Guitar Lessons Oneonta NY

Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings.

John Tibball
97-24 85th street
Ozone Park, NY
Instruments
Guitar, Other, Theory
Styles
Blues, Folk - Country - Bluegrass, Kids, Other, Rock - Alternative
Experience Levels
Beginner, Intermediate
Rate
$45
Years of Experience
5 Years

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William Coppola
25-12 32nd Street Apt. 2
Astoria, NY
Instruments
Composition, Conducting, Ear Training, Euphonium, Guitar, Horn, Music Business, Other, Theory, Trombone, Trumpet, Tuba
Styles
Blues, Classical, Jazz, Kids
Experience Levels
Beginner, Intermediate
Rate
$40
Years of Experience
2 Years

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James Lenger
1350 Avenue of the Americas 2nd Floor
New York, NY
Instruments
Composition, Ear Training, Electric Bass, Film Scoring, Guitar, Music Therapy, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$90
Years of Experience
10 Years

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Matthew O.
(877) 231-8505
11th st
Astoria, NY
Subjects
Piano, Guitar
Ages Taught
4 to 99
Specialties
music, Guitar and Piano I begin with meeting the student where they are in relation to their musical experience. After establishing trust, through encouragement I empower students to recognize their potential with out pre-determined expectations or limits. I am comfortable in various genres from classical to punk.
Education
Flushing - - 1979 -1981 Queensborough - music - 1993-1995
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TakeLessons Music Teacher

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Jamie R.
(877) 231-8505
Noll St.
Brooklyn, NY
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Music Theory, Theatrical Broadway Singing, Music Performance, Guitar, Opera Voice, Singing, Speaking Voice, Piano
Ages Taught
5 to 80
Specialties
I usually adjust my method to the student's needs. For example, if the student is not serious about music and wants to take lessons for fun, I will not pressure practicing (although communicate that it is important to practice in order to improve). However, if the student has a particular goal or is serious about music, I will usually teach a more detailed and intense lesson. Although I have a degree in voice performance, I have had a lot of theater education, and I focus my singing lessons o…
Education
University of Oregon - MFA Choral Conducting - 09/05-06/08 (Master's degree received) Syracuse University - BFA Voice Performance - 9/01-5/05 (Bachelor's degree received)
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TakeLessons Music Teacher

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Tim Lannen
(646) 400-1014
55 Linden blvd 6E
Brooklyn, NY
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Guitar
Styles
Blues, Folk - Country - Bluegrass, Kids, Rock - Alternative
Experience Levels
Beginner, Intermediate
Rate
$35
Years of Experience
6 Years

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Dana V.
(877) 231-8505
Balsam Lane
Levittown, NY
Subjects
Theatrical Broadway Singing, Music Theory, Guitar, Singing
Ages Taught
1 to 99
Specialties
Theatrical Broadway Singing (Belting), NYSSMA Prep for Voice Levels I-VI, Dalcroze Eurythmics
Education
Hewlett High School - Liberal Arts - 9/96-6/00 (High School diploma received) SUNY Old Westbury - Psychology - 1/06-12/07 (Bachelor's degree received) Hofstra University - Music Education - 1/09-Present (not complete)
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Isaac J.
(877) 231-8505
East 87th Street
New York, NY
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Guitar, Music Theory, Songwriting, Bass Guitar, Upright Bass, Piano, Music Performance, Music Recording
Ages Taught
5 to 99
Specialties
When teaching children, I prefer Alfred's method books for their accessibility and simplicity. I have a very deep knowledge of jazz and jazz history from classic new orleans to the most contemporary styles. I also teach classical music on the upright bass and piano and have students playing Beethoven and Bach regularly. I have a thorough knowledge of Western classical music history and as a composer, am an expert theoretician. I have taught rock and pop guitar for many years and have always f…
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New York University - Jazz Performance - 2005-2009 (Bachelor's degree received)
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Jose G. M.
(877) 231-8505
SUNY
Stony Brook, NY
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Classical Guitar, Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
Classical, pop, reggae, acoustic, electrical guitar. Musicianship ( Music theory & sight singing) Music history.
Education
SUNY Stony Brook - Classical Guitar Performance - 2009-2010 (not complete) Conservatory of Music PR - Classical Guitar - 2004-2009 (Bachelor's degree received)
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Mike L.
(877) 231-8505
Odell Place
New Rochelle, NY
Subjects
Music Theory, Cello, Music Recording, Music Performance, Guitar, Piano
Ages Taught
8 to 99
Specialties
Cello - Classical, Improvisational Rock/Metal & Jazz Training/Experience. Piano - Classical, Improvisation. Guitar - Rock/Metal, Improvisation.
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Manhattanville College - Music/Psychology - 2005-2009 (Bachelor's degree received)
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Mastering 7-String Minor 7th Arpeggios with Buz McGrath of Unearth

0.GP1109_Lessons_Met~nrAS METAL HAS EVOLVED, THERE HAS BEEN a trend toward lowered tunings. In an effort to make their music sound deeper and darker, many guitarists have turned to alternate and dropped tunings, as well as 7-string guitars. Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings. Note to 6-string players: If you play the first two notes of the 7-string sweep arpeggios on the 7th and 10th frets of the sixth string (using your 1st finger), you can play this lesson without a 7-string.

I worked with Buz creating an instructional program outlining his style and techniques, and found him to be quite diverse as a player. Buz often adds minor 7th and diminished riffs and arpeggios into his music and, although he can shred masterfully, he allows melody to find its way into the mix. The example I’m going to share with you is inspired by the lead section from the Unearth song “Crow Killers” from their CD The March, and it incorporates one of his signature 7-string arpeggios.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-1.jpg In Ex. 1, the lead section begins with a melodic line that climbs up the neck in three segments. Pay close attention to his vibrato at the end of each phrase.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-2.jpg Ex. 2 is a minor 7th sweep arpeggio that starts on a B at the seventh string 12th fret and, using hammer-ons, pull-offs, and slides, travels up to the 19th fret of the first string and all the way back down.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-3.jpg Ex. 3 is a similar minor 7th arpeggio but Buz finishes it off with a nice melodic line. Pay close attention to the fingering, it will help you cross all the strings smoothly.

John McCarthy is the creator of the Rock House Method.

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