Peavey Software Fort Dodge IA

Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table.

Frank Rieman Music Inc
(515) 576-2189
1024 Central Ave
Fort Dodge, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Als Music
(515) 232-1247
827 Kellogg Ave
Ames, IA
Types of Instruments Sold
Band & Orchestral

Data Provided by:
Guitar Center
(515) 267-9501
3910 University Ave.
West Des Moines, IA
 
Griggs Music
(319) 391-9000
Pob 2750
Davenport, IA
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Brights Piano Sales & Svc
(319) 366-1119
1332 Ellis Blvd Nw
Cedar Rapids, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano

Data Provided by:
8Th Note Music
(515) 573-6683
1650 8Th Ave N
Fort Dodge, IA
 
J Frahm Music
(319) 338-4500
1841 Lower Muscatine Rd
Iowa City, IA

Data Provided by:
Ye Olde Guitar Shoppe
(515) 278-8780
3403 70Th St
Des Moines, IA
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

Data Provided by:
Uncle Ikes Music
(563) 556-6052
2300 John F Kennedy Rd
Dubuque, IA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Store Information
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Full service department for:
Amplifiers
Guitars
Sound Equipment
Brass & Woodwinds
Hours
Monday - Friday 10:00AM to 7:00PM
Saturdays 10:00AM to 5:00PM
Sundays 12:00PM to 5:00PM

Data Provided by:
Mckay Music Co
(563) 324-0621
1326 Brady St
Davenport, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Data Provided by:

Peavey ReValver MKIII

Until now, consumer amp-modeling software has been developed bycompanies whose specialty was, well, software. Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table. Guitar legends from EddieVan Halen to Joe Satriani have turned to them for signature sounds, andask any pro about the company’s underrated Classic series. ReValverMKIII is Peavey’s launch into the world of virtual amplifiers, and itoffers fresh perspectives on an increasingly popular guitarist’s tool.

ReValver installed easily into a Macintosh Power PC G5 and a Macbook Pro laptop. I ran the program both standalone, and as a plug-in in Ableton Live 7. For the G5, I interfaced with an M-Audio 1814 Firewire unit, entering the laptop through a Native Instruments USB Audio Konnect.

ReValver appears on your screen as a virtual drag-and-drop rack like Guitar Rig (Fig. 1) . Amps include Peavey’s, 6505, 6505+, ValveKing, Classic 30, JSX and Triple XXX models. Other amps are not directly named, but alluded to either by name or visuals, such as “Flathill” with its Mesa Rectifier appearance, the Fender-ish “Bass 100,” the Vox replica “Fox,” the “Matchbox” miming the Matchless, and the Marshall duo of the “Bluesmaker,” and the “ACM 900.” Boutique models such as the “Homebrew 1 and 2,” and the “Le Petite” were developed exclusively for ReValver. Also available are separate preamp and power amp modules so you can mix a Fox preamp section with a JSX power amp, etc.

Calling up a preset amp model launches an appropriate speaker/mic combination in the Convolution Speaker Simulation module. Each of these speaker/mic configurations is modeled from recordings of the actual speaker cabinets, using a specific mic and mic position. You can choose the same cabinet with a different mic choice and placement if you wish. Convolution is CPU hungry so the software provides a button labeled Resample to reduce the module’s appetite while retaining most of the detail. In addition, ReValver offers a less CPU intensive, more tweakable, Speaker Construction Set module (Fig. 2). Here, you can individually adjust the width, height, and depth of the cabinet; the type and number of speakers; the mic model, and its distance and angle from the source. In both speaker modules you can adjust the highs, lows, and speaker distortion and crunch levels. You may have heard of speaker breakup, but still not be clear as to what these last two parameters mean. Peavey says they affect a complex combination of speaker parameters, and will likely be renamed in the final version. The Convolution module would be easier to use if all the 1x12, 2x12, etc. cabinets were listed together, instead of grouped in an esoteric system understood by the developers alone, but all the basic configurations are available and then some (8x12 anyone?)

Effects include distortions/overdrives, compressors/limiters...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved