Peavey Software Derby KS

Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table.

Musical Offerings, Llc
(316) 788-7455
407 Osage Rd
Derby, KS
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Solo Musicians Supply
(316) 264-3377
4480 S Meridian Ave Lot 101
Wichita, KS
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Sound Reinforcement

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Couch Musical Instrument Repr
(316) 265-8100
131 S Hydraulic St
Wichita, KS
Types of Instruments Sold
Band & Orchestral
Instrument Repair Information
Quality repair on wind and stringed instruments
Hours
Mon-fri 9:00 to 6;00
Sat 9:00 to 1:00

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E M Shorts Guitars
(316) 684-6252
2525 E Douglas Ave
Wichita, KS
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments

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Mchugh Violins, Inc.
(316) 681-2925
2726 Boulevard Plz
Wichita, KS
Types of Instruments Sold
Band & Orchestral

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Banjo Fiddle Etc
(316) 686-6787
2869 S Mosley St
Wichita, KS
Types of Instruments Sold
Guitars & Fretted Instruments

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Senseney Music, Inc.
(316) 262-1487
2300 E. Lincoln
Wichita, KS
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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C Major Guitars
(316) 687-8182
110 S Hillside St
Wichita, KS
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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Guitar Stand The
(316) 269-3430
2127 E Bayley St
Wichita, KS
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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Senseney Music, Inc.
(316) 253-3879
8525 Tipperary
Wichita, KS
Types of Instruments Sold
Acoustic Piano, Digital Piano, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Peavey ReValver MKIII

Until now, consumer amp-modeling software has been developed bycompanies whose specialty was, well, software. Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table. Guitar legends from EddieVan Halen to Joe Satriani have turned to them for signature sounds, andask any pro about the company’s underrated Classic series. ReValverMKIII is Peavey’s launch into the world of virtual amplifiers, and itoffers fresh perspectives on an increasingly popular guitarist’s tool.

ReValver installed easily into a Macintosh Power PC G5 and a Macbook Pro laptop. I ran the program both standalone, and as a plug-in in Ableton Live 7. For the G5, I interfaced with an M-Audio 1814 Firewire unit, entering the laptop through a Native Instruments USB Audio Konnect.

ReValver appears on your screen as a virtual drag-and-drop rack like Guitar Rig (Fig. 1) . Amps include Peavey’s, 6505, 6505+, ValveKing, Classic 30, JSX and Triple XXX models. Other amps are not directly named, but alluded to either by name or visuals, such as “Flathill” with its Mesa Rectifier appearance, the Fender-ish “Bass 100,” the Vox replica “Fox,” the “Matchbox” miming the Matchless, and the Marshall duo of the “Bluesmaker,” and the “ACM 900.” Boutique models such as the “Homebrew 1 and 2,” and the “Le Petite” were developed exclusively for ReValver. Also available are separate preamp and power amp modules so you can mix a Fox preamp section with a JSX power amp, etc.

Calling up a preset amp model launches an appropriate speaker/mic combination in the Convolution Speaker Simulation module. Each of these speaker/mic configurations is modeled from recordings of the actual speaker cabinets, using a specific mic and mic position. You can choose the same cabinet with a different mic choice and placement if you wish. Convolution is CPU hungry so the software provides a button labeled Resample to reduce the module’s appetite while retaining most of the detail. In addition, ReValver offers a less CPU intensive, more tweakable, Speaker Construction Set module (Fig. 2). Here, you can individually adjust the width, height, and depth of the cabinet; the type and number of speakers; the mic model, and its distance and angle from the source. In both speaker modules you can adjust the highs, lows, and speaker distortion and crunch levels. You may have heard of speaker breakup, but still not be clear as to what these last two parameters mean. Peavey says they affect a complex combination of speaker parameters, and will likely be renamed in the final version. The Convolution module would be easier to use if all the 1x12, 2x12, etc. cabinets were listed together, instead of grouped in an esoteric system understood by the developers alone, but all the basic configurations are available and then some (8x12 anyone?)

Effects include distortions/overdrives, compressors/limiters...

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