio Konnect.

ReValver appears on your screen as a virtual drag-and-drop rack like Guitar Rig (Fig. 1) . Amps include Peavey’s, 6505, 6505+, ValveKing, Classic 30, JSX and Triple XXX models. Other amps are not directly named, but alluded to either by name or visuals, such as “Flathill” with its Mesa Rectifier appearance, the Fender-ish “Bass 100,” the Vox replica “Fox,” the “Matchbox” miming the Matchless, and the Marshall duo of the “Bluesmaker,” and the “ACM 900.” Boutique models such as the “Homebrew 1 and 2,” and the “Le Petite” were developed exclusively for ReValver. Also available are separate preamp and power amp modules so you can mix a Fox preamp section with a JSX power amp, etc.

Calling up a preset amp model launches an appropriate speaker/mic combination in the Convolution Speaker Simulation module. Each of these speaker/mic configurations is modeled from recordings of the actual speaker cabinets, using a specific mic and mic position. You can choose the same cabinet with a different mic choice and placement if you wish. Convolution is CPU hungry so the software provides a button labeled Resample to reduce the module’s appetite while retaining most of the detail. In addition, ReValver offers a less CPU intensive, more tweakable, Speaker Construction Set module (Fig. 2). Here, you can individually adjust the width, height, and depth of the cabinet; the type and number of speakers; the mic model, and its distance and angle from the source. In both speaker modules you can adjust the highs, lows, and speaker distortion and crunch levels. You may have heard of speaker breakup, but still not be clear as to what these last two parameters mean. Peavey says they affect a complex combination of speaker parameters, and will likely be renamed in the final version. The Convolution module would be easier to use if all the 1x12, 2x12, etc. cabinets were listed together, instead of grouped in an esoteric system understood by the developers alone, but all the basic configurations are available and then some (8x12 anyone?)

Effects include distortions/overdrives, compressors/limiters...

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