Peavey Software Ames IA

Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table.

Rieman Music
(515) 233-4203
409 Douglas Ave
Ames, IA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Professional Music Center
5-15/-440-1820
1710 NW 86th Street
Clive, IA
Lesson Information
Lessons: Yes
Instrument Repair Information
Guitar maintenance and repairs of all types. Excellent stock of vacuum tubes for amplifiers.
Hours
Mon - Thurs 11:00 am to 8:00 pm
Fri - Sat 11:00 am to 6:00pm
Sunday 12:00 pm to 5:00 pm

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Creative Entertainment
(712) 255-9757
1229 4Th St
Sioux City, IA

Data Provided by:
Dewey Kruger Music Ctr Ltd
(641) 324-1300
Po Box 229
Northwood, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs

Data Provided by:
Rays Mid Bell Music
17122744600x14
4230 So. Lancelot Lane
Sioux City, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Woodwind, Brasswind, guitar, bass


Data Provided by:
Als Music
(515) 232-1247
827 Kellogg Ave
Ames, IA
Types of Instruments Sold
Band & Orchestral

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Music Services
(641) 792-8342
1723 S 4Th Ave E
Newton, IA
Types of Instruments Sold
Band & Orchestral, Print Music

Data Provided by:
Frank Rieman Music Inc
(515) 262-0365
4420 E Broadway Ave
Des Moines, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Frank Rieman Music Inc
(515) 576-2189
1024 Central Ave
Fort Dodge, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Youngerman Music Co., Inc.
(515) 244-5518
8561 Hickman Rd
Urbandale, IA

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Peavey ReValver MKIII

Until now, consumer amp-modeling software has been developed bycompanies whose specialty was, well, software. Peavey is the first ampmanufacturer to jump whole hog into the software pool. With decades ofexperience building amplifiers, the Mississippi company bringsfirst-hand tube-tone knowledge to the table. Guitar legends from EddieVan Halen to Joe Satriani have turned to them for signature sounds, andask any pro about the company’s underrated Classic series. ReValverMKIII is Peavey’s launch into the world of virtual amplifiers, and itoffers fresh perspectives on an increasingly popular guitarist’s tool.

ReValver installed easily into a Macintosh Power PC G5 and a Macbook Pro laptop. I ran the program both standalone, and as a plug-in in Ableton Live 7. For the G5, I interfaced with an M-Audio 1814 Firewire unit, entering the laptop through a Native Instruments USB Audio Konnect.

ReValver appears on your screen as a virtual drag-and-drop rack like Guitar Rig (Fig. 1) . Amps include Peavey’s, 6505, 6505+, ValveKing, Classic 30, JSX and Triple XXX models. Other amps are not directly named, but alluded to either by name or visuals, such as “Flathill” with its Mesa Rectifier appearance, the Fender-ish “Bass 100,” the Vox replica “Fox,” the “Matchbox” miming the Matchless, and the Marshall duo of the “Bluesmaker,” and the “ACM 900.” Boutique models such as the “Homebrew 1 and 2,” and the “Le Petite” were developed exclusively for ReValver. Also available are separate preamp and power amp modules so you can mix a Fox preamp section with a JSX power amp, etc.

Calling up a preset amp model launches an appropriate speaker/mic combination in the Convolution Speaker Simulation module. Each of these speaker/mic configurations is modeled from recordings of the actual speaker cabinets, using a specific mic and mic position. You can choose the same cabinet with a different mic choice and placement if you wish. Convolution is CPU hungry so the software provides a button labeled Resample to reduce the module’s appetite while retaining most of the detail. In addition, ReValver offers a less CPU intensive, more tweakable, Speaker Construction Set module (Fig. 2). Here, you can individually adjust the width, height, and depth of the cabinet; the type and number of speakers; the mic model, and its distance and angle from the source. In both speaker modules you can adjust the highs, lows, and speaker distortion and crunch levels. You may have heard of speaker breakup, but still not be clear as to what these last two parameters mean. Peavey says they affect a complex combination of speaker parameters, and will likely be renamed in the final version. The Convolution module would be easier to use if all the 1x12, 2x12, etc. cabinets were listed together, instead of grouped in an esoteric system understood by the developers alone, but all the basic configurations are available and then some (8x12 anyone?)

Effects include distortions/overdrives, compressors/limiters...

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