Guitar Lessons Jamestown NY

Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings.

Isaac J.
(877) 231-8505
East 87th Street
New York, NY
Subjects
Guitar, Music Theory, Songwriting, Bass Guitar, Upright Bass, Piano, Music Performance, Music Recording
Ages Taught
5 to 99
Specialties
When teaching children, I prefer Alfred's method books for their accessibility and simplicity. I have a very deep knowledge of jazz and jazz history from classic new orleans to the most contemporary styles. I also teach classical music on the upright bass and piano and have students playing Beethoven and Bach regularly. I have a thorough knowledge of Western classical music history and as a composer, am an expert theoretician. I have taught rock and pop guitar for many years and have always f…
Education
New York University - Jazz Performance - 2005-2009 (Bachelor's degree received)
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Eric B.
(877) 231-8505
west 6th street
Brooklyn, NY
Subjects
Music Performance, Songwriting, Bass Guitar, Guitar, Music Theory, Music Recording
Ages Taught
5 to 99
Specialties
rock, blues, metal, funk, acoustic..... chords, rhythm, theory, scales, modes, soloing, etc.... slap, fingering technique....
Education
IPFW - general studies - 1995-1996
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Kay Barlow
369 West Main St.
Fredonia, NY
Instruments
Guitar, Piano, Voice
Experience Levels
Beginner
Rate
$0

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Kenny P.
(877) 231-8505
23rd st
Brooklyn, NY
Subjects
Music Recording, Music Performance, Guitar, Songwriting, Music Theory
Ages Taught
9 to 30
Specialties
I have been teaching rock music mostly when it comes to playing. I try to involve music theory in everything I teach as well. My songwriting lessons are very involved in theory.
Education
Berklee College of Music - - 2005-2009 (Bachelor's degree received)
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Zachary L.
(877) 231-8505
W. 140th St.,
New York, NY
Subjects
Guitar, Music Theory, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
I am a classical guitarist. I have a BM and MM in classical guitar performance. However, I teach most popular styles as well. I was awarded a scholarship to study jazz at the University of Southern California, and I played with famous blues guitarist Hubert Sumlin as a teenager.
Education
Vanderbilt University - Classical guitar performance - 2001-2005 (Bachelor's degree received) Manhattan School of Music - Classical guitar performance - 2007-2009 (Master's degree received) Manhattan School of Music - Classical guitar performance - 2009-2010 (Degree received)
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Sebastian C.
(877) 231-8505
East 104th Street
New York, NY
Subjects
Music Theory, Guitar, Music Performance, Songwriting
Ages Taught
5 to 99
Specialties
I start by setting specific goals (within a defined time-frame) and develop a program accordingly. I am comfortable with jazz, rock and all popular forms of American music (r&b, funk, folk, etc) I have worked extensively with Latin American rhythms from Son, Bossa Nova, Samba, Bolero, to more uncommon like traditional Colombian (cumbia, vallenato) and Peruvian (landó, festejo) rhythms
Education
City College of New York - Jazz Guitar - 1999-2004 (Bachelor's degree received) Manhattan School of Music - Jazz Guitar - 2007-2009 (Master's degree received)
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Ted B.
(877) 231-8505
Henry Street
New York, NY
Subjects
Songwriting, Guitar, Music Theory, Music Performance
Ages Taught
10 to 30
Specialties
Genres I cover include rock, pop jazz, blues, funk, folk, and RnB. Focus on guitar performance, technique, tone, improvisation, theory, musicianship. Cover techniques for both electric and acoustic guitars.
Education
Manhattan School of Music - Jazz guitar performance - 2006-2010 (Bachelor's degree received) New Orleans Center for Creative Arts - Jazz guitar - 2002-2005 (not complete)
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Jose G. M.
(877) 231-8505
SUNY
Stony Brook, NY
Subjects
Classical Guitar, Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
Classical, pop, reggae, acoustic, electrical guitar. Musicianship ( Music theory & sight singing) Music history.
Education
SUNY Stony Brook - Classical Guitar Performance - 2009-2010 (not complete) Conservatory of Music PR - Classical Guitar - 2004-2009 (Bachelor's degree received)
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Mark V.
(877) 231-8505
Park Ave.
New York, NY
Subjects
Classical Guitar, Music Theory, Guitar
Ages Taught
5 to 99
Specialties
I have experience with many styles of guitar-playing, including jazz, classical, rock, and folk. Most of my performances have been in classical and jazz styles, though I have spent many summers playing acoustic guitar for camp fires. Professionally, I am a sound designer for theater, putting to use my training in music theory and composition. I have also composed original music for two full-length theatrical productions, as well as conducted an ensemble of eight musicians for one of those pro…
Education
Vassar College - Music - 9/06 - 5/10 (Bachelor's degree received)
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Stephen S.
(877) 231-8505
W. 92 st,
New York, NY
Subjects
Singing, Opera Voice, Piano, Guitar
Ages Taught
4 to 70
Specialties
music, voice, Opera, piano, guitar All levels, Really enjoy working with Beginners! classical, opera, broadway, pop, jazz, I'm a good voice builder! and motivator.
Education
Plainedge - liberal arts - 72-76 Cortland university - music - 76-80 Manhattan School of Music - voice,music history - 88-90
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Mastering 7-String Minor 7th Arpeggios with Buz McGrath of Unearth

0.GP1109_Lessons_Met~nrAS METAL HAS EVOLVED, THERE HAS BEEN a trend toward lowered tunings. In an effort to make their music sound deeper and darker, many guitarists have turned to alternate and dropped tunings, as well as 7-string guitars. Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings. Note to 6-string players: If you play the first two notes of the 7-string sweep arpeggios on the 7th and 10th frets of the sixth string (using your 1st finger), you can play this lesson without a 7-string.

I worked with Buz creating an instructional program outlining his style and techniques, and found him to be quite diverse as a player. Buz often adds minor 7th and diminished riffs and arpeggios into his music and, although he can shred masterfully, he allows melody to find its way into the mix. The example I’m going to share with you is inspired by the lead section from the Unearth song “Crow Killers” from their CD The March, and it incorporates one of his signature 7-string arpeggios.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-1.jpg In Ex. 1, the lead section begins with a melodic line that climbs up the neck in three segments. Pay close attention to his vibrato at the end of each phrase.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-2.jpg Ex. 2 is a minor 7th sweep arpeggio that starts on a B at the seventh string 12th fret and, using hammer-ons, pull-offs, and slides, travels up to the 19th fret of the first string and all the way back down.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-3.jpg Ex. 3 is a similar minor 7th arpeggio but Buz finishes it off with a nice melodic line. Pay close attention to the fingering, it will help you cross all the strings smoothly.

John McCarthy is the creator of the Rock House Method.

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