Moogerfooger MF-107 FreqBox Mount Laurel NJ

To begin with, the FreqBox isn't really an "effects" pedal at all. It is primarily a single voltage-controlled oscillator (VCO), very much like those found in the legendary Minimoog and contemporary Moog synths—but it has a 1/4" input that accepts a variety of sources, including guitar.

Best Buy Mt. Laurel #583
(856) 608-1600
1420 Nixon Dr
Mt Laurel, NJ
Recycling Services
Recycling Kiosk
Ink & Toner Drop-off
We also recycle, rechargable batteries, cables, wiring, cords, game controllers

Music & Arts
(856) 985-5557
742 West Route 70
Marlton, NJ
 
Guitar Center #825
(856) 755-9511
2100 Route 38 Ste 1A
Cherry Hill, NJ
 
Sam Ash 14
(856) 667-6696
2100 Route 38
Cherry Hill, NJ
 
Guitar Center Cherry Hill
(856) 755-9511
2100 Route 38
Cherry Hill, NJ
Store Information
Mon-Thur: 11-9
Fri: 10-9
Sat: 10-8
Sun: 11-7

Best Buy Store #583
(856) 608-1600
1420 Nixon Dr
Mount Laurel, NJ
Recycling Services
Recycling Kiosk
Ink & Toner Drop-off
We also recycle, rechargable batteries, cables, wiring, cords, game controllers

Sam Ash Music
(856) 667-6696
2100 Route 38
Cherry Hill, NJ
 
Sam Ash Music # 14
(856) 667-6696
2100 Rt 38
Cherry Hill, NJ
 
Guitar Center #825
2100 Route 38
Cherry Hill, NJ
 
Eighth Street Music
(856) 662-0800
7815 Airport Hwy
Pennsauken, NJ
 

Moogerfooger MF-107 FreqBox

Moogerfooger MF-107 FreqBoxTHE FIRST MOOGERFOOGER pedals were relatively conventional: A low-pass filter, a ring-modulator, a phase-shifter, and an analog delay. Then came the decidedly more un-usual MuRF and Bass MuRF boxes, which create modulated-filter effects and generate sequencer-like patterns from single notes. But the FreqBox ($359 retail/$339 street) is more like something reverse engineered from alien technology, requiring a specialized mindset to fully grok. Thankfully, the user manual explains everything relatively clearly, as well as providing a primer on some fundamental synthesis concepts.

To begin with, the FreqBox isn’t really an “effects” pedal at all. It is primarily a single voltage-controlled oscillator (VCO), very much like those found in the legendary Minimoog and contemporary Moog synths—but it has a 1/4" input that accepts a variety of sources, including guitar. That means you can modulate the oscillator in various ways using the audio input signal, including having it track the pitches played by your instrument using the hard sync function, which is sort of like having a simple mono guitar synthesizer if your instrument happens to be a guitar. The input signal can also be used to frequency modulate (FM) the VCO, in conjunction with the onboard envelope follower.

Like all Moogerfoogers, the FreqBox provides an abundance of controls. Drive is an input gain control that can be cranked up for overdrive effects, whereas the overall volume is governed by the Output Level control. The VCO has a Frequency control (which sweeps a range from 25Hz to 1.6kHz) and a Waveform control (which crossfades between triangle, sawtooth, square, and pulse waveforms), along with the Sync on/off switch. The Envelope Amount and FM Amount controls determine how much envelope follower control voltage (CV) and Drive signal modulate the VCO, while Mix determines the balance between the dry and VCO sounds.

The FreqBox is a mono device with 1/4" I/O, but there are also Envelope and Oscillator outputs—for use with other Moogerfoogers, or anything that responds to control voltages—and five inputs for control of Frequency, Waveform, Envelope Amount, FM Amount, and Mix via expression pedals (such as the new Moog EP2, pictured) or other CV sources.

To test the FreqBox, I began by trying a few of the Basic Applications detailed in the manual. “Basic Sync Setup” (triangle wave, medium Drive, with no envelope follower or FM) produced some spatty but edgy fuzz-like effects—especially while sweeping the Frequency with an expression pedal—but the results were inconsistent. Cranking the Drive up and hitting the input with a fuzz, however, kicked the FreqBox into high gear, yielding searing tones similar to wah-sculpted fuzz sounds, but with lots more buzz, bite, and intensity. Adding a little FM increased the growl factor, and a bit of Envelope added some auto-wah vibe. These settings also sounded monstrous on power chords.

When the VCO isn’t synced, the input signal triggers whatev...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved