Guitar Lessons Nevada City CA

Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings.

Rick Kirkpatrick Guitar Lssns
(530) 205-5821
314 Spring St
Nevada City, CA
 
Kristina B.
(877) 231-8505
Bush St.
San Francisco, CA
Subjects
Songwriting, Music Theory, Singing, Guitar
Ages Taught
4 to 99
Specialties
Voice, Guitar, Vocal Technique, Range, Improvisation, Music Theory, Songwriting I specialize in Pop/Rock/Jazz/Country/Indie Rock and Musical Theater genres.
Education
Boston University - Communications - 9/95 ~ 5/96 Berklee College of Music - Voice/Music Business/Music Therapy - 9/97 ~ 5/99 University of Massachusetts - Sociology/Psychology - 9/99 ~ 8/00 Barnstable High - All - 9/91 ~ 6/95
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TakeLessons Music Teacher

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Pablo S.
(877) 231-8505
Fairford Ave
Downey, CA
Subjects
Music Performance, Music Theory, Singing, Guitar
Ages Taught
5 to 60
Specialties
Jazz Rock Tango Bossa Nova and South american styles Orff Schulwerk-Kodaly-Dalcroze- Berklee Guitar Method Alfred's Method-Mel Bay-Hal Leonard etc
Education
Universtiy of El Salvador - Music Therapy - March 2000 (Bachelor's degree received) University of California - Music Therapy - In Progress (not complete)
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TakeLessons Music Teacher

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Julie M.
(877) 231-8505
Topeka Drive
Reseda, CA
Subjects
Piano, Singing, Songwriting, Speaking Voice, Organ, Guitar, Music Recording, Music Performance, Classical Guitar, Theatrical Broadway Singing, Opera Voice, Bass Guitar, Music Theory
Ages Taught
5 to 105
Specialties
I specialize in contemporary music styles, but I am very technique-oriented and I incorporate music theory in every style and instrument that I teach. My methods of teaching range from use of books from beginner to advanced styles, to my own personal lesson plans that I have accumulated over the years. I also specialize in one-on-one singer/songwriter clinics to help better writing styles, melody writing, chord structure, etc.
Education
Berklee College of Music - Voice/Composition - 1998-2001 (Bachelor's degree received) Saguaro High School - General - 1993-1997 (High School diploma received)
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TakeLessons Music Teacher

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Taylor D.
(877) 231-8505
Raymond St
Chatsworth, CA
Subjects
Guitar, Drums, Songwriting, Percussion
Ages Taught
5 to 99
Specialties
I specialize in all genres of drum set playing including pop, rock, jazz, funk, latin, r&b, hip-hop, blues, reggae, punk, and heavy metal. I also teach orchestral and marching band snare drum techniques and methods, auxiliary and latin percussion, and guitar up to an intermediate level.
Education
Musicians Institute - Percussion Institute of Technology - fall 2008-summer 2010 (Associate degree received)
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Soundcheck Music
(530) 272-7236
671 Maltman Dr Ste 5
Grass Valley, CA
 
Nicholas W.
(877) 231-8505
Ashton St
San Diego, CA
Subjects
Bass Guitar, Upright Bass, Guitar, Music Theory
Ages Taught
8 to 99
Specialties
Music, Bass Guitar, Upright Bass, Guitar, Music Theory Rock, Heavy Metal, Hip-hop, R&B, Motown, Jazz, Country, Blues, Reggae
Education
Roosevelt University - Music - 1997-2001 College of Santa Fe - Music - 1995-1996 Riverside Brookfield High School - - 1991-1995
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TakeLessons Music Teacher

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charles s.
(877) 231-8505
W EDINGER SPC
Santa Ana, CA
Subjects
Guitar
Ages Taught
5 to 99
Specialties
jazz, blues, soul, gospel, pop and rock.
Education
WISCONSIN CONSERVATORY OF MUSIC - JAZZ MAJOR - 1974-77 (not complete)
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Alexander M.
(877) 231-8505
W. 24th Street
Los Angeles, CA
Subjects
Music Performance, Songwriting, Bass Guitar, Saxophone, Tuba, Oboe, Bassoon, Trumpet, Clarinet, Piano, French Horn, Music Theory, Trombone, Music Recording, Guitar, Flute, Classical Guitar, Percussion
Ages Taught
8 to 99
Specialties
I teach nearly every style of guitar: classical, jazz, rock, blues, metal, country, pop/contemporary, and folk. I feel that it is important for students to be able to read music, but I also teach students by rote. This improves their ear-training and can make learning songs much easier.
Education
University of Southern California - Music Performance - August 2010-Present (not complete) University of North Texas - Music Education - August 2006- May 2010 (Bachelor's degree received)
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TakeLessons Music Teacher

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Ian S.
(877) 231-8505
San Felipe Way
Novato, CA
Subjects
Music Theory, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting
Ages Taught
1 to 99
Specialties
Rock, Pop, Funk, Blues, Jazz, Fusion, Solo Guitar (classical & fingerstyle)
Education
Musicians Institute - Guitar Performance - Graduated 2008 (Associate degree received) San Marin High School - -- - Graduated 2004 (High School diploma received)
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Mastering 7-String Minor 7th Arpeggios with Buz McGrath of Unearth

0.GP1109_Lessons_Met~nrAS METAL HAS EVOLVED, THERE HAS BEEN a trend toward lowered tunings. In an effort to make their music sound deeper and darker, many guitarists have turned to alternate and dropped tunings, as well as 7-string guitars. Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings. Note to 6-string players: If you play the first two notes of the 7-string sweep arpeggios on the 7th and 10th frets of the sixth string (using your 1st finger), you can play this lesson without a 7-string.

I worked with Buz creating an instructional program outlining his style and techniques, and found him to be quite diverse as a player. Buz often adds minor 7th and diminished riffs and arpeggios into his music and, although he can shred masterfully, he allows melody to find its way into the mix. The example I’m going to share with you is inspired by the lead section from the Unearth song “Crow Killers” from their CD The March, and it incorporates one of his signature 7-string arpeggios.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-1.jpg In Ex. 1, the lead section begins with a melodic line that climbs up the neck in three segments. Pay close attention to his vibrato at the end of each phrase.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-2.jpg Ex. 2 is a minor 7th sweep arpeggio that starts on a B at the seventh string 12th fret and, using hammer-ons, pull-offs, and slides, travels up to the 19th fret of the first string and all the way back down.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-3.jpg Ex. 3 is a similar minor 7th arpeggio but Buz finishes it off with a nice melodic line. Pay close attention to the fingering, it will help you cross all the strings smoothly.

John McCarthy is the creator of the Rock House Method.

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